Posts Tagged ‘Steven Soderbergh’

At Cinema’s Crossroads

Written by Armond White on . Posted in Arts & Film, Film

HELLO, WALTER HILL. GOOD RIDDANCE TO SODERBERGH This week, America’s most overrated filmmaker, Steven Soderbergh, gets booted out of the arena by the country’s most underrated great filmmaker, Walter Hill. The simultaneous release of Hill’s Bullet to the Head and Soderbergh’s Side Effects perfectly contrasts the art of genre filmmaking with the pretense of art [&hellip
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Armond White: Channing Tatum Hides Behind Magic Mike

Written by Armond White on . Posted in A Trip Through the Archives, Arts & Film, Arts Our Town, Arts Our Town Downtown, Arts West Side Spirit, Film, Our Town, Our Town Downtown, West Side Spirit

channing-tatum-new-magic-mike-stills So what if Channing Tatum started as a stripper? The problem with Magic Mike, the semi-autobiographical melodrama he co-produced, is that he couldn’t find a filmmaker to properly translate that beefcake experience to the screen. Whatever Tatum knows about working-class ambition and exploitation (personal or Hollywood style) gets lost in director Steven Soderbergh’s affectless look [&hellip
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Moore of the Same

Written by admin on . Posted in Arts & Film, Film

“Smart” and “cynical” are not the same but, lately, film culture has confused the two—as proved by Steven Soderbergh’s The Informant! and Michael Moore’s Capitalism: A Love Story. Both films pretend to critique greed and corporate insensitivity through the filmmakers’ liberal-leaning scrutinies of the American way of life. Soderbergh dramatizes how an Archer Daniels Midland [&hellip
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The Beautiful and the Damned

Written by admin on . Posted in Arts & Film, Film

The System rewards Steven Soderbergh and he pays his Faustian debt with haughty judgments. Soderbergh’s new film The Girlfriend Experience is the most unironic celebration of materialist privilege since Woody Allen’s Reagan-era heralds Manhattan and Hannah and Her Sisters. Already proclaimed, even in the alternative media, The Girlfriend Experience paints a gaudy face on the [&hellip
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Written by admin on . Posted in Arts & Film, Film

“How does it feel to be a symbol?” Benicio del Toro is asked in his role as Che Guevara. “Of what?” he replies and is told: “The revolution.” But in Che, Steven Soderbergh’s two-part art thing, this revolution is about style—not politics. After decades as a poster boy for counterculture hipness, Che Guevara provides Soderbergh [&hellip
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