School may be out, but the hardworking kids in the New York theater scene still have homework to do this summer. Below, a list of the five most anticipated events of the 2012 summer season. Harvey Hot on the heels of last year’s debut in The Normal Heart, two-time Emmy winner Jim Parsons (The 
Downtown Shakespeare in the Parking Lot Tired of waiting in the stifling heat for Shakespeare in the Park to no avail? Fear not; there’s another free outdoor option to view the Bard’s work. The Drilling Company’s LES staple, taking place in the municipal parking lot at the corner of Broome and Ludlow streets, will present 
Clybourne Park arrives bearing serious dramatic lineage. Bruce Norris’s 2011 Pulitzer Prize-winner for drama, which, under Pam McKinnon’s adroit direction has already enjoyed a successful run at the Off-Broadway Playwrights Horizons in addition to London and Los Angeles tours, is a direct descendant of Lorraine Hansberry’s milestone work A Raisin in the Sun, set in 
The cast of Streetcar revival dished on the upcoming revival The company of the forthcoming revival of A Streetcar Named Desire showed up at B. Smith’s in midtown last night to eat, drink and discuss their new revival of the Tennessee Williams masterpiece. Attendees included director Emily Mann as well as Blair Underwood, making his 
A new revival of Albee’s forgotten The Lady from Dubuque sheds light on the darkest of topics In his signature work, Edward Albee asked “Who’s Afraid of Virginia Woolf?” In The Lady from Dubuque, which Signature is reviving following an abortive 1980 New York run, the playwright opens his show with the question “Who am 
Last Saturday night, while the streets were lined with the stench of stale beer and the remains of Kelly green party favors, something magical was taking place in the East Village where a crowd of people were crammed tightly into a small, dark space. Most sat, a few stood. Songs of the old school variety 
When the film adaptation of The Hours came out, my boss at the time said, apropos of Julianne Moore’s character, “You don’t need a reason to be depressed.” That truth kept flashing through my mind during RX, the saddest comedy to come along in quite a while. In Kate Fodor’s world, managing editor at American 
