Carlos
By Armond White Politics don’t matter to directors David Fincher, Steven Soderbergh and Olivier Assayas, whose Carlos, a lavish, gracefully-paced depiction of the terrorist Ilich “Carlos” Ramirez is strangely apolitical, even amoral. It’s part of the new affectless style—derived from hipster cool and leftist guilt that condemns the capitalist West for its culpability in colonialism and
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