In tabloid parlance, Mathieu Demy is cinema royalty. Son of the late, great French new wave director Jacques Demy (Lola, Bay of Angels, The Umbrellas of Cherbourg), he is also the son of Agnès Varda, the pioneering female director of the Left Bank who excels in fiction and nonfiction films (Vagabond, The Gleaners and I). 
By Mona Molarsky As celebrities trouped up the red carpet to the Metropolitan Museum of Art’s Costume Institute gala on May 7th, it was hard to imagine anything subversive could be happening anywhere in the museum. Paparazzi clicked and video cameras live-streamed, while Vogue editor-in-chief Anna Wintour, led a parade of stars who showed off 
The musical language of the Balkans by JUDY GELMAN MYERS Since the ’90s, horrendous images of war have dominated our perception of the Balkan Peninsula. To lay these images to rest, two European foundations engaged the universal healing power of music in “The Balkans—Crossroads of Civilizations,” an extravaganza of suites, sonatas and songs curated to underscore 
