New artists and new promise in Guggenheim overview It’s exciting to walk into the Guggenheim’s new contemporary South Asian exhibit “No Country: Contemporary Art for South and Southeast Asia.” There’s the glitter of silver, the sheen of gold, and the vibrant colors of a wall-to-wall mural: and there’s the promise of a show full of 
UPPER EAST SIDE Bellini, Titian and Lotto Some of the great masters from the Northern Italian Renaissance are taking up residence at The Met this summer while their home, the Accademia Carrara in Bergamo, Italy, undergoes renovations. Works by Bellini, Titian, Lotto and Vincenzo Foppa, who lived and worked between Venice, Milan and Bergamo during 
by Jim Long John Chamberlain’s sculptures of crushed automobile metal are as immediately iconic as Hokusai’s wave. Careful to explain that the material he used was not found but chosen, Chamberlain conceived sculpture as groups of semichaotic modules that could be coaxed to fit, and the result seemed the most natural thing for sculpture to be: uncontrived, casual masterworks. Like de Kooning, whose 
