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	<title>NYPress.com - New York&#039;s essential guide to culture, arts, politics, news and more &#187; Jonathan Ames</title>
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		<title>Jonathan Ames: R.I.P. Jonathan Ames</title>
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		<pubDate>Mon, 06 Feb 2012 03:23:35 +0000</pubDate>
		<dc:creator>Jonathan Ames</dc:creator>
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		<description><![CDATA[So what’s the right path? How should I live? A few weeks ago, I was walking with my friend in Havana–we were on the boardwalk-like edge of the Malecon, the road that circles the city; the Atlantic was to our right; we were blinking because of the bright sun–and he is a little bit older ]]></description>
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<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">So what’s the right path? How should I live? A few weeks ago, I was walking with my friend in Havana–we were on the boardwalk-like edge of the Malecon, the road that circles the city; the Atlantic was to our right; we were blinking because of the bright sun–and he is a little bit older than me and seems to enjoy his life, and so I said, &#8220;What are we doing? What’s the point of everything? I don’t know how to live my life.&#8221;</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">&#8220;We’re here to fulfill ourselves,&#8221; he said, sensing rightfully so that I needed some basic Existential 101 lecturing. &#8220;It’s a bad example, but think of the ant; the ant when it’s lifting 200 times its weight is fulfilling itself. Realizing itself. And that’s what we’re here to do. We’re more complex, obviously, than the ant, so it’s harder, but the purpose is the same–to realize ourselves, whatever that means for each person. And to have joy from this.&#8221;</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">I had heard this kind of thing before. It’s what George Bernard Shaw preached–at least that was my reading of him–and I very much admired Shaw back in college, despite the woodenness of many of his plays. He wrote something about how humans should burn like lightbulbs for as long as they can, and I’ve often thought of this, tried to rally myself with that notion; and even before college and Shaw, I read <em>On the Road</em>, which had a big effect on me, and there was Kerouac saying that he liked the people that burned bright like roman candles; and even before I read Kerouac, when I was a junior in high school, I hung a quote from Thoreau over my desk where he said that he went to the woods, to Walden Pond, because he was afraid to die before he had lived.</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">So I pondered what my friend said. Despite my courting of suicidal thoughts for years (usually in the month of January it should be pointed out), I have tried–influenced by Shaw, Kerouac, Thoreau–to burn bright, to always be curious, which seems to be the path to ant-like fulfillment. And, actually, it’s not so much that I’ve tried–I can’t really help being driven by a mad curiosity. But at the same time succor always escapes me, probably because I go about my fulfillment like a tottering, openmouthed, singleminded infant looking for the breast; or perhaps because I’m very Christian in a way: I feel flawed, imperfect, deformed–stained with some kind of original sin that can’t be cleaned.</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">So I felt tired when my friend talked of fulfilling the self; I couldn’t help but think that you never quite get there, especially when your self is this hateful thing. Who wants to fulfill a grotesquerie? Unless fulfilling one’s self means learning not to hate one’s self…but then no matter what you die. Life is this ridiculous race against an executioner’s clock, which seems to render the whole thing meaningless. And my friend must have sensed my train of thought and so he added, &#8220;And the point is, there is no point. So just try to pleasure yourself, to have fun.&#8221;</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">I had read before my trip to Havana about &#8220;fun&#8221; in Paul Bowles’ obituary; it seems that his life philosophy was to try to have &#8220;fun.&#8221; But what a tiny, small word. Fun. So unheroic. So undignified. Is that really the goal of human life? Fun? When I think of fun, I think of playing with a pink balloon. Thus, pleasure is the more adult path. The more adult word. So I do that sometimes–I seek pleasure. I give myself over to Bacchus and Dionysus, but I get all fucked up, literally and figuratively, and no answers are forthcoming. So I seek pleasure, but then I guiltily regret it because I careen out of control, like a car, a car that has something wrong with it, a car that can’t pass inspection, and like an out-of-control car I often hurt others, which I don’t mean to, which I don’t want to. It’s the sin of destruction. It’s the stain of my original deformity.</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Well, I sense that my editor at about this point in the column is saying, &#8220;Ames, shut the fuck up,&#8221; which is something he often likes to say to me. And the CEO is probably also saying that. My column has to get past both of them before it reaches you, kind and faithful reader, and usually they’re very good about not changing <em>a word</em>–which make <em>New York</em> <em>Press</em> just about the only journal worth writing for; every other place so mangles everything I end up wanting to use a pseudonym, and I’m not saying that to kiss ass, though it must sound that way–but I feel that my superiors probably don’t like what they’ve just read in the above paragraphs. But I can’t help it; this is what came out of my fingertips onto the keyboard. Unlike most columnists–though not all–I don’t concern myself with criticizing the rest of the world; how can I criticize anyone else when I don’t know what the hell I’m doing? I don’t know where other people get the presumption that they know what they’re doing and feel they can criticize, but I assume that their brains are in better shape than mine, and probably the culture, the large collective human organism called society, needs ranters and ravers from all sides and angles to bark at us like sheepdogs, to try to keep us in line, to keep us moving forward in some kind of Darwinian improved way.</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">But that’s not <em>my</em> job. I’m supposed to look at myself and make people laugh; not make them think that I’m a sophomoric college sophomore mooning about life and suicide. My editor wants funny stuff or sex stuff or some combination thereof. And I could write something funny and sexual in this column, like for example I could write about my friend Patrick &#8220;The Mangina&#8221; Bucklew and his latest sexploits, but <em>New York Press</em> has censored that; every time I try to slip him into a column they excise it. They think I’ve written about my Mangina-wearing, one-legged friend too much. My editor said, &#8220;His stump has become your crutch.&#8221;</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">But my editor and the CEO don’t understand that he’s Sancho Panza to my Don Quixote, Neal Cassady to my Kerouac, <em>Mona Lisa</em> to whoever painted <em>Mona Lisa</em>. I need him. Because you see, he’s the only person in the world who makes me laugh. I don’t know what it is, but I’m so morbidly self-involved that I can’t laugh. I’m like Quixote, the Knight of the Mournful Countenance, in that my face is nearly permanently etched in some kind of dead, depressed grimace. But my above-mentioned friend, with his gleefully absurd, tragicomic worldview, makes me double over with happiness. But I won’t write about him now or ever again. This is the last time, I’m afraid, that he’ll be seen in this space. I wonder if these two father-figures, editor and CEO, will even let me get away with this small, manginal/Oedipal rebellion.</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">But I won’t despair. I realize that one other person makes me laugh, and that’s my son. I just was with him for a week, and I’d like to talk about that a little, but I want to backtrack a moment and briefly touch on some pleasure-seeking I engaged in before my visit with my son.</span></p>
<p align="JUSTIFY">
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Starting around the second week of December, I began to hang out at this mad party that Josh Harris, the Internet mogul, as he is called by the popular press, was throwing for 20 or more days, leading up to New Year’s Eve. Every night in these two run-down, rented Tribeca buildings (that he transformed by employing numerous carpenters and electricians), he was paying for scores of his friends, plus numerous sycophants and strangers, to debauch themselves. There were feasts every night, with enough wine and food for 100 people, and the meals were excellent, prepared by very good chefs.</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">In one of the buildings, there were enormous art installations, as well as rows of bunkbed sleeping pods so that dozens of revelers could spend 24 hours a day at Harris’ party; and it was all very communal–there was an open shower area and each pod had a surveillance camera and a tv, so everybody could watch everybody else. In the other building there was a cozy basement lounge with these slanted beds draped in Moroccanish curtains; and in this lounge–named Luvvy’s, after Harris’ alter ego, a transvestite clown–a free open bar was constantly administering alcoholic medications. So people gathered night after night to drink, smoke pot, grab one another and see strange performances. It was like the Beat generation meets the Internet. Not the best combination perhaps, but amusing and unusually vital, though there was the sense of great waste; I think the Beat generation cultivated their madness on a much lower budget, which seems more virtuous, but that’s only because I have a poor man’s prejudice and snobbery when it comes to money.</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">So the Internet has created enormous wealth, the way the railroad, oil and bootleg liquor once created it. And Josh Harris, to me, is like an Internet Gatsby. Why did he throw this enormous bash? Is there an Internet Daisy who once spurned him, who he was hoping would come by, be drawn in and he could win her love? He must have spent at least a quarter million dollars while the party lasted, until it was shut down by fire marshals on January 1. He’s normal and unassuming on the surface, but his outlandish generosity and his willingness to spend money, to pursue his various visions, is enigmatic, intriguing, Howard Hughesian.</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">About a week before New Year’s, I left town to be with my son at my sister’s in Los Angeles and I understand that Harris’ party picked up steam–there was a wild sex show on the 31st, in which my friend, whom I can’t discuss, was a principal player, but I don’t mind having missed it. Hearing about it is actually quite wonderful, makes it more mythic in a way.</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">My New Year’s Eve, on the other hand, with my son and my sister and her family, was quiet and sweet. And my whole time with my son, as always, was very good. He’s nearly 14 and he’s grown into this handsome, gentle giant. He’s now my height, about 5-11, and he weighs 175 pounds, but he’s a not-brutish kid. He was very good and patient with my sister’s children–a stepdaughter who’s 10 and twins, a boy and a girl, who aren’t quite two.</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">And my son is maturing so quickly that he has a blond billy-goat beard and before we hooked up in L.A., he said to me over the phone, &#8220;I want you to see my beard. I don’t want to shave it, but my teachers say I should, so I want your opinion on what I should do.&#8221;</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">It made me feel good that he wanted to consult me. I feel quite inadequate as a dad since I only see him about every six to eight weeks (he lives in Florida), so it pleased me that he thought he could turn to me, even on something simple like his facial hair, though for him it is an important issue. In L.A., after I studied his beard and his wispy red sideburns, we decided that he should shave over the summer because he doesn’t want to show up now at school looking radically different, whereas after the long summer break it wouldn’t be as noticeable, and also if he didn’t like his clean-shaven look he would have some time to grow<br />
it back.</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Having solved the facial hair issue, he then asked me to work on his stomach. Unfortunately, he’s inherited my poor digestion, which is made worse by his typical American diet of meat, dairy and fat. So he’s constipated. All of America is constipated. And one of the things that he likes about visiting me is that I often give him a little tablespoon of psyllium fiber in his orange juice and he has glorious experiences on the toilet. But I didn’t bring my psyllium to L.A.; when I fly with the stuff it always opens up in my bag and my clothing is covered with fiber for months. But he kept asking, &#8220;Why didn’t you bring the fiber?&#8221; Well, it turns out that he’s had terrible constipation since our last visit, worse than ever, and he was desperate and in some agony.</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">So we drove to a good L.A. health food store and I bought him his own canister of psyllium, his very first. I also pumped a bunch of apples and cantaloupes into his system and within 24 hours the kid felt good as new. He was rather joyous. And upon seeing his beaming face, I said, &#8220;Who’s the man when it comes to the stomach?&#8221;</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">&#8220;You are!&#8221; he said, happily and generously. He then said, &#8220;But the problem is you’re losing your mind,&#8221; and he made this comment because he had noted that I seem to be rather forgetful these days; perhaps it’s because of my boxing match and all the blows I received to the cranium, plus the alcohol I poured on my brain after the trauma of the fight, further destroying it, but then my son added, &#8220;so you’re forgetting everything, but when it comes to anal psychology, you’re still very good.&#8221;</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">When he said &#8220;anal psychology&#8221; I had a good soul-clearing guffaw. Where did he come up with such a phrase? He really must be my son. So having children is very good for depressives like myself. They make you laugh. They make you not think about yourself, and they give you this sense of purpose, this hope that maybe if you teach them things that they’re going to have a better go at it than you did. In fact, I think I’ll call him right now and see if he’s taking his psyllium. And thinking about him feels good–worrying about his digestion is a much better use of my time than thoughts of Brooklyn hotel rooms.</span></p>
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		<title>Jonathan Ames: Killer Eggs, Hot Waitresses</title>
		<link>http://nypress.com/jonathan-ames-killer-eggs-hot-waitresses/</link>
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		<pubDate>Mon, 06 Feb 2012 03:20:15 +0000</pubDate>
		<dc:creator>Jonathan Ames</dc:creator>
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		<description><![CDATA[The eggs, enveloped by the butter, puckered and screamed out in pain and turned dark brown. I flipped them around a bit with my fork. I put two pieces of that thin German bread into the toaster. I poured a cup of very dark, ink-black coffee. A few minutes before, I hadn’t measured out the ]]></description>
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<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">The eggs, enveloped by the butter, puckered and screamed out in pain and turned dark brown. I flipped them around a bit with my fork. I put two pieces of that thin German bread into the toaster. I poured a cup of very dark, ink-black coffee. A few minutes before, I hadn’t measured out the Cafe Bustelo, just dumped a bunch in. Usually, I do a tablespoon for every cup of water I pour into the coffeemaker, but this particular morning I emptied the can because it was nearly finished and I can’t stand scraping metal against metal–in this case, the spoon against the bottom of the can. My nervous system can’t tolerate that kind of thing. The problem was it looked like I had poured about eight tablespoons of coffee into the little white pouch and I had only poured in three cups of water. But it seemed like the kind of coffee Raymond Chandler’s Philip Marlowe would drink.</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">It would have been nice to add a little milk to my starless-night coffee, but I had sniffed the milk in my fridge and it smelled bad. I knew it would be, but I sniffed it anyway. My fridge is more like a mortuary than an icebox for keeping foodstuffs edible. All I have in there is bouillon, capers and an onion, all left by the French girls who used to live in this apartment six months ago; I also have a thickly congealed Paul Newman salad dressing bought in a moment of enthusiasm for do-it-yourselfness, you know–making salads and the such; peanut butter from my son’s visit in October; two small containers of plastic applesauce forced on me by my great-aunt in Queens and taken from her meals-on-wheels package; the aforementioned eggs and butter and German bread; a container of expired orange juice (to keep the expired milk company); and a box of Cuban cigars–Cohibas, Castro’s brand–that I had my Italian movie-star friend smuggle back from Havana, and which I plan to give to my dad.</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">So the toast popped. I lay it on a plate. Smeared some butter on those fiber-rich German squares. Then I took the frying pan and tilted it over the toast. The brown, curdled eggs fell onto the toast. I sat down at my wobbly, wooden kitchen table with the paper and my breakfast. I went to work with the knife and fork. This was around 10:30 a.m.</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">The next 24 hours is a blur of delirium and stomach pain. At first things weren’t too bad, though. The caffeine caused mild psychosis and I found myself shouting &#8220;Motherfucker&#8221; a few times, which is interesting since I’m not much of a curser and find it unattractive when others use vulgarities, but the use of this caffeine-psychosis profanity was brought on, I vaguely recall, by going through my piled-up mail–a pile that has been neglected for two months–and being horrified at finding an invitation to a very nice party that I had missed, as well as several enormous phone and credit card bills, all of which should have been paid weeks ago.</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">I also recall–though it’s dreamlike because of the Cafe Bustelo–glancing at the pages of my new book, which had been sent to me by my British publisher for me to proofread. The Brits had computer-scanned the pages from the American publisher, and the scanning had created all sorts of strange typos. A classic, Joycean turn-of-phrase like &#8220;I let a fart leak out&#8221; had been turned into &#8220;I let a fart lead out.&#8221; I thought of leaving that typo for a moment, as I sort of liked the idea of a fart leading somewhere, but then I changed my mind, thinking that the meaning of the sentence was too botched. And I realized after finding that typo that I was going to have to do more than just skim the pages. I was going to have work hard and reread the whole damn book, which, by the way, is a narrative based on all the columns and articles I’ve written for the <em>Press</em> these last three, happy years.</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">And, just so you know, good and faithful readers, this book will be in stores here in the States sometime in May, at which point my life will be seriously destroyed. It’s one thing to write these self-revealing stories for the <em>Press</em> where they’re gone in a week and quickly forgotten, but it’s another thing to have them put in a book, a book that will be around for a while and can be read by one’s relatives. Relatives like one’s parents. Or future relatives like women who could be wives, but who will have nothing to do with me as the evidence mounts–three perverted books now–that I am not fit for a good woman to love.</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Anyway, the poisonous eggs and coffee had me in bed by 2 p.m. where I more or less stayed for the next 20 hours. The amphetamine-like coffee had overstimulated me and then I crashed; what happened to me was similar to that game at circuses that tests your strength–I was the weight and the coffee was the hammer and I went flying to the top, rang the bell and then came flying down, back to the bottom. So I slept fitfully and with great nausea until about 11 p.m., and then I was up for hours with nauseous insomnia. I hate to vomit and so fought the urge all this time. For a few hours, I tried to read Wodehouse, usually a great pain-reliever, and it helped some, but mostly I lay there tormented, my stomach puckering like the overly fried eggs.</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">So I was clutching my pillow to my belly around 3 a.m. and felt quite alone in the world. Being by yourself and being ill can make one feel quite morbidly lonely, and so I indulged in Tom Sawyerish reveries of my funeral should this stomach ailment prove fatal. It bothered me, though, that, being Jewish, I’d be buried the next day and the service would have to be quickly put together and that many people wouldn’t even know about it and not come, like a poorly attended performance; but I tried not to focus on this drawback of Jewish burial rites, and I selfishly imagined lots of crying and weeping and impassioned, impromptu speeches. It was a way, I guess, for me, lonely and sick in my bed, with my stomach trying to crawl up my throat and abandon ship, to feel loved. Pathetic, I know.</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">So what’s the moral of the above tale? Actually, I see two morals emerging: (1) I shouldn’t cook for myself; and (2) I seem to want to be loved. Now there’s a perfect solution to both these issues: go to restaurants. It may seem obvious why this solves number one, but it also solves number two, and that’s because restaurants are staffed by waitresses. I’ve said it before, and I’ll say it again: I have a great love for waitresses. No waitress has actually ever loved me back, but I get so caught up in loving them and hoping that they <em>might</em> love me back, that it’s almost like being loved. That’s why I tip well. Thinking this might send affection my way.</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">There are a couple of reasons why I love waitresses. First of all they are often beautiful and men love beauty and are drawn to beauty. It can’t be helped. Secondly, waitresses mimic the behavior of my mother–they bring dishes of nourishment to me. My mother was very much a 1950s mother and she served the family all our meals for years, thus creating this early association with love and the placing of a dish of food in front of me. (My mother also cooked the food, but I don’t seem to love cooks; perhaps because I never see them.) And thirdly, I love waitresses because of the angle at which I observe them–I stare right into their asses and vulvas, two of my favorite spots, and when they bend over sweetly to warm my coffee, I catch glimpses of breasts, another all-time favorite spot. For example, my favorite breakfast waitress in Brooklyn says to me all the time, &#8220;Do you want a warmer in your coffee, honey?&#8221; And she smiles at me when she says this; it’s so lovely; and I say yes, and she bends over and I sneak a peek at her kind chest. I only see shadows, but it’s enough.</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">So my breakfast waitress is magnificent, but there is another who is even more so. This other waitress, by whom I can be served both lunch and dinner, is the most beautiful waitress in all the five boroughs of New York City. She’s right here in my Brooklyn neighborhood, and she’s legendary with the men in this part of town. The restaurant is always packed and I observe my fellow males as they sit there glassy-eyed and in awe; one hardly tastes one’s food in her presence.</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Recently, I brought my boxing opponent David Leslie to the restaurant for dinner so that he could witness her. As we walked to the restaurant, I said, &#8220;She’s Jamaican, and I was told by a woman friend of mine, who’s currently living in Jamaica and studying Jamaican art for her PhD, that the asses of the women in Jamaica are considered to be a national treasure and that a woman’s ass has great erotic importance, which I am in complete agreement with and I’m glad that there is a whole culture and country that support my worldview. She also told me something a bit strange. In much the same way that Chinese women used to bind their feet to make them small, Jamaican women do things to build up their rear ends. She told me that she knows Jamaican women who eat chicken feed to build up their butts… Oh, what a crazy world we live in. Poor women, because of males like us, they transform their bodies. Feet in China, breasts in the United States, asses in Jamaica. But I guess some males get penis augmentation or rods inserted, though that doesn’t quite balance out the ledger for going to great lengths to please the opposite sex.&#8221;</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">&#8220;Chicken feed!&#8221; exclaimed Leslie, not listening to my final brilliant remarks.</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">&#8220;That’s what my friend wrote in an e-mail,&#8221; I said. &#8220;Anyway, I don’t think this waitress eats chicken feed, but she has the most amazing rear end I’ve ever seen. It should be a Brooklyn landmark, up there with the Brooklyn Bridge and Grand Army Plaza.&#8221;</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">We were lucky to get a table and Leslie was mesmerized by the waitress. He then began to urge me to ask her out. &#8220;When we’re done eating, ask her to meet you for a drink when she gets off,&#8221; he said.</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">The fellow was delusional and was hoping to live through me vicariously. &#8220;I can’t just ask her out!&#8221; I said. &#8220;You can’t just go up to a beautiful waitress and propose a date. You might as well just say, ‘I know nothing about you but I’d like to fornicate with you.’ That’s insulting. Only a devastatingly handsome man, and there aren’t many of those, or a famous man or a very rich man can pull off asking a waitress out. A quasi-average male like myself has to wear a waitress down. So what I’d have to do is come here for months&#8230;well, actually, years. It would be like an arranged marriage; she’d get so used to me that maybe she’d fall in love with me. Or come to hate me. But that’s not bad odds. Fifty-fifty.&#8221;</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">&#8220;It’s only love or hate?&#8221; asked Leslie.</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">&#8220;Love or hate,&#8221; I said. But then I thought about it some more. &#8220;Well, there’s also <em>dislike</em> and <em>bored by</em> and<em>mildly indifferent to</em> and <em>tolerated</em>. I think I’ll aim for tolerated. That’s achievable. In the meantime, it’s awfully nice just to look and dream and to have her give me food. To me, that feels very loving.&#8221;</span></p>
<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Leslie, I don’t think, quite realized the depth of my sentiment, my attachment to waitresses, but he shook his head in mild confirmation and then stared at the waitress-in-question with that glassy-eyed look I had seen so often before.</span></p>
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		<title>Jonathan Ames: Old Aunt Doris, Alone in Queens</title>
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		<pubDate>Mon, 06 Feb 2012 03:18:00 +0000</pubDate>
		<dc:creator>Jonathan Ames</dc:creator>
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		<description><![CDATA[I went out to Queens to take my Great-Aunt Doris to the doctor. I took the G train all the way from where I live in downtown Brooklyn to her neighborhood, Rego Park, which is right next to Forest Hills, which must be right next to Long Island. I always forget the exact geography, but ]]></description>
				<content:encoded><![CDATA[<p align="JUSTIFY"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">I went out to Queens to take my Great-Aunt Doris to the doctor. I took the G train all the way from where I live in downtown Brooklyn to her neighborhood, Rego Park, which is right next to Forest Hills, which must be right next to Long Island. I always forget the exact geography, but it’s way out there. I was on the subway a good 50 minutes, about 23 stops. I drank a coffee and read the whole paper.</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">I got off at 63rd Dr. and started walking the several blocks to my great-aunt’s building. I was a little hungry and I remembered that in my backpack was a bagel with cream cheese I had bought with my coffee, but had forgotten about. It was almost 1 p.m. and I hadn’t eaten anything all day. So I started in on the bagel, especially because I knew I’d need strength to get my great-aunt to the doctor’s. My blood sugar is all nutty and if it dipped while I was with her I’d be in trouble. She’s three-quarters deaf, and when she walks she teeters and careens, even with her cane, and she makes everything worse by being stubborn.</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">So I chewed that life-saving bagel and I was thinking about my great-aunt, how she’s prideful and brave, but her body is falling apart, getting weaker, and, as I often do, I wondered how much longer she could live alone. She won’t wear one of those alarm bracelets and every time I call and she doesn’t answer, I fear that she’s dead.</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">The city sends her a woman now who comes Monday through Friday, from 9 to 1, which leaves my great-aunt alone on the weekends, and so she hardly goes out of her tiny one-room apartment until the woman, Mary, shows up again Monday morning. Then maybe together they’ll walk to the library or to a bench or to the market. Mary, who is a sweet Haitian woman in her early 40s, has been coming for about a month. My great-aunt needs her very much, but pretends that the city has sent Mary only to help with the housekeeping, that she’s a cleaning lady of some sort.</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Then, as I kept walking, I wondered who will take care of me if I manage to get old. My son whom I’ve been a part-time dad for? He loves me now, but what if that ends? And why should he help me? It’s like that Harry Chapin song–and it’s terrible when songs are true–but I haven’t always had time for my son, and so maybe later he won’t have time for me. So will there be anybody who loves me enough to look after me? And if not, will I be able to pay for someone to take care of me? I have no money at 36, how much will I have at 76?</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">And so my morbid, self-pitying thinking went, and I was licking the cream cheese, with its fat and its fake white color, out of the corner of my mouth, and just a few bites before this bagel was saving my life, my sugar, but now I thought of it clogging my heart and how I’d pay later for this bagel-with-cream-cheese when I was old and deteriorating and in pain. I saw myself lying on the floor in an apartment in Queens–inherited from my great-aunt? All that I’ll be able to afford, her subsidized rent?–paralyzed by a stroke, an aneurysm, a something, just lying there, a thousand bagels-with-cream-cheese my undoing, and I’d pass the time on the floor by thinking how once I could chase girls–I could!–and all the while, too, I’d be hoping that someone would come save me, knock on the door, remember the old man in 6V.</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Well, I still ate the whole bagel–the folly of youth. And I passed a lot of old people on the sidewalk. Queens is like one big nursing home. But I was defiant. I ate that bagel! I won’t get old! I’ll be healthy up until the moment I die!</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">I rang her buzzer, 6V. The door clicked open. I took the elevator–which often is broken, further trapping my great-aunt in her crowded, antique-filled apartment–to the sixth floor. Mary opened the door. She’s a handsome, kind woman. We had met once before.</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">&#8220;I’m glad you could come,&#8221; she said. &#8220;I don’t like the way she looks. She’s not herself today.&#8221;</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">My great-aunt came out of the bathroom. She’s tiny, a little less than 5 feet now, having lost a few inches over the years. I hugged her to my chest as I always do and stroked her reddish-white hair. We parted and she said, repeating the symptoms she had told me over the phone, &#8220;I have knitting needles every couple of minutes running from neck, up my head and into my face. Knitting needles. I haven’t slept for three days.&#8221;</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">&#8220;Sounds terrible. We’ll see what the doctor thinks,&#8221; I said.</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">&#8220;What?&#8221;</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">I shouted this time and she caught it. I had called the doctor that morning and got her an appointment by convincing the nurse to let us come in, even though there wasn’t an opening until the next day.</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Mary had to leave and she and my great-aunt hugged goodbye. &#8220;She’s sugar,&#8221; said my great-aunt. I called a taxi. I helped my great-aunt on with her sweater-jacket, and her fingers were too shaky to manage the buttons, so I leaned over her from behind to button it, the way I used to help my son with his jackets when he was very little. We got in the elevator and she almost tripped on the way out–the elevator hadn’t stopped even with the floor. It was dangerous, and my vigilance had been lacking, I didn’t have her arm.</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">&#8220;I almost fell,&#8221; she said, nervously. A few years ago, she broke her ankle and she worries about falling again.</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">We got in the waiting taxi without incident. The doctor was over in Forest Hills, about eight blocks away. It was a quick ride. While I paid the driver–a man with an odd orange-ish wig, I only saw the back of his head–my great-aunt opened her door and started getting out. &#8220;Wait for me,&#8221; I said.</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">&#8220;I can manage,&#8221; she said, obstinate.</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">&#8220;Famous last words,&#8221; said the bewigged cabbie.</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">I got the change, raced out my door and around the cab, and sure enough she was out; she had managed. Disaster averted. I helped her up the curb. &#8220;How much did you tip him?&#8221; she asked.</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">&#8220;A dollar,&#8221; I shouted. It had been a four-dollar fare.</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">&#8220;Too much,&#8221; she said. &#8220;A quarter would have been enough. Are you rich?&#8221;</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">I piloted her into the small, shabby and quaint office of her doctor.</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">&#8220;I have knitting needles in my head,&#8221; said my great-aunt to the receptionist.</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">&#8220;Just have a seat, Mrs. Klein,&#8221; said the woman, using my great-aunt’s married name from the early 60s. She was divorced twice, the first one when her husband came back loony from World War II. Besides her two marriages, she also had many &#8220;gentleman-friends&#8221; leave their shoes under her bed, as she likes to say. For a long time, she was a manicurist in a barbershop in one of the old men’s clubs off of Park Ave.</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">We sat down in the waiting room for a few minutes. Two other patients came in–first, an ancient Jewish man wearing a yarmulke, a stained yellow shirt and a wide black tie, and then an old Russian woman, doubled over with osteoporosis.</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">The receptionist, who was also the nurse, led us into the one consulting room, which had a little closet-like changing area attached to it. I helped my great-aunt with her sweater and shirt and with her back to me she removed her lopsided bra: one cup is filled with foam padding to compensate for the breast lost to cancer 15 years ago. She put on a blue paper smock and then the nurse and I helped her onto the examining table. It seemed like she would slide off and break something before the doctor got there, but she held on.</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">The nurse left and I sat on a stool and looked around; the little room was crowded with boxes of insurance forms and there was dust everywhere, the look of neglect. Then the doctor came in: a man in his 60s with a weak chin and bald head, but clear, smart eyes, though tired. He examined my great-aunt and he told her things, most of which she didn’t hear, so I’d repeat crucial phrases for her; she seems to hear me when she can’t hear others. &#8220;It’s most likely a pinched nerve, probably caused by arthritis,&#8221; he said.</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">&#8220;What? Did you say a pinched nerve?&#8221;</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">&#8220;Yes, a pinched nerve!&#8221; I shouted. The doctor looked at me appreciatively. He checked her lungs, holding the stethoscope to her back and all over her were little things, brown and dry–how uncomfortable her skin looked. And I admired this doctor, tending to the old, tending to my great-aunt. He wrote her a prescription for anti-inflammatory pills and gave us a sample box as well, enough for two days. He had her take one of the pills with water. &#8220;I know she lives alone,&#8221; he said to me, and she didn’t catch a word. &#8220;So don’t worry, these won’t make her drowsy or groggy. She won’t fall down because of them.&#8221; Then he patted her on the back and left the room.</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">&#8220;A nice man,&#8221; she said.</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">She went to get dressed, and called me into the little closet space to hook her bra. Then I buttoned her shirt and helped her with her sweater. &#8220;What would I do without you,&#8221; she said and kissed me.</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">We left the office and she insisted on walking to a restaurant where she’d treat me for lunch. She refused to let me get a cab. As we walked, about 10 minutes per block, she practiced her Christian Science, as she likes to call it, even though she’s Jewish. &#8220;I don’t have a problem. I don’t have a problem,&#8221; she said, and she walked a couple of steps, feeling proud of herself. &#8220;It works!&#8221; she said. But then she had an attack of the shooting pains and was flinching on the street, we had to stop our slow walk, and she muttered, &#8220;Damn, knitting needles,&#8221; and then she conceded, &#8220;Well, I have a pinched nerve. But at least I don’t have arthritis. That’s one good thing.&#8221; I thought it was best not to tell her what she had missed of the doctor’s diagnosis.</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">It took us about 40 minutes, but we made it to a diner on 108th St.–Rego Park’s main thoroughfare, which my great-aunt calls &#8220;Little Moscow.&#8221; In addition to being a giant nursing home, Queens is also amazing for its United Nations diversity: on 108th St., you see the greatest panoply of ethnicities anywhere in New York, it’s like an Olympic village, though Russians do predominate.</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">So we got a booth in the diner and she ordered a Coke and a hamburger with raw onion. She ate the whole thing. Thinking of my heart and the cream-cheese bagel, I had tunafish salad and lentil soup. We were there a while, she’s a slow eater, but finally the meal was over. We hadn’t talked much since I’d have to shout, which isn’t so good in a restaurant, but I did ask her at one point, &#8220;Who are you going to vote for for president?&#8221;</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">&#8220;Democrat,&#8221; she said. &#8220;What’s his name?&#8221;</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">&#8220;Gore.&#8221;</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">&#8220;Yes, I’ll vote for Gore.&#8221;</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">She gave me money to pay and told me to leave a one-dollar tip. It was a 13-dollar bill. I let her amble out on her own for a few steps and threw another dollar-fifty on the table, then caught up to her. We have this problem with tipping whenever we go out. She still tips taxis a quarter and for all meals she leaves a dollar. Her tipping hasn’t kept up with inflation.</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">We went to a pharmacy and filled her prescription. The beautiful Russian woman behind the counter asked my great-aunt her birthday for the insurance form, and my great-aunt said, &#8220;February 22nd, 1919.&#8221; I know she was born in 1912; for most of her adult life she’s been subtracting a number of years. Even now I guess she prefers people to think her 81 instead of 88, which is not unreasonable.</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">It took us another 30 minutes to get to her building, about four blocks away, and again she refused to let me get a cab. &#8220;Don’t make me an old lady!&#8221; she said. We stopped on a bench halfway there, so she could rest. She kept getting the knitting needles. I rubbed her neck and watched some 12-year-old kids play handball in a schoolyard. They were all calling each other &#8220;nigger&#8221; and &#8220;bitch.&#8221; My great-aunt heard nothing.</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">We got to her apartment and she was exhausted, trembling. Too much walking. I helped her undress and she got into her narrow bed, which is also her couch. I put the phone on her little night table, but even with the extra-loud ringer, she doesn’t always hear it. And then next to the phone, I put a glass of water and the pills the doctor prescribed. Then I kissed her on the cheek and I said, &#8220;I love you.&#8221;</span></p>
<p><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">&#8220;I love you more than that,&#8221; she said. And then I left the apartment–I had an appointment in the city–and I pulled the door locked behind me. It always feels cruel to leave her. To her and to me. What if I never get to see her again? I always think that maybe this time is the last time. But I steeled myself–you have to walk away from the people you love–and I pushed the button for the elevator so that I could go.</span></p>
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		<title>Jonathan Ames: Breasts and Transhistories</title>
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		<pubDate>Mon, 06 Feb 2012 03:16:03 +0000</pubDate>
		<dc:creator>Jonathan Ames</dc:creator>
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		<description><![CDATA[In the late 80s and early 90s I was obsessed with women’s breasts to an appalling degree. Every woman I saw I wanted to nurse on. This obsessive state of mind, which I’ve since outgrown (now I want to go down on all women–much healthier, I think), was very painful. The world was filled with ]]></description>
				<content:encoded><![CDATA[<p align="left"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">In the late 80s and early 90s I was obsessed with women’s breasts to an appalling degree. Every woman I saw I wanted to nurse on. This obsessive state of mind, which I’ve since outgrown (now I want to go down on all women–much healthier, I think), was very painful. The world was filled with boobs I couldn’t have! I was like that desolate baby chick from the children’s book, who, accidentally ejected from his nest, staggers about in a Beckettian landscape looking for his mommy.</span></p>
<p align="left"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">I was living in Princeton during this difficult period and had a lovely girlfriend, but her breasts–for the idiot I was at that time–were too small. The poor girl, a wonderful artist, sensed intuitively my condition–I had the decency never to say anything about it, but women are emotional tuning forks; they pick up everything–and she painted this large canvas of a stupendously endowed woman rising out of the sea. She hung it over my bed, perhaps for me to look at while I mounted her, which now that I think of it is like the remedy that Dr. Hammond, a colleague of the famous 19th-century German psychiatrist Dr. Richard Von Krafft-Ebing, recommended for a shoe fetishist: his wife’s high heel was to be nailed to the wall over their conjugal bed so that he could peer at it and be aroused sufficiently to perform his marital duties.</span></p>
<p align="left"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">I didn’t like my condition, and I thought of contacting the Kinsey Institute and asking to be allowed to nurse on 100 women lined up in a gymnasium. I thought that might heal me once and for all; the idea being to demystify the breast, to get my fill. Later, I did attempt such a cure on my own when I moved to New York in 1992 and frequented the suckling booths of a peepshow on 43rd St., though I was often concerned about getting TB from the nipples of those women. They didn’t seem to wash their boobs between clients, but I never developed a bad cough, and I think the cure worked on my breast problem–by 1993, after just a few months of steady nursing, I was interested in all parts of the female anatomy–including the penis. Turns out that right next to the peepshow on 43rd St. was a legendary trannie bar, Sally’s. So I cured myself of my bosom condition, and then right next door I developed another problem, which took me years to get over. But this is one of the strengths of my character: when it comes to sexual fetishes, I can’t be pigeonholed! I’m always changing, always growing!</span></p>
<p align="left"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Anyway, I’ve digressed; let me go back in time to late October of 1990, when I was still that wandering chick look for the perfect nipple. I was flying back from Los Angeles and a friend picked me up at the airport in Philadelphia. It was around 10 p.m. and I was tired, but on our way back to Princeton my friend, an older man, wanted to stop at a gay bar in New Hope, PA–the Provincetown of the Keystone State. So into this gay bar called the Cartwheel we ventured. Being straightish, I didn’t feel entirely at ease as we penetrated the establishment, which is often my reaction to gay bars. It’s like how I, as a Conservative Jew, feel in Orthodox synagogues–I almost belong, but not quite. So I was very pleased when immediately on approaching the large, circular, cartwheelish bar, a gorgeous, older blonde woman said to me, &#8220;Where have you been my whole life, baby? Look at those blond eyelashes!&#8221;</span></p>
<p align="left"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">She was sitting on a barstool, and right away gathered me into her arms–she was a big woman, about 6 feet tall, in a low-cut blouse and stylish skirt–and she began to make love to me, in the old-fashioned sense that is. She looked to be in her late 40s, had a beautiful smile, bedroom eyes that ate you up, glamorous long legs, and, very important to the 26-year-old Jonathan–an ample, delicious bosom. Her breasts were as big as the ones my girlfriend had put in that painting!</span></p>
<p align="left"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">It was just about the quickest pick-up of my life. She held me against her lovely, comforting chest, and we chatted happily and spontaneously. We were kindred spirits: she wanted to mother and I wanted to be mothered.</span></p>
<p align="left"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Well, our bar-side lovemaking went on for about an hour and then my friend, who brought me there, wanted to get back to Princeton. I kissed my new ladyfriend goodbye and she gave me her number, written on a Cartwheel napkin, and we promised each other that we would get together–a promise tinged with erotic possibility.</span></p>
<p align="left"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">During the car ride home, my friend expressed his wonderment at my ability to pick up–or rather to be picked up by–the only woman in the bar. I was also impressed with myself, but guilty, too–my girlfriend the artist was waiting for me at home! I was a cad. But how could I have resisted?</span></p>
<p align="left"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Over the next two weeks, this older woman and I had two or three quasi-erotic phone conversations. She lived a few towns away from Princeton and was acting in a local theater company–she had gone to the bar with some gay members of her troupe. We talked about getting together, but I kept postponing this: I was scared about cheating on my girlfriend.</span></p>
<p align="left"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">I felt unfaithful, though, just by possessing that Cartwheel napkin–it seemed to burn inside my desk drawer where I had it hidden beneath unpaid bills. I would often look at that napkin, with its hastily scribbled name and phone number, and become guiltily excited–should I call or not call? Should I arrange an encounter? But then, in what felt like an heroic moment after a therapy session, I threw the number away! For all my faults, I loved my artist girl, and I never again saw or spoke again to the woman from the bar.</span></p>
<p align="left"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Now let’s fast-forward. The girl and I broke up two years later and I moved to New York, as I said, in 1992. I took my cure at the peep show and picked up my new fetish condition at Sally’s. Over the next several years, I wrote a novel, which was very much inspired by my tenure as a Sally’s barfly. The book, <em>The Extra Man</em>, came out in 1998, and since that time, I’ve often been solicited to provide blurbs for books with sexual content. For example, a few months ago I was contacted, via e-mail, by a publicist for Temple University Press, who was hoping that I might read and blurb one of Temple’s forthcoming books–the memoir of a transsexual. I happily assented, and the book, in galley form, was sent to me–<em>The Woman I Was Not Born to Be: A Transsexual Journey</em>, by Aleshia Brevard (272 pages, $24.05 paper).</span></p>
<p align="left"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">I loved the book and found it absolutely fascinating; it inspired me to read several other transsexual memoirs. These personal histories, like Brevard’s, are very similar in structure to that classic literary model–the bildungsroman, the coming-of-age novel. In fact, there is such a wealth now of transsexual memoirs that they are deserving of their own category, maybe &#8220;transhistory&#8221; or &#8220;transromance&#8221; or &#8220;genitomemoir.&#8221; Well, I’ll leave it to the PhDs, but I think I will go with my first suggestion.</span></p>
<p align="left"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">The basic outline of the &#8220;transhistory&#8221; is as follows: a boy or girl very early on in life feels terribly uncomfortable in their gender role and there is a sense that some terrible mistake has occurred, that they were meant to be the other sex. Attempts are made–by parents or society–to reform them, and they learn to repress, as much as possible, their instincts. Eventually–like the protagonist of the bildungsroman–they leave the home, their small world, and venture out, usually to a big city. There they begin to privately or publicly masquerade as the other sex, until eventually the masquerade goes beyond costume and posture and becomes permanent–especially in the latter part of the 20th century with the advent of synthetic hormones and plastic and sex-change surgeries.</span></p>
<p align="left"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">The third act is the aftermath of the sex-change. In most of the books I’ve read, whether it be female-to-male or male-to-female, the writer will not proclaim that great happiness has been found or that all their problems are solved, but they all do seem to express this feeling that <em>they’ve done all they can</em> (penises removed, breasts implanted; penises constructed, breasts removed; myriad other surgeries; great physical and psychological suffering) and they have come, finally, to a place of self-acceptance and peace. These are the success stories, though, and it takes a lot of courage to write them. But what of the transsexuals for whom gender reassignment doesn’t work?</span></p>
<p align="left"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Aleshia Brevard’s memoir follows this basic transhistory model, and I’m happy to say that her tale is one of the success stories. It is one of the most amazing memoirs–transsexual or otherwise–I’ve ever read. Here’s the Hollywood plot summary: Born in the late 30s on a farm in the south as Alfred Brevard Crenshaw, but called Buddy; quits the farm and runs away to the West Coast, landing eventually in San Francisco, where he becomes a drag queen at the famous Finocchio’s; performing as Lee Shaw in the late 50s, Buddy is perhaps the first Marilyn Monroe impersonator and achieves such a level of fame that MM herself comes to his show; during this time he meets the love of his life, a man named Hank, and so that they may be married, Buddy undergoes, in 1962, at age 23, a sex-change operation; as Aleshia the relationship with Hank sadly falls apart, but she goes to college, studies drama and is twice voted &#8220;Actress of the Year&#8221;; after college there’s a brief marriage, then a move to Los Angeles and a career as a B-movie and soap-opera actress and <em>Playboy</em> bunny–becoming the first transsexual Hollywood starlet, but all the while never revealing to Tinseltown her previous life as Buddy Crenshaw; there’s also a second marriage and the role of mother to three stepsons.</span></p>
<p align="left"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">This life story, which I’ve summarized with the barest-bone details, is told with incredible wit and grace and feeling. Especially moving is her portrait of her mother, Mozelle, this Southern woman who never stopped loving and supporting her child. Here’s an incredible example of her mother’s devotion (the day after the surgery):</span></p>
<p align="left"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">&#8220;I was curious about the appearance of my vagina. I’d never seen one–and now I had my own. In fact, I had a brand-new one! I’d bought the darn thing sight unseen. I wanted to see exactly what it looked like.</span></p>
<p align="left"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">&#8220;The day after surgery, I asked for a hand mirror and tenderly positioned myself for my first peek at a vagina.</span></p>
<p align="left"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">&#8220;‘<em>Good God</em>!’ I shrieked, ‘What have they done to me? This looks like something you’d hang in your smokehouse&#8230;after a hog killing.’</span></p>
<p align="left"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">&#8220;I’d never seen anything so gross. It was swollen, red and <em>wrinkled</em>&#8230; This thing needed to be ironed&#8230; I started to cry, which only made matters worse.</span></p>
<p align="left"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">&#8220;Mother rang for the nurse.</span></p>
<p align="left"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">&#8220;‘You’re perfectly normal,’ they both reassured me. ‘That’s how you’re supposed to look.’</span></p>
<p align="left"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">&#8220;Who did they think they were fooling? I was having none of it.</span></p>
<p align="left"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">&#8220;‘Like <em>this</em>?’ I keened&#8230; This thing had folds! I was suddenly reminded of that unattractive rear view as I herded home the cows.</span></p>
<p align="left"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">&#8220;I was truly upset.</span></p>
<p align="left"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">&#8220;‘We’ll show you,’ my mother volunteered.</span></p>
<p align="left"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">&#8220;My mother and the Westlake Clinic’s charge nurse both lifted their skirts, presenting me a view of not one but two naturally born vaginas. By golly, they did have folds. There were four outer labial folds on each vagina. Satisfied that I was normal, I drifted off to sleep.&#8221;</span></p>
<p align="left"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Well, I absolutely adored this book, and all the while as I read it I kept wondering why the name Aleshia Brevard was so familiar to me. I had this vague feeling that maybe I had spoken to Aleshia on a phone-sex line or something; it was kind of haunting. And I kept looking at her sexy pictures in the middle of the book and I found her, as Hollywood casting agents had, very beautiful–that’s the other aspect of transhistories: incredible before-and-after photos. Then I got to the end of the memoir and there was a brief mention of having been in a small theater company in Princeton.</span></p>
<p align="left"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">She was the woman–though I couldn’t quite recall the name, was it Aleshia Brevard?–whom I had met at the Cartwheel! I promptly e-mailed the publicist at Temple University Press: &#8220;I love the book and will happily give it a blurb. But there’s something curious going on–I think I’ve met Aleshia. Can you ask her if she remembers meeting me at a bar in New Hope, PA, 10 years ago?&#8221;</span></p>
<p align="left"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">A few hours later the publicist forwarded an e-mail to me from Aleshia Brevard. It was one line long: &#8220;Where have you been, baby?&#8221;</span></p>
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		<title>Jonathan Ames: Bruises Bruises Bruises</title>
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		<pubDate>Mon, 06 Feb 2012 03:12:28 +0000</pubDate>
		<dc:creator>Jonathan Ames</dc:creator>
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		<description><![CDATA[1990 was a bad summer. It should have been a good one but it was a bad one. I’ve pulled a lot of stunts in my day, mostly of the sick sexual variety, but that summer I reached a new low. Or a new high. It was so low it was high, if you know ]]></description>
				<content:encoded><![CDATA[<p>1990 was a bad summer.</p>
<p>It should have been a good one but it was a bad one. I’ve pulled a lot of stunts in my day, mostly of the sick sexual variety, but that summer I reached a new low. Or a new high. It was so low it was high, if you know what I mean.</p>
<p align="justify">I was 26 and a single parent. My son was four. He smelled good all the time, the way little kids do. I guess that’s because the rot hasn’t set in yet.</p>
<p align="justify">So my son was real cute. Red hair, blue eyes, ivory skin. Full of love. I had him for the whole summer. This part-time dad was now a full-time dad. We stayed with my parents in New Jersey. I needed their help with looking after my son for such a long stretch. Because I was a writer and made my living driving a taxi, I could just take off, so I did–all of July and August.</p>
<p align="justify">About two mornings each week, I’d go to the library to try to write from 9 to noon, and my mother would look after my son. I felt guilty about those three hours, but I needed to work a little.</p>
<p align="justify">Around week five, I started to come unhinged. I had no social life, I was playing with my kid 12 hours a day in the humid Jersey weather, and on the two mornings I went to the library my writing sucked. Also, my father was still working back then so he was tormented and insane and many nights he and I would stage a little summer-stock Oedipal drama. So, like I said, I was coming unhinged, which means I had to do something, take action.</p>
<p align="justify">Well, one day my son was taking a nap and I was looking at the local free newspaper and spotted a curious ad in the classifieds: a dominatrix with a transsexual assistant was offering $100, one-hour sessions. What the hell was this doing in a free newspaper in suburban New Jersey?</p>
<p align="justify">So I called the number.</p>
<p align="justify">A youngish-sounding woman answered the phone. &#8220;What do you want?&#8221; she said.</p>
<p align="justify">&#8220;I’m calling about your ad,&#8221; I said in a whispery voice.</p>
<p align="justify">&#8220;Yeah, so? You want a session, you little pussy?&#8221;</p>
<p align="justify">&#8220;Yes,&#8221; I said.</p>
<p align="justify">I told her what time I could get together and the girl laid down the law. She’d meet me the next day at 11 at TGI Friday’s, just off the local highway. I was to stand at the bar and have a pack of unopened Marlboro cigarettes in my hand. If she didn’t like the looks of me, she’d turn right around. If I passed inspection, she’d come over to me and ask for a cigarette. I wasn’t to give her one, but follow her out to her car, where’d she blindfold me and drive me to her house.</p>
<p align="justify">&#8220;Do I have to be blindfolded?&#8221;</p>
<p align="justify">&#8220;You think I’m going to let a freak like you know where I live?&#8221;</p>
<p align="justify">The next day I was at the TGI Friday’s by 10:50 with a pack of Marlboros. My mother thought I was at the library. I should have been with my son. I’m a terrible person.</p>
<p align="justify">The place had just opened when I got there. I ordered a coffee. At 11 she walked in–very short, maybe 5-1, dark-haired, pretty, early 20s, jeans and a halter top, sunglasses. We played the cigarette game, then out to her car. My heart was explosive. She didn’t have a blindfold but sunglasses that were taped over.</p>
<p align="justify">&#8220;I don’t want a cop stopping me because he sees that I have a faggot like you blindfolded,&#8221; she explained. If I was lucky, she’d kill me fast and dump my body in the Meadowlands. My poor parents, my poor son.</p>
<p align="justify">I kept trying to peer out the bottom of the sunglasses to see where I was being taken to be executed. Despite my nervousness, I asked her lots of questions. She was pretty forthcoming. I’ve always been good with the Q&amp;A.</p>
<p align="justify">She was Italian Catholic. Ever since she was a teenager she had gotten off on dominating men, especially since all men were assholes. Her high school boyfriend was her transsexual assistant; she had been feminizing him for a few years, feeding him hormone pills, making him dress like a girl, and, though he resisted at first, he was now happy with his transformation. Eventually, they’d have his penis cut off and they’d be lesbian lovers.</p>
<p align="justify">The whole thing was so sick it was thrilling. She and this guy were actually living out a dream that millions–well, maybe thousands–of perverts wanted. And I had found her in a free newspaper! Sometimes I do have the magic touch.</p>
<p align="justify">She told me that when she and her boy/girlfriend had enough money saved they were going to move to New York and open a first-class dungeon. Then from the dungeon they’d get enough money for his sex-change operation.</p>
<p align="justify">I got all this in a 20-minute car-ride, which I think involved her driving around in circles, in case I was peering out the bottom of the glasses. I felt like James Bond being kidnapped.</p>
<p align="justify">We pulled into a driveway; she took me by the hand and led me into a house, which I could perceive from the bottom of my glasses. Then down to a stark, carpeted basement room with mirrors on all the walls, a radio, a futon mattress, a big box with s&amp;m paraphernalia and a pole that ran from the floor to the ceiling. I gave her the hundred bucks. Then she slapped me and tied my wrists behind my back to the pole and left me in the room. It was nearly 11:30. I told my mother I’d meet her at the lake where we took my son swimming at 12:30. I was going to be late!</p>
<p align="justify">She left me tied to that pole for 10 minutes. I imagined this was part of the torture, but I thought it was a ripoff, so I managed to free myself, just like James Bond. I tried the door; it was locked. I could have busted it down, but I didn’t. My James Bondness went only so far. Then she came into the room dressed in black bra, panties, stockings, boots–usual dominatrix garb–and slapped me for slipping my bonds. Then she put the radio on, WPLJ.</p>
<p align="justify">&#8220;What are you into?&#8221; she asked. &#8220;Want me to flog you?&#8221;</p>
<p align="justify">&#8220;Can I kiss your breasts?&#8221; She looked pretty in her bra.</p>
<p align="justify">&#8220;No contact, asshole.&#8221; She slapped me again and looked at me like I was crazy. I didn’t want to be flogged. I wanted to kiss her breasts and maybe lick her pussy. I wasn’t an s&amp;m nut; I was just a nut. My perversion is that I try everything once, even if I’m not into it.</p>
<p align="justify">Then her tranny boyfriend, a tall, slender brunette wearing a negligee, came in and gave me a wide-eyed north/south. I wasn’t bad-looking back then. The girl had the tranny undress me, then they conferred in the corner while I stood there naked.</p>
<p align="justify">Then the tranny came over and started rubbing against me, trying to slow-dance with me, and I didn’t mind, he was a pretty good-looking girl. And I knew what was going on: I was being tossed to the tranny-slave like a piece of meat and the girl got off on watching.</p>
<p align="justify">The tranny put a condom on me and knelt down for a blowjob. The girl came over and slapped me violently. It hurt. The other slaps had been warmups. She went to do it again, but I caught her wrist this time and bent her arm behind her back. She was a little thing, even in her black boots. I pulled myself out of the tranny’s mouth, held the girl’s arm behind her back, and slow-danced her from behind. That vicious slap had done something to me, turned me into Robert Mitchum. The girl didn’t say anything. I think she was stunned. Maybe she liked having the tables turned. The tranny watched and smiled. Poor nutty slave. He was going to lose his dick some day.</p>
<p align="justify">Well, after that, things got a little sordid. An unlit candle somehow entered the picture and the three of us rolled around on that futon. At some point the girl did flog me two or three times, but I let her–I’m not an ungenerous lover.</p>
<p align="justify">So it ended the way most things end: somebody gets a paper towel and you wish you had never been born. The tranny said to me, &#8220;I hope you’ll see us again.&#8221;</p>
<p>I got to the lake 15 minutes late. In the water, my son and several other four-year-olds were crawling all over me. I was the only dad around and so I was like a pied piper for the kids. At some point, my son was really bouncing on my back and it hurt and for a moment I wondered why. To be able to live with myself, I had immediately upon getting into my car at TGI Friday’s blocked from my mind the lurid scene I had just engaged in, but then with my son bouncing on my bruises from the flogging I couldn’t forget what I had done and my two worlds came together: being a father and being a sick bastard. I felt the most terrible, burning shame. The lake water could do nothing to cool me down.</p>
<p align="justify">I don’t know if I can really convey why I felt the way I did, but maybe it’s this: my son is the one decent, pure thing in my life and I didn’t want any of my darkness–the bruises–to be near him, to touch him, to taint him. So I hated myself quite a lot in that moment, but I had to <em>love him</em>, so I kept playing in the water, and made him as happy as I could. It was the only thing to do.</p>
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		<title>Jonathan Ames: Everybody Dies in Memphis</title>
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		<pubDate>Mon, 06 Feb 2012 03:10:36 +0000</pubDate>
		<dc:creator>Jonathan Ames</dc:creator>
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		<description><![CDATA[About two hours after the Tyson-Lewis fight, after the arena had cleared out, after the final press conference, after 20,000 people had collectively shot some kind of cathartic wad of soul-semen and soul-pussy-juice, I found an exit and walked alone across a large, desolate parking lot and up a steep grass embankment. As usual I ]]></description>
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<p align="left">About two hours after the Tyson-Lewis fight, after the arena had cleared out, after the final press conference, after 20,000 people had collectively shot some kind of cathartic wad of soul-semen and soul-pussy-juice, I found an exit and walked alone across a large, desolate parking lot and up a steep grass embankment. As usual I had fucked up. This was no way to leave the Pyramid arena. To get back to the world, which was a dangerous dark road underneath a highway, I had to climb a high metal fence. I could have turned back, found a proper exit, but naturally I didn’t. I was too lazy to retrace my steps, but not too lazy to climb a fence. In other words, I’m an idiot.</p>
<p align="left">So at the top of the 15-foot fence, as I swung my leg over, my pants, right in the crotch area, got caught in the sharp, rusted wire, which wasn’t razor wire, but just as effective.</p>
<p align="left">Oh no, Ames, I said to myself, don’t fucking rip up your dick, not at 1 a.m. in Memphis.</p>
<p align="left">I couldn’t get leverage to unhook my crotch, because I couldn’t put my hands down on the wire to push off–it would have sliced me up immediately. My fists were in the last safe rung of fencing, and my feet were in holes on either side.</p>
<p align="left">So I was stuck up there, legs straddled, dick near-pierced, feet starting to slip, when a subnormal man in thick glasses and a dirty baseball cap came limping along, carrying a stack of the just-printed limited edition of the local paper, with the headline, &#8220;Lewis KO’s Tyson in 8.&#8221; He was some kind of Southern homeless man, face contorted and weird from retardation, but the eyes behind the thick glasses were kind and gentle–the disposition of all the Memphians I had met.</p>
<p align="left">&#8220;What are you doing on that fence? Are you lost?&#8221; he asked.</p>
<p align="left">&#8220;I’m stuck,&#8221; I said, and looked at him in the silvery light cast by the parking lot below.</p>
<p align="left">&#8220;Did you go to the fight?&#8221; he asked.</p>
<p align="left">&#8220;Yes.&#8221;</p>
<p align="left">&#8220;I’m going to sell these papers!&#8221; he said, wanting praise and affirmation from me in his childlike retarded way. He was still searching, as most of us are, retarded or not, for a father to pat him on the back. He looked to be about 50.</p>
<p align="left">&#8220;That’s good,&#8221; I said, and my feet slipped some more. I could feel the loser in me wanting to just let go, give up, get a tetanus gash in my dick or scrotum, and then fall to the ground and break a wrist. But there was the possibility of the dick getting ripped off and me falling to the ground without it and even the loser in me didn’t want to see my penis left behind on some rusty wire.</p>
<p align="left"><a href="http://nypress.com/wp-content/uploads/2012/02/640px.pyramidememphis1.a25ed875.jpg"><img class="alignleft size-medium wp-image-45435" title="memphis_pyramid_parkinglot" src="http://nypress.com/wp-content/uploads/2012/02/640px.pyramidememphis1.a25ed875-300x270.jpg" alt="" width="300" height="270" /></a>So there I was on the precipice of castrating injury, and not too far away, Denzel Washington was probably doing lines of coke, and the scores of NBA stars who had come to the fight were probably having their impossibly long dicks sucked by some of the thousands of whores who had descended on Memphis, and David Remnick, The New Yorker editor, who had come as the thinking-man’s observer of the fight, was probably having a nice late dinner and talking to someone intelligent, before getting his own dick sucked by one of those thousands of whores. Wait a second, I take that back. I spoke to Remnick briefly. He seemed classy. So he probably wouldn’t get his dick sucked, which is my way of saying I hope I get published in The New Yorker someday, Mr. Remnick, should you happen to read this. New York Press is great, I love it to death, but I have to think of my rent–The New Yorker pays the big bucks.</p>
<p align="left">Anyway, back to the fence. The subnormal man said, &#8220;You want to buy one of my papers?&#8221;</p>
<p align="left">&#8220;I’ve got to get down first,&#8221; I shouted at him.</p>
<p align="left">And then somehow, I did it. I got my leverage toe in a hole, pushed off, the crotch unsnagged and I shakily scaled down the other side. I bought a paper from the man for two dollars and he staggered away underneath the highway into oblivion, heading in the direction of the beautiful brown Mississippi, which bisects our country like the world’s largest septic line. Why the subnormal was going in that direction, away from town where he could sell his papers, I have no idea.</p>
<p align="left">So I, the less retarded of the two of us, though not by much, crossed the road, got out from underneath the highway and went into the first bar I came across, even though I don’t drink anymore. But I was thirsty from my exertions and craved a club soda. The bar was simply a door in the back of a building. There was nothing else around. I was in some urban dead-zone next to the highway. Over the door was a sign that saidDiscretions and there was a neon beer bottle in a window. I sensed something perverted about the place. I have a good nose for these things. I went in and walked down a hall. At the end of the hall, a little shiny-faced fellow sat on a stool.</p>
<p align="left">&#8220;Five-dollar cover,&#8221; he said.</p>
<p align="left">I wasn’t sure I wanted to pay five bucks to get into what looked like a dive just to order a club soda, and the shiny fellow saw me hesitate. &#8220;Normally it’s $40,&#8221; he said, to lure me, going into his sales pitch, &#8220;but because of the fight, we’re offering a discount, five dollars, and with that you can become a member of Discretions. You know this is a swingers’ club, right?&#8221;</p>
<p align="left">&#8220;No, I didn’t know,&#8221; I said. &#8220;What do you mean by a swingers’ club?&#8221;</p>
<p align="left">So I was right, the place was perverted. But I was unsure if swinger meant the same thing in Memphis as it did in New York. Swingers’ clubs in New York, like Plato’s Retreat, have long since expired. Could they possibly still be alive in Tennessee?</p>
<p align="left">Then again, my whole experience for three days in Memphis had left me feeling like I had traveled back in time, as if Elvis’ death had permanently frozen the city in the year 1977. So I shouldn’t have been shocked to come upon a swingers’ club.</p>
<p align="left">&#8220;It’s a bar for couples to meet, and singles, too,&#8221; the little man on the stool said. &#8220;Alternative lifestyles.&#8221;</p>
<p align="left">So, sure enough, the definition was the same in Memphis as in New York, and while not a swinger, I could definitely fall under the heading of alternative, so I paid my five dollars and went into the swingers’ club to swing my dick, to celebrate it not having been severed on that terrible fence&#8230;</p>
<p align="left">Well, that was the start of my last night in Tennessee, and I promise I’ll return the story to Discretions, to that lovely club, but I’d like to go back to the very beginning of my trip to Memphis, a journey I had taken so I could see a fight, to see something violent and terrible–I hoped–and then to be able to say, &#8220;I was there.&#8221; So, in a way, it was an ego trip, which is always the worst kind of trip to take. It’s that old hubris problem. The gods don’t like ego, you show too much of it and they stick you on fences and threaten to remove your genitals, metaphorically or otherwise.</p>
<p align="left">But let me go back to the beginning, when I first came to Memphis, to this town where Mike Tyson was beaten to a bloody pulp, where Elvis lived and died, where Martin Luther King was shot dead, where the blues were born and where so much of lurid America seems to have come down the Mississippi and washed up on the banks.</p>
<p align="left">Thursday, June 6, 11 a.m.</p>
<p align="left">I take a taxi from the airport and go directly to the Cook Convention Center to pick up my credentials and attend the weigh-ins of the fighters–Lewis at noon, Tyson at 3. I plan to check into my sleazy hotel later.</p>
<p align="left">The lobby of the convention center is loaded with cops in riot gear. I give my name and passport and get some kind of wristband. Then a cop frisks me and waves his bomb-detector wand in my armpits and up my ass. No bombs there, except for my sporadic explosive episodes of irritable bowel syndrome.</p>
<p align="left">After being frisked, I go to a room where I get my temporary credentials and have my picture taken for my permanent credentials, which I’ll get the next day. Then I head up some stairs to the media center where I pick up all sorts of folders and press releases. There are dozens of journalists typing at their laptops, and radio guys with miniature broadcast stations are talking into microphones. Mounted tv’s blast ESPN. I’m in sports-journalist heaven and feel kind of giddy. I can’t believe I’ve pulled this off: press credentials for the Tyson-Lewis fight! A weirdo writer like me. But also I’m a mad closet sports fan. I see Remnick. I see recently deposed New York Post columnist Wallace Matthews. I’m with the big boys.</p>
<p align="left">I go up another flight of stairs to an enormous hangar-like space, capable of holding rock concerts, political rallies. There are 200 chairs set up and a stage with a white scale that looks like a cross.</p>
<p align="left">I grab a seat right in the front row. I look around–Leroy Neiman is at the other end of my row. He’s drawing a picture of the scale. He has a Dali mustache and is wearing elaborate white and black shoes. An old man with white hair stands next to him, leaning on a cane.</p>
<p align="left">Journalists from all over the world are filling up the chairs. Behind us is another stage with dozens of high-powered cameras with black cannon-like lenses pointing at the scale. So much attention for two men fighting. We’ve got whole countries fighting. There are huge problems to solve. But I’ve long since accepted that the world is sick, unbalanced and lunatic. So while we live with the constant specter of terror, while chunks of polar icecaps are breaking off, while the Mideast self-immolates, I and thousands of others are gathered in Memphis to see two black men attack each other.</p>
<p align="left">I ask the British photographer sitting next to me, &#8220;Excuse me, but do you know who the guy with the white hair and the cane is?&#8221;</p>
<p align="left">&#8220;That’s Budd Schulberg,&#8221; says the Brit.</p>
<p align="left">Schulberg wrote On the Waterfront. He penned the line, &#8220;I coulda been a contender.&#8221; No wonder he’s at the fight. &#8220;I’m going to try to talk to him and Neiman,&#8221; I say to the photog.</p>
<p align="left">&#8220;Don’t bother with Neiman. He’s just here to sell paintings. A prostitute.&#8221;</p>
<p align="left">Suddenly, Neiman does look a little whorish to me. That mustache. Those shoes. I’m very impressionable. I go over to Schulberg. I hear him say to another reporter, &#8220;It could be Shakespearean.&#8221;</p>
<p align="left">The reporter leaves. &#8220;Mr. Schulberg, excuse me,&#8221; I say, &#8220;but did I hear you say you thought the fight could be Shakespearean?&#8221;</p>
<p align="left">&#8220;I think something out of Shakespeare could happen to Tyson,&#8221; he says. &#8220;There’s this violence inside him. I worry that something terrible will happen and he’ll come to a terrible end.&#8221; Schulberg speaks in the sweet, halting tones of an older man.</p>
<p align="left">&#8220;Do you think something bad could happen in this fight?&#8221;</p>
<p align="left">&#8220;I don’t know,&#8221; he says.</p>
<p align="left">&#8220;Who do you think is going to win?&#8221;</p>
<p align="left">&#8220;It’s a tough fight to call. Such a mental game. Lewis has to take the fight away from Tyson right away, like Holyfield did. But Tyson doesn’t have the jab he used to. He might be naked in there.&#8221;</p>
<p align="left">I can’t think of any more boxing questions, so I say, &#8220;I read once about your cross-country trip with F. Scott Fitzgerald.&#8221;</p>
<p align="left">&#8220;Yes, I wrote about that in The Disenchanted.&#8221;</p>
<p align="left">&#8220;The two of you got drunk on a plane and then went to the Winter Carnival at Dartmouth, right?&#8221;</p>
<p align="left">&#8220;Yes, Scott started out sober. But my father ordered Mumm’s champagne for the flight, and nobody warned me about Scott’s problem. Once he started with the champagne that was it.&#8221;</p>
<p align="left">&#8220;What was Fitzgerald like?&#8221;</p>
<p align="left">&#8220;He was immensely appealing, awfully likable. He was interested in you, would really listen. He was interested in people.&#8221;</p>
<p align="left">I love hearing about Fitzgerald, but then two policemen on motorcycles come roaring into the hangar, followed by a police car and two white SUVs. Lewis has arrived! Schulberg and I stop speaking. Lewis emerges from his car–tall, sunglasses, sweatsuit, a Rastafarian hat. He’s a physically beautiful human being and I wonder if I’m watching a dead man walking. Lewis is the superior boxer, but Tyson has a lethal punch. If he can land it maybe Lewis dies. That’s why we’re all here.</p>
<p align="left">Lewis gets on the stage; he’s surrounded by his team, his bodyguards–about 20 large black men in powder-blue sweatsuits. SWAT team cops with guns and clubs and biceps line the front of the stage. Lewis’ trainer, Emanuel Steward, undresses Lewis–helps him remove his pants. I once had an amateur fight and my trainer would be intimate like that with me–removing my clothes, rubbing me down. Trainers are like mothers; they’re kind to you, sweet, gentle.</p>
<p align="left">Lewis steps onto the scale, just wearing a pair of gray briefs. He’s 6-foot-5 and powerfully built; his hands and arms are enormous; his hair is in braids. I’m not gay, I’m more straight than gay, though I’ve been known to be crooked, and so I notice the prodigious outline of Lewis’ drooping trunk-like cock. How embarrassing for him. Or rather how embarrassing for all us normal-to-underendowed men. Lewis raises his arms in the traditional boxer’s pose. White stuff is in his armpits. Cameras flash repeatedly. The announcer calls out, &#8220;Two hundred and forty-nine pounds and a quarter.&#8221;</p>
<p align="left">Lewis steps off the scale. One of his handlers helps him to dress.</p>
<p align="left">1 p.m.</p>
<p align="left">After a free lunch provided for the media–pulled pork, coleslaw and beans–I leave the convention center to get some fresh air. At the front of the center, there are six Tyson protesters–four lesbians and two gay men. They’re holding signs that say, &#8220;Tyson Opposes Homophobia, Thanks Mike!&#8221; and &#8220;Thanks Mike for Saying Gay is OK!&#8221; I figure their signs are a joke, ironic. I approach one of the lesbians, an overweight girl with nose piercings and very pretty blue eyes.</p>
<p align="left">&#8220;Your sign is a joke, right?&#8221; I say.</p>
<p align="left">&#8220;Oh no,&#8221; she says. &#8220;Mike hugged that fellow over there&#8221;–she points to a little swishy blond fellow–&#8221;and said, these are his exact words, ‘I oppose all antigay discrimination.’ Everyone is quick to judge him, to give him bad press, so it’s important to give him good press when he does something appropriate.&#8221;</p>
<p align="left">I go to the next lesbian, a waifish girl, cute, also with nose piercings. I’d like to ask her for a date.</p>
<p align="left">&#8220;What group are you guys all with?&#8221; I ask.</p>
<p align="left">&#8220;Some of us are Memphis Area Gay Youth, but also Equality Tennessee, and that man&#8221;–she points to a skinny, scary, Edgar Allan Poe type–&#8221;is with OutRage!, an organization in London. We just want to support Mike for making a step in the direction of tolerance.&#8221;</p>
<p align="left">&#8220;Have you heard any rumors that Mike Tyson might be bisexual?&#8221; I ask. I’m dying to imply that his prison time may account for his pro-gay sentiments, but I don’t want to be rude.</p>
<p align="left">The girl hesitates. Then she says, &#8220;Well, from past comments it seems like he is very caught up with anal sex. Some people say he’s repressed.&#8221;</p>
<p align="left">I go over to the little blond boy who created this whole stir.</p>
<p align="left">&#8220;How did Tyson come to hug you?&#8221; I ask.</p>
<p align="left">&#8220;Well, we were protesting at his training camp, trying to raise consciousness about homophobia in sports, and he came out of his car and just hugged me and he said, ‘I oppose all–’&#8221;</p>
<p align="left">&#8220;I know,&#8221; I say. &#8220;So what was it like to be hugged by him?&#8221;</p>
<p align="left">This guy is clearly jazzed by the encounter. He’s all lit up from within, kind of like Cinderella before midnight. Television cameras are on him, pictures are being snapped.</p>
<p align="left">&#8220;I was shocked,&#8221; he says. &#8220;But I wasn’t scared. I had to smile and hug him back, being an activist, you know.&#8221;</p>
<p align="left">If I wasn’t such a pansy myself, I’d ask him if he got a hard-on when Tyson’s arms went around him–I’m sure he would have happily been Tyson’s girl in the pen–but I’m too much of a wimp to be rude to people.</p>
<p align="left">&#8220;Are you going to root for him to win?&#8221; I ask, which is my polite way of saying, Are you in love with him now that he held you?</p>
<p align="left">&#8220;I’m opposed to boxing,&#8221; he says. &#8220;I’m a nonviolent person. I just hope neither gets hurt. We’re here to raise consciousness. Using antigay words in sports, you know, like homo,fag&#8221;–he whispers them–&#8221;is just as bad as racist words, like the N-word.&#8221;</p>
<p align="left">&#8220;Come on, you’re not going to root for him? He hugged you!&#8221;</p>
<p align="left">&#8220;Well, I hope he doesn’t get hurt.&#8221;</p>
<p align="left">What the hell, he’s a sweet kid, and I leave him to be pounced on by 10 other eager journalists. It’s his big day. Belle of the ball.</p>
<p align="left">3 p.m.</p>
<p align="left">Three motorcycle cops, four police cars and five SUVs–Tyson’s entrance is more grand than Lewis’. He comes onto the stage and strips himself. His bodyguards, unlike Lewis’, are ragtag, no uniformity of outfit. Tyson’s smiling, chewing gum. He throws some punches. He looks to be in good shape. He has enormous breasts, which must further endear him to the gay community. He jumps onto the scale. He’s wearing shorts; you can’t tell if his cock is as big as Lewis’. He weighs in at 234 and a half.</p>
<p align="left">I had been looking forward to this moment of seeing Tyson in person. But it’s a let-down. I read some article recently–don’t remember where–that said scientists have proven that Americans think they have more friends than they actually have because they watch so much tv. Our primitive brains, still using Stone Age operating systems, are designed to think that a face we see often is a friendly face, so if we watch a lot of tv we come to think that these faces, these tv people, these celebrities, are our friends. And that’s what I experience when I see Tyson. My brain tells me that I know him already, that he’s an old pal. Hence, the let-down. I think that maybe if I could touch him or smell him or be hit by him that would be exciting, but there’s no chance I’ll get close enough.</p>
<p align="left">A woman journalist behind me, looking at Tyson on the scale, says in a Southern drawl, &#8220;He’s quite a specimen.&#8221; There’s a sexy hint of desire in her voice. I think of Sylvia Plath’s line, &#8220;Every woman adores a Fascist,/The boot in the face, the brute&#8230;&#8221;</p>
<p align="left">3:40 p.m.</p>
<p align="left">Press conference with Tyson’s handlers. Stacey McKinley, one of his longtime trainers, is asked, &#8220;Why do you think there’s such a fascination with Mike Tyson in this country?&#8221;</p>
<div id="attachment_45437" class="wp-caption alignleft" style="width: 270px"><a href="http://nypress.com/wp-content/uploads/2012/02/sp14.jpg"><img class="size-full wp-image-45437" title="ironmike" src="http://nypress.com/wp-content/uploads/2012/02/sp14.jpg" alt="" width="260" height="174" /></a><p class="wp-caption-text">Trainer Stacey McKinley (L) watches Tyson (R) working a speed bag.</p></div>
<p align="left">&#8220;Not just this country,&#8221; McKinley says. &#8220;All over the world. People in England slept outside his hotel. When he was on the street they followed him. He had to run to a police station. Can you imagine Mike Tyson running to the po-lice? And here in America we’re a violent race of people. We like to be entertained with violence. People like hockey. People like Mike Tyson. He can break jaws, fracture skulls, break bones. You’ll see, the South is going to rise again. Mike Tyson is going to rise it. I like Memphis. Good catfish. Collard greens. Stars are here. Mike Tyson is putting Memphis on the map. Feeding people in Tennessee.&#8221;</p>
<p align="left">7 p.m.</p>
<p align="left">After checking into my hotel on the outskirts, I come back to downtown Memphis and attend a Minor League baseball game. I’ve been given free tickets because I’m media, and I get a free meal: hotdogs, beans, coleslaw. The local team is the Redbirds, Triple-A affiliate to the St. Louis Cardinals.</p>
<p align="left">The stadium is beautiful, brand new: a cross between Camden Yards and Fenway Park. The game is enjoyable. I’m really in America. A balmy night. Baseball. Families. Children. Toxic food. Beer.</p>
<p align="left">John Rocker comes in to pitch for the other team, the Redhawks, affiliate to the Texas Rangers. He’d been demoted to the minors. He’s bigger than the other players, very muscular, his legs like a ballet dancer’s. He throws the ball extremely hard–98 mph. But he gets hit and is visibly frustrated. The guy is all will and force. Destined to fail.</p>
<p align="left">The Redbirds have glorious young cheerleaders, a couple of white girls and a couple of black girls. They wear red miniskirts and red bra-tops. They stand on the Redbirds dugout and incite the crowd, waving their suggestive pompoms, like they’ve pulled out a handful of hair from their beautiful young muffs.</p>
<p align="left">9:30 p.m.</p>
<p align="left">I’m on Beale St., four blocks of blues clubs, neon signs, blaring music, street musicians, Gang Unit police, thousands of people, beer flowing. It’s the only street that is alive in Memphis. Everything else is empty 1970s storefronts, abandoned, forgotten.</p>
<p align="left">I don’t go into any of the clubs. They’re too crowded and there’s plenty of free music on the street. I listen to a good blues band playing in a little park. Then I go into a hamburger joint. Sit at the counter. Four sexy young white-trash girls are at a table. I kind of eye them. This one girl in a halter top keeps lifting her arms over her head, like she’s stretching. When she does it she looks at me, flashing me her oddly super-white, beautiful shaved armpits and sweet breasts.</p>
<p align="left">I order a club soda and french fries. The girl with the pits comes over to me.</p>
<p align="left">&#8220;Hi, I’m Jennifer,&#8221; she says in her Southern twang.</p>
<p align="left">&#8220;I’m Jonathan.&#8221;</p>
<p align="left">&#8220;Are you drinking?&#8221;</p>
<p align="left">&#8220;No.&#8221;</p>
<p align="left">&#8220;Why not?&#8221;</p>
<p align="left">&#8220;Trying not to.&#8221;</p>
<p align="left">One of her girlfriends joins her, the other two stay at the table.</p>
<p align="left">&#8220;Even though you don’t drink, can you buy me and my girlfriend a drink? My sister died.&#8221;</p>
<p align="left">She looks right at me. I can’t tell if she’s lying. &#8220;I’m sorry about your sister. When did she die?&#8221;</p>
<p align="left">&#8220;A week ago. I’m out partying to forget, but I tell everybody first thing we meet.&#8221;</p>
<p align="left">&#8220;How’d she die?&#8221;</p>
<p align="left">&#8220;Car accident. Tractor trailer drove her car off the road&#8230; Can you buy us drinks?&#8221;</p>
<p align="left">I order drinks for her and her girlfriend. Vodka and cranberry juice. Good for urinary-tract infections and getting wasted. The drinks come in big plastic to-go cups. Eight bucks. I’m on a tight budget.</p>
<p align="left">&#8220;What religion are you?&#8221; she asks me.</p>
<p align="left">&#8220;No religion,&#8221; I lie. I’m afraid to tell her I’m Jewish. I’m in the South, after all.</p>
<p align="left">&#8220;I thought maybe you were Catholic,&#8221; she says.</p>
<p align="left">&#8220;Why?&#8221;</p>
<p align="left">&#8220;Jonathan’s a Catholic name&#8230; Well, see you.&#8221; She and her girlfriend suddenly leave me, their drinks in hand. I’ve been conned. They go out of the restaurant, onto the street. Her two other friends get up to leave. I call one of them over.</p>
<p align="left">&#8220;Did your friend’s sister die?&#8221;</p>
<p align="left">The girl looks a little startled. But she catches on quick, that her girlfriend must have pulled a con. &#8220;Yeah, she died.&#8221;</p>
<p align="left">&#8220;How?&#8221;</p>
<p align="left">&#8220;She was on drugs.&#8221; She leaves me. I don’t know what to believe. Doesn’t matter. Those armpits were worth the eight bucks.</p>
<p align="left">10:30 p.m.</p>
<p align="left">I go to the Peabody, which is Memphis’ most famous hotel. It’s a grand old thing, and the lobby, which is a big bar, is packed with an unholy throng of white-trash and black-trash, all gathered for the fight. It’s like spring break for adults. About 1000 people are jammed into a space the size of a basketball court. The women are all wearing incredibly revealing dresses; the men are either costumed like gangsters or wearing professional sports-team tops and baggy pants.</p>
<p align="left">I’m trying to spot prostitutes, but it’s hard to tell the difference between the regular women and the pros. Maybe they’re all pros. I do make eye contact with this one lovely woman, who is definitely on the job. She gives me a sweet smile and there’s that fake shy look in her eye, as if she and I are in on the same cute joke. But it’s not a cute joke. For money, she’ll put her legs on my shoulders, we’ll pretend to make love and we’ll both feel like hell afterward. Well, at least I will; I can’t speak for her. But she is gorgeous–light brown skin and a figure like a mountain pass in the Tour de France. Then I see her make those same eyes at a pro basketball player whose name I don’t know. He walks over to her, they exchange a few words and he punches her number into his cellphone. She walks off. The basketball player is then surrounded by four white girls in skimpy dresses.</p>
<p align="left">&#8220;You’re beautiful!&#8221; this one girl says to him. She puts her high-heeled foot next to his. &#8220;Your feet are huge!&#8221;</p>
<p align="left">Friday, June 7, 11 a.m.</p>
<p align="left">I go to Graceland. It’s situated on a dreary four-lane highway–Elvis Presley Blvd.–of fried chicken places and gas stations. It must have just been a country road when he bought the house in the 50s.</p>
<p align="left">On line for the tour, several sports journalists nod at me. It’s like we’re all in Memphis for a long wedding: you get to know people, feel friendly.</p>
<p align="left"><a href="http://nypress.com/wp-content/uploads/2012/02/graceland.jpg"><img class="alignleft size-medium wp-image-45438" title="graceland" src="http://nypress.com/wp-content/uploads/2012/02/graceland-300x212.jpg" alt="" width="300" height="212" /></a>Elvis’ house blows me away. I never was a huge fan before but now I am. The guy was incredible. Weird. Alive. Driven. Beautiful. I kind of feel like crying. The whole place is one big mausoleum, a wake. He tried so hard for so long–thousands of concerts, thousands of hours in recording studios and on movie sets–no way would he have wanted to die on a toilet at age 42 from an overdose of pills.</p>
<p align="left">In a museum across from the house, right at the entrance, there’s a plaque that says Elvis’ heroes were Rudolph Valentino and Captain Marvel, followed by this wild statement: &#8220;Everyone shares a common element with Elvis. He encompasses the daring, the familiar, the spiritual, the sexual, the masculine, the androgynous, the eccentric, the traditional, the God-like, the God-fearing, the liberal and the conservative in all of us.&#8221;</p>
<p align="left">On another plaque, there’s a list of Elvis’ posthumous accomplishments; here’s one of them: &#8220;Guinness World Record–First Live Tour Starring a Performer Who is no Longer Living.&#8221; For the last four years, video concerts of Elvis have been touring around the world to sold-out crowds. When I look at some pictures of Elvis from his Vegas years, it occurs to me that among the many dreams for himself he made come true, he got to be, at the end of his life–when he’d wear his crazy, sparkling capes–his childhood hero: Captain Marvel.</p>
<p align="left">2:30 p.m.</p>
<p align="left">I eat lunch at the Yellow Rose Cafe, which is on deserted N. Main St. A trolley car runs up and down the street, but there are no businesses, just a few ancient cafes like the Yellow Rose. I order the catfish special, which comes with spaghetti, corn on the cob, green beans and coleslaw. The decor of the place is circa 1972. My waitress is defeated and ancient–no top teeth. But she’s sweet and the food is good. Memphis reminds me of my trip a few years ago to Havana–a place stuck in time.</p>
<p align="left">4 p.m.</p>
<p align="left">I’m walking around and I spot the basketball players Charles Oakley and Derrick Coleman. They’re drinking beer out of plastic cups with a bunch of Memphis street people. I approach Oakley, whom I followed for years when he was with the Knicks. The guy is so damn tall it’s supernatural. I don’t know if I should call him Mr. Oakley or Charles. Is it rude to call him by his first name when I don’t know him?</p>
<p align="left">Oakley is talking to a homeless guy whose mouth looks like it has exploded. &#8220;What the hell happened to your lip?&#8221; Oakley asks the man.</p>
<p align="left">&#8220;I had a seizure,&#8221; says the man.</p>
<p align="left">&#8220;A seizure. Damn. That’s nasty. Get that shit fixed.&#8221;</p>
<p align="left">The man with the exploded lip walks off. &#8220;Excuse me, Mr. Oakley,&#8221; I say, &#8220;can I ask you a few questions? I’m with a New York paper.&#8221;</p>
<p align="left">He peers down at me from far away. My head comes up to his nipples and I’m nearly 6 feet tall. &#8220;What do you want to know?&#8221; he says.</p>
<p align="left">&#8220;Who do you think is going to win, Tyson or Lewis?&#8221;</p>
<p align="left">&#8220;Don’t want to answer no questions about the fight. Here to have a good time.&#8221; Coleman is by his side. They’re both staring at me and sipping from their beer.</p>
<p align="left">&#8220;How about the Nets/Lakers then?&#8221; I ask.</p>
<p align="left">&#8220;Lakers in four.&#8221;</p>
<p align="left">&#8220;Even with Jason Kidd?&#8221;</p>
<p align="left">&#8220;I like Kidd but David Stern doesn’t.&#8221; David Stern is the commissioner of the NBA. This seems a curious thing to say.</p>
<p align="left">&#8220;How does David Stern not like Jason Kidd?&#8221; I ask.</p>
<p align="left">Oakley scowls at me. &#8220;No more questions. You better watch out, man. You’re the only white person around here. Get out of here.&#8221; He steps toward me and so does Coleman. &#8220;Yeah, get out of here,&#8221; Coleman says. Their hostility feels completely uncalled for and strange. I slink off. White and humiliated.</p>
<p align="left">10 p.m.</p>
<p align="left">I go to another baseball game and then stagger around the steaming hot town. Memphis is in complete frenzy now. Everyone is running around trying to spot someone famous. You hear shrieks and screams up and down the streets when a celebrity like Dikembe Mutombo or Magic Johnson or a rap star is seen. I come upon 20 black girls all dressed exactly alike–blue terry-cloth mini-shorts and mini-tops. I ask one of the girls, &#8220;Are you some kind of group or team?&#8221;</p>
<p align="left">&#8220;No.&#8221;</p>
<p align="left">&#8220;You just all dress alike?&#8221;</p>
<p align="left">&#8220;Yeah, we’re all friends. We came down from Milwaukee to party.&#8221;</p>
<p align="left">&#8220;Who are you rooting for?&#8221;</p>
<p align="left">&#8220;Mike Tyson.&#8221;</p>
<p align="left">Most everyone I ask is rooting for Tyson and predicts he will win. It’s the best storyline. People want him to have a second chance. It’s projection: we all want second chances. At everything. We all want to prove Fitzgerald wrong that there are no second acts in American life. Larry Merchant, an HBO announcer, said to me earlier in the day, &#8220;Tyson’s trying to redeem his whole life with this one fight.&#8221;</p>
<p align="left">I go to the Peabody and it’s more packed tonight than last. I’m hitting that point when you’re traveling by yourself and the despair kicks in and you start craving to be with a friend. But it’s nearly impossible to make a friend when you’re on the road; hell, it’s practically impossible to make friends with my own friends when I’m home in New York City.</p>
<p align="left">Saturday, June 8, 11 a.m.</p>
<p align="left">I’m in the lobby of my hotel drinking the bad coffee and waiting for a taxi. A thick, heavyset man with a bald head is also drinking coffee.</p>
<p align="left">&#8220;You here for the fight?&#8221; he asks me.</p>
<p align="left">&#8220;Yes,&#8221; I say.</p>
<p align="left">&#8220;Who do you like?&#8221;</p>
<p align="left">&#8220;I can’t imagine that Tyson can do it. But maybe, he’s got that punch.&#8221;</p>
<p align="left">&#8220;Nah, he won’t do it. He’s only fought tomato cans the last few years&#8230; You need tickets?&#8221;</p>
<p align="left">&#8220;No, I’m covering it for a newspaper.&#8221;</p>
<p align="left">&#8220;What paper?&#8221;</p>
<p align="left">&#8220;A New York weekly, New York Press.&#8221;</p>
<p align="left">&#8220;I’m from New York, too,&#8221; he says. &#8220;Long Island&#8230; So, listen, I got a problem. You know anybody that wants tickets?&#8221;</p>
<p align="left">&#8220;No,&#8221; I say.</p>
<p align="left">&#8220;Yeah, well, I got $10,000 worth in my pocket that I have to sell. I was on the streets last night. The Peabody. But nobody with big money is out there. You should write about that. White corporate America didn’t come. Three reasons. Turned off by boxing in general. Didn’t know if Tyson would do something. And the town. It’s a black town.&#8221;</p>
<p align="left">It hits me that this guy is Mafia. He asks me if he can borrow my cellphone. I give it to him.</p>
<p align="left">&#8220;Anthony, no luck,&#8221; he says into my phone. &#8220;I’m going to the airports, hit people when they come off the planes. Then I’ll go to the casinos, then the stadium&#8230; Right. I’ll call you.&#8221;</p>
<p align="left">He gives me back my phone. &#8220;Listen,&#8221; he says to me. &#8220;You’re a writer, right? I have this idea for a sports cartoon. I want to sell it. I called the YES network but they blew me off, fucking bastards.&#8221;</p>
<p align="left">He tells me the idea; it’s actually really good. &#8220;So you want to roll up your sleeves,&#8221; he says after spelling out the concept, &#8220;and get to work with me on this? I need a writer for the dialogue.&#8221;</p>
<p align="left">A Mafia guy is proposing I work with him. I tell him I have no experience with cartoons. He looks at me disappointed.</p>
<p align="left">&#8220;I’m sorry I can’t help you,&#8221; I say. &#8220;But it’s a really good idea.&#8221;</p>
<p align="left">His taxi comes. We shake hands goodbye.</p>
<p align="left">2 p.m.</p>
<p align="left"><a href="http://nypress.com/wp-content/uploads/2012/02/National_Civil_Rights_Museum_51.jpg"><img class="alignleft size-medium wp-image-45440" title="National_Civil_Rights_Museum_5" src="http://nypress.com/wp-content/uploads/2012/02/National_Civil_Rights_Museum_51-300x270.jpg" alt="" width="300" height="270" /></a>I go to the National Civil Rights Museum, which has been built out of the Lorraine Motel where Martin Luther King was shot April 4, 1968. Like Elvis’ house, the place has been preserved just as it was–two late-60s cars rest in the parking lot, the original motel sign still stands and you can look up at the second-floor railing where King was killed. Strange: two Kings died in this town. No wonder it has the blues.</p>
<p align="left">There’s a modern addition built onto the motel’s structure and after walking through galleries that portray the history of civil rights, you come to the room where King spent his last night, which you can look at through a glass partition. His bed is left unmade.</p>
<p align="left">Martin Luther King was only 39 when he was murdered. I’m struck by how young he was. Throughout the museum you can hear tapes of his rich, beautiful voice–the speeches and sermons he gave.</p>
<p align="left">There’s a plaque outside the motel, beneath his room, like a gravestone. It reads: &#8221;They said one to another, behold, here cometh the dreamer&#8230; Let us slay him&#8230; And we shall see what becomes of his dreams.&#8221;–Genesis 37:19-20</p>
<p align="left">9:45 p.m.</p>
<p align="left">I walk around the floor of the arena. I see Denzel Washington, Magic Johnson, George Foreman, Cuba Gooding Jr., Matt Dillon, Samuel Jackson, Joe Frazier, Montel Williams, Laila Ali (very beautiful), Morgan Freeman, Val Kilmer, David Hasselhoff, to name a few. But it’s like they’re all my friends, so I get no thrill out of spotting them. I do get Vince McMahon’s autograph for my son, which is nice. Then I approach David Remnick.</p>
<p align="left">&#8220;Excuse me, Mr. Remnick,&#8221; I say. &#8220;Can I ask you a few questions? I’m with New York Press.&#8221;</p>
<p align="left">&#8220;Oh, sure.&#8221;</p>
<p align="left">&#8220;Who do you like?&#8221;</p>
<p align="left">&#8220;Do you want the rationalist answer or the Nietzschean? The rationalist says Lewis. Tyson hasn’t had a good fight in years, and Lewis has sufficient skill to keep Tyson away. But he can’t afford to make mistakes the way Tyson can, which you can do when you have a punch like Tyson’s.&#8221;</p>
<p align="left">&#8220;And the Nietzschean?&#8221;</p>
<p align="left">&#8220;Tyson.&#8221;</p>
<p align="left">&#8220;Why? Because he’s beyond good and evil?&#8221;</p>
<p align="left">&#8220;Yes, he’s crazy.&#8221;</p>
<p align="left">10:15 p.m.</p>
<p align="left">I’ve snuck down from my $1400 seat to the $2500 seats. I’m about 100 feet from the ring. Tyson enters the arena. The crowd is on its feet and screaming primal bloody murder. It feels like a massive gang rape is about to take place and we’re all the rapists and the victims at the same time. I’ve smoked crack: the energy in the arena is like five really good hits in a row. My heart is ready to ejaculate itself out of my chest. The place is seething, gladiatorial, rabid.</p>
<p align="left">Lewis comes into the arena and then climbs into the ring. He and Tyson are separated by a phalanx of yellow-shirted security guards; there won’t be the traditional touching of gloves. All precautions have been taken so that Tyson doesn’t do anything to cost everyone millions of dollars–like throw a punch before the first bell is struck.</p>
<p align="left">Then the first bell is struck. Tyson comes out swinging. Charging like a bull, his squat body launching these missiles that are his arms. Lewis evades and wraps Tyson up, but gets hit a few times. We’re all scared. There’s mayhem before our eyes. But Lewis is formidable, he lands a few shots, slows Tyson down. He holds Tyson around the neck, which will tire him out. That happened in my little amateur fight. Three minutes race by. The first round is over. Tyson has won the round, but Lewis is not dead. This seems a triumph.</p>
<p align="left">But that round, it turns out, is all Mike Tyson has in him. After that Lewis repeatedly smashes him in the face with his left jab. Tyson’s head keeps snapping back violently like something out of a Rocky movie. By the third round, I begin to feel quite sorry for him. His face and brain are getting pummeled. He absorbs almost every punch Lewis throws. Every now and then he unleashes a flurry of punches, some life in him wanting to emerge, but by the fifth round he stops punching and just takes a beating. His face is battered, disfigured.</p>
<div id="attachment_45441" class="wp-caption alignleft" style="width: 310px"><a href="http://nypress.com/wp-content/uploads/2012/02/84640.004.83FB46BA.jpg"><img class="size-medium wp-image-45441" title="84640.004.83FB46BA" src="http://nypress.com/wp-content/uploads/2012/02/84640.004.83FB46BA-300x214.jpg" alt="" width="300" height="214" /></a><p class="wp-caption-text">© Jeff Haynes—AFP/Getty Images</p></div>
<p align="left">In the eighth round he takes a shot to the head that sends his Brooklyn-born brain flying hard against the inside of his own skull. He crumples. Concussed. But he’s half-standing. Lewis gives him a shove down to the canvas, so he won’t have to hit Tyson any more. Tyson lies there, and puts his hand to his face, like a child covering a wound, ashamed and injured and overwhelmed.</p>
<p align="left">Several minutes later he is standing and being interviewed with Lewis. He reaches up and wipes his own blood off of Lewis’ face. It’s his best punch of the night: a tender gesture.</p>
<p align="left">1:15 a.m.</p>
<p align="left">I’m in Discretions watching a sexy middle-aged black couple dance. All of the other couples, about five, are unattractive white people in their 50s. Two women who look like the kind of ladies you see playing bingo are playfully pinching each other’s nipples and laughing. They have their feet in their men’s crotches. Every other place in Memphis is packed to the gills, but this joint is nearly empty, except for these aging swingers. What the hell have I stumbled into? There’s a sign that says, &#8220;No Sex on the Premises.&#8221;</p>
<p align="left">The black lady on the dancefloor hikes up her orange skirt and her man gets behind her and rubs against her beautiful ass. I sip my club soda. They finish their dance. The man comes up to me, &#8220;Would you like to dance with my girlfriend?&#8221;</p>
<p align="left">&#8220;Yes,&#8221; I say, shocked.</p>
<p align="left">She gives me the same treatment. Lifts that orange skirt. She’s in her late 40s but hot. She’s wearing a thong and has an ass like two halves of a bowling ball. Life is good sometimes. I figure her boyfriend likes to watch. She treats me very nicely. I do worry that I dance like a white boy. But I am a white boy. The dance comes to an end. I thank her and buy the two of them drinks. There’s no invitation to come home with them, but I’m not hurt. I get the hell out of there. I have to find a taxi, get to the motel, pack up and catch a 5:30 a.m. plane.</p>
<p align="left">I walk for two hours: no taxis are free. Plenty of hookers on the street are free, but not really free. Finally I get a cab. The driver says to me, &#8220;I’ve been working 24 hours and I’m not stopping. We may never see something like this again in Memphis.&#8221;</p>
<p align="left">&#8220;I think you’re right,&#8221; I say, and I look out the window to the black morning sky, but if I was being poetic, I’d say it was dark blue.</p>
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		<title>MARISSA MAIER on the last thing that made her say ‘Wow!’</title>
		<link>http://nypress.com/marissa-maier-wow/</link>
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		<pubDate>Wed, 09 Nov 2011 19:28:30 +0000</pubDate>
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				<category><![CDATA[8 Million Stories]]></category>
		<category><![CDATA[Elna Baker]]></category>
		<category><![CDATA[Garrison Keillor]]></category>
		<category><![CDATA[Jonathan Ames]]></category>
		<category><![CDATA[Lafayette]]></category>
		<category><![CDATA[Mike Birbiglia]]></category>
		<category><![CDATA[Mike Daisey]]></category>
		<category><![CDATA[Prairie Home Companion]]></category>
		<category><![CDATA[Public Theatre]]></category>
		<category><![CDATA[The Moth at Town Hall]]></category>
		<category><![CDATA[Tina McElroy Ansa]]></category>

		<guid isPermaLink="false">http://otdowntown.com/?p=2795</guid>
		<description><![CDATA[By Marissa Maier “What was the last thing that made you go, wow?” asked Garrison Keillor, the smooth-voiced host of A Prairie Home Companion, of a group of 1,400 at The Moth at Town Hall last week during a celebration of stories and storytellers. Over the course of the night, Keillor and the event’s five ]]></description>
				<content:encoded><![CDATA[<p>By <a href="http://nypress.com?s=Marissa+Maier">Marissa Maier</a></p>
<p>“What was the last thing that made you go, wow?” asked Garrison Keillor, the smooth-voiced host of A Prairie Home Companion, of a group of 1,400 at The Moth at Town Hall last week during a celebration of stories and storytellers.</p>
<p>Over the course of the night, Keillor and the event’s five other performers proceeded to answer that question. Naturally, some responses weren’t suitable for publication—particularly Keillor’s—but Elna Baker’s moment came when a friend suggested she look at porn on the Internet. Her first thought was, “Oh wow, you can find it there!” And Tina McElroy Ansa felt a wonderful wave of surprise the day she lay back on her hotel bed and saw a star motif on her ceiling (her story for the evening involved a star).</p>
<p>As Keillor, Baker, Ansa, Mike Birbiglia and Jonathan Ames took to the stage, I found myself contemplating my last “Wow!” moment.</p>
<p>As it happened, it had occurred just a few weeks ago at The Public Theatre on Lafayette, where I was seeing Mike Daisey’s new one-man show, The Agony and the Ecstasy of Steve Jobs. Lady Gaga’s “Bad Romance” played at a heart-popping level as the audience shuffled into the small theater. As I made my way to my seat, I passed the small stage with its two props: a glass of water and a desk. Those two everyday items, in that context, were what prompted my “Wow.”</p>
<p>Those were the favored props my stepfather, Spalding Gray, used when he performed. When I was growing up, my family and I spent countless hours watching him rehearse, tech and perform his monologues, until what had seemed to us at the time to be trivial moments in a day were spun into a beautiful story of humor, heartbreak and love.</p>
<p>Seven years have passed since Spalding died, though his influence on Downtown theater and performers remains powerful. At the Moth event, my mother was presented with the 2011 Moth Award, granted posthumously to Spalding for his “life and work.” Ames, who was influenced by him and has known our family for a few years, told a series of recollections about his encounters with my stepfather: meeting him at a party, hoping he would see Ames’ show at P.S. 122.</p>
<p>Ames ended with a story I found touching, a memory from when he was acting in a play of Spalding’s work that my mom co-directed with Lucy Sexton. The piece closed with video footage of Spalding dancing across the stage during his monologue “Morning, Noon and Night,” and Ames said the play’s cast was in tears every time it played.</p>
<p>As time has passed, Spalding’s absence has grown less visceral for me, but there are still times I am walloped by a familiar scent, an object or just a glass of water on a stage. That’s when my memories of him are more palpable. That night at The Public, I was reminded of how he would quietly walk on stage, take a sip of water, purse his lips and only then launch into his story, for an audience of tens or hundreds or thousands. Each gesture is cataloged in my brain.</p>
<p>My “Wow” moment at The Public and the Moth event left me more convinced than ever that there are still countless Spalding stories to be told. Now, however, it’s those who loved and knew him who must do the telling.</p>
<h6>Last week, photographer Scot Surbeck caught volunteers charging batteries to supply electrical power for the kitchen and media tent at Occupy Wall Street in Zuccotti Park. Surbeck&#8217;s work can be found on his website, cityclickr.net.</h6>
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