High Information/Low Interpretation in Bigelow’s yellow journalism comic strip Zero Dark Thirty opens during the second age of yellow journalism which is the same as in the 1890s when the press shamelessly sought readership through sensation, innuendo and jingoism (its news pages were indistinguishable from the lurid, tinted pages of comic strips). This comic-strip account of 
Never before has the musical clippity-clop of horse hooves sounded as petulant or mocking as they do in Moisés Kaufman’s newly opened production of The Heiress, the second Broadway revival of Augustus and Ruth Goetz’s play. When Catherine Sloper (Jessica Chastain) hears those hoof beats galloping right on by the opulent townhouse in which she 
Harvey Weinstein called for a summit meeting on movie violence soon after the Dark Knight Rises massacre. It hasn’t happened yet but Harvey’s word becomes cultural law. So, instead, The Weinstein Company this week releases John Hillcoat’s Lawless, the most promiscuously violent movie since The Dark Knight Rises. If you go to see Lawless, duck. About 
