Since his breakout performance in Jim Jarmusch’s 1989 film Mystery Train, Steve Buscemi has become one of New York’s most recognizable and beloved actors. With his distinctive voice, gaunt visage and agitated manner, Buscemi has breathed life into unforgettable and eminently quotable characters in movies like The Big Lebowski, Reservoir Dogs and Fargo. In real life, the Brooklyn native is a far cry from the criminals and misfits he often portrays onscreen. A former New York City firefighter, Buscemi returned to his old firehouse to volunteer in the weeks following 9/11, and he has been active in the relief effort post-Sandy. Most recently, his community activism has inspired him to endorse Public Advocate Bill de Blasio for mayor. City & State Editor Morgan Pehme talked with Buscemi about de Blasio, Superstorm Sandy and whether playing a party boss in Boardwalk Empire has affected his outlook on politics.

The following is an edited transcript.

Why are you supporting Bill de Blasio for mayor?
I think he’s right for the job. I’ve known him for 12 years. I met him first when he was running for the City Council in Brooklyn. He was going door-to-door … talking to people, listening to people. It’s a quality that I like about Bill that he wants input from the community. I don’t think he’s the kind of guy who would impose his will on New York. He’s a progressive. I just agree with his outlook on things. He fights for teachers, he fights for the working class and he fights for the underprivileged. And he’s always been there for the firefighting community. I used to see him at all the rallies and protests when they were closing firehouses in the early 2000s, and much more recently he was instrumental in figuring out with the City Council, with the mayor, how to make the numbers work so they don’t have to close firehouses.

He’s been really helpful post-Sandy, because a lot of firefighters were struggling. We know that communities you don’t always see or hear about in the news, have such a long road ahead of them, and Bill understands that. He’s compassionate … I’ve come to him for a few things … on the ground, in the Rockaways needs weren’t being met, and I gave him a call, and he got right on it. I also am pleased with what he’s done for the film industry. Part of that’s selfish on my part, because I like working in New York, and I’m grateful to be on the show that I’m on—but I think that it’s good for New York in general to get the tax incentives that keeps the industry here. We’ve seen in the past few years that production has really flourished.

When you said that de Blasio wouldn’t impose his will on the city, was that a subtle dig at Mayor Bloomberg’s tenure in office?
Of course not! Our third-term mayor? No! [Laughs] I’m really proud of Bill [for] his stance on term limits. He really stood his ground there. And, really, I’m not out to criticize Mayor Bloomberg. I think his heart is in the right place … but I think it’s important that the city take another direction when Bloomberg leaves, and I think that Bill is the right person to lead us in that direction and take all of us along with him—every borough and people in every walk of life who live in this city.

Celebrity endorsements often get a fair amount of ink, but do you think that they motivate people to actually vote for a candidate?
I’ve never been swayed by a celebrity. [Laughs] I think what it does maybe is if you hear, you know, Alec Baldwin say something, that he’s interested in Bill de Blasio, maybe that will prompt people to take a closer look at Bill who maybe weren’t looking so closely. But no, I don’t generally believe that there are people who say, “Oh, I’ll vote for whoever Steve Buscemi votes for.”

Do you intend to endorse any other candidates this cycle?
No.

As a former firefighter, what has been your take on the government’s response to Superstorm Sandy?
I find that there’s been a general lack of communication on the ground. I think the volunteers’ effort has been truly amazing, and that they have led the effort. From what I’ve seen, [many people] don’t really even know how to get the support [they need] because … it just doesn’t seem that accessible. That’s on a citywide level. And I know that the mayor’s office has been doing a lot of wonderful things, and they have been trying, but I just find that they haven’t been leading the effort, and that’s what’s been frustrating.

Has playing a politician in Boardwalk Empire influenced your thinking about politics?
It makes me more interested in politics in general, just sort of reading about it, and seeing how things were done back then, and how things are done now. I’ve been having a lot of fun playing a politician. Of course, Nucky’s no longer a politician, and I actually miss that. [Laughs]

We’ve had so many troubles in New York since 2001. Are you optimistic about the future of the city?
I am optimistic only because it’s New York, and I think that New Yorkers will see their way through. I’ve seen a lot of strength on the ground. I’ve seen firefighters who not only went through a harrowing experience during the storm but a lot of them, their own homes were damaged either by flooding or fire, and I’ve seen other firefighters come in and pitch in. There was this amazing effort in Breezy Point where this whole pump-and-gut operation was led by firefighters on their days off. When I see people doing that, I just go, “Wow, I love the people in this city.”

This article originally appeared in City & State

He may be a law firm secretary by day, but there’s far more to the New York-based polymath who is Tony Wolf than his day job. What his law firm colleagues may not know is Wolf has a rapidly expanding page on the Internet Movie Database (IMDB).

Wolf is a bit of a closet internet sensation. He’s a comedic short film and voiceover actor, on the perpetually evolving brink of internet fame. While Wolf pushes paper by day, by night he dons eclectic costumes, explores the full potential of his voice’s pitch and tone and even partakes in the occasional, radical body modification.

Recently, he buzzed his head and dyed the stubble grey, even giving himself a fake bald spot and receding hairline, for a role as the late Steve Jobs, never knowing if the video would go anywhere. Known in part in his niche community for his voluminous locks, Wolf foreshadowed this move in a song he improvised and recorded in 2007 called “The Faux Hawk Song.” The 41-year-old, occasionally curmudgeonly, Greenpoint resident lets it be known he has ambivalent feelings toward hipsters, to whom he attributes the hairstyle’s popularity.

In fact, the first thing that landed Long Island-born Wolf on IMDB was his role as “Naked Abe Lincoln” for a comedic short called “Hipster Job” set in Williamsburg. This followed 12 years of stage acting after leaving college with a degree in English literature.

Now, Wolf spends nights and weekends in the “studio,” wherever that happens to be, never more than a text message away from his “producer,” Mike Turney, known fondly as “Producer Mike.” With over 40 videos under their belts, they collectively refer to themselves as “The Action Room.” Wolf has worked with other producers as well, and landed parts ranging from a commercial for the Sci-Fi channel to voiceover work hawking DVDs on VH1.

Wolf is a man wholeheartedly devoted to his art and potential for upward mobility. When it comes to self-promotion, however, he vacillates between waxing on grandiose dreams of Hollywood, Broadway and hosting the Oscars, and humbly conceding he’s “not even internet famous” yet. In the world of YouTube, Vimeo, Twitter and similar platforms, however, “fame” as we’ve known it is being redefined — those 15 minutes expedited and more widely distributed, like a kind of celebrity socialism.

In the fast-paced world of comedic internet videos, Wolf says you can never be too quick with a brilliant notion. If you don’t immediately project your brainchild into cyberspace, upload it to sites like “College Humor” or “Funny or Die,” where Wolf’s videos have performed quite well and even become “featured selections,” your joke can get snatched up by the likes of comedic actor Jerry O’Connell. This happened to Wolf.

Wolf notes: O’Connell’s Tom Cruise Scientology spoof may have gotten more of the limelight than his, but comedian Patton Oswalt personally sent Wolf’s producer two separate emails, saying Wolf’s version was “way funnier.”

It’s not just about speed, though speed is imperative — Wolf says the most successful videos never go on too long — it’s also about nailing the jokes. Describing a particular shoot, Wolf says: “We did about 10 takes and you would think the last would be the best, but it was in fact the penultimate take we used.”

Like the Tom Cruise video released several years ago, Wolf’s roles are almost always relevant to popular culture and current affairs. Most recently he acted in a short parodying Mayor Michael Bloomberg’s famously colorless addresses to New Yorkers during Hurricane Sandy’s rampage. In Wolf’s artistic rendition, Bloomberg’s ASL interpreter — who gained an internet following of her own for being animated and “hot” — gets frisky with the Mayor.

The chameleonic Wolf has also taken on Donald Trump, Daniel Day-Lewis and even Hitler. Wolf derives some of the greatest joy from reactions by strangers and friends alike to his imitations and likenesses, but this internet “celebrity” is not too proud to glitter a bit when his parents — including a father known around his hometown for his striking good looks — fawn over his parodic performances as well.

Wolf often even gets double-takes on the street from people who think he’s Matt Lauer, Will Arnett or, perhaps, a mysteriously young Bob Saget.

“My agent tried to get me seen for Abe Lincoln: Vampire Hunter,” says Wolf. “Okay, manager who functions as an agent.” For an internet actor like Wolf, the promotion and production process are often fairly makeshift.

Wolf does a lot of his own promotion via, naturally, the internet. He’s snatched up all the domains he can, but unfortunately, “TonyWolf.com is taken already by a Christian, fundamental-seeming inspirational speaker, singer and comedy guy,” explains Wolf.

He adds: “He’s also an illustrator. He’s like 60 and bald and midwestern. It’s very weird that he and I have a lot of the same talents.”

“Maybe when I become super-famous I can buy TonyWolf.com away from Other Christian Tony Wolf,” he says, with an edge of hope.

Check out more Tony Wolf at tonywolfactor.com.