Readers Cap Heimlich; What, Is Neal Pollack Some Kind of Parodist?; More
After reading Adam Heimlich’s T. Edmonds, Not So Hiphop RE Adam Heimlich’s Second, in saying that "not Tyler Maroney, Adam Heimlich replies: As for Wu-Tang Clan’s You Don’t Know the Neal Pollack: Surely this Riley Petty, More Fun Than… MUGGER: Put Maureen Dowd, I wanted to say this to Tracy Meadows, A Brooklyn Convert Mike Signorile: I recently I’ve subsequently had Chris Lynch, Celia Likes MUGGER’s MUGGER: Brilliant column Celia Farber, Les Wants More RE Christopher Carbone’s I am a lesbian, although
article I get the feeling that the writer is a Jigga fan because he keeps sweating
him. He was right about the Infamy being some crap, though. He also made
a very good point about Nas trying to be the "starving young warrior"
again–it’s a little too late for that now. But we as consumers are
conditioned to have a very short memory by you guys–the media. You hype
up everything and then shove it down our throats whether we like the taste or
not.
Dallas
"2002: Hiphop’s Year One" feature (1/23). Heimlich makes some
errors. First, he misunderstands Jay-Z’s lyrics. In "Izzo (H.O.V.A.),"
it may sound like Jay-Z is saying the word "roaster." He is, in fact,
saying "rossa," as in Ferrari Testarossa. Jay-Z might also mean roadster,
as in the Audi sports car (or a 30s-era Ford classic–pick one). In the
tradition of Michael Gold’s "Jews Without Money," Jay-Z’s
motive is to free his people from institutionalized stereotypes: rich black
man, he is saying, is not an oxymoron. Understanding Jay-Z’s vocabulary
is essential to getting this point.
even for a second did [Wu-Tang] run hiphop," Heimlich displays a lack of
knowledge of hiphop history. In fact, it can be argued that their first album
was a rite of passage for the genre, and altered the art form forever, spawning
hordes of clones, inspiring a new generation of producers. Beginning with their
first single, "Protect Ya Neck," the entire Wu-Tang crew humbled every
lyricist who preceded them (with the possible exception of Rakim and Kool G
Rap). Indeed, as pure poets and chroniclers of the hiphop zeitgeist, Inspectah
Deck, Raekwon and Ghostface are light-years beyond both Nas and Jay-Z. Others
have my back on this, believe me. What’s more, some of their songs, including
"C.R.E.A.M.," gave birth to terms that have entered the pop lexicon
and ideas that were seized on not only by fans, but by academics as well (see
Craig Werner’s A Change Is Gonna Come).
Brooklyn
Regardless of whether the "Izzo" lyric is "rossa," "roadster"
or "roaster," it’s clear enough that Jay-Z is talking about a
hot car. In the very next sentence, I referred to Jay-Z as a "pauper-turned-king,"
so I don’t see how Maroney can claim I missed the point (or, for that matter,
imagine that any listener could fail to notice that Jay-Z wants it known that
he’s a very wealthy black man!).
greatness and influence, I’ve proclaimed it as vociferously as anyone.
The paragraph Maroney quotes referred to a consensus perception within the hiphop
community. Those tend to be based on sales figures and media omnipresence, not
esthetics or lasting impact. Proud as I am to be among the many who "have
[his] back" regarding the arguable superiority of the Wu’s mid-90s
output, I must remind Maroney that 2Pac, Biggie and Puff Daddy were among several
contemporaries who were in no way "humbled" by it.
Greatest American Writer?
is some kind of parody, or one of those little things where you’re making
fun of someone ("Daily Billboard," 1/21), or you don’t mean what
you write. Otherwise, you people are sick. Get a life.
Corpus Christi, TX
Frank Rich and Michelangelo Signorile in a barrel and roll ’em down a hill.
You would have a narcissistic jackass on top all the way down. I am really getting
tired of reading their flatulent, plaintive whining. Who do they think died
and left them in charge?
Neal Pollack: thanks for your intimate memoir of shagging Tina Brown. Do you
have any tales of bestiality you want to share with us? Oh, let me guess, the
point is there is no point. I almost forgot that I forgot.
Brenham, TX
wrote a somewhat caustic letter to New York Press ("The Mail,"
12/12) in response to a column in which you wished good riddance to families
opting to leave New York ("The Gist," 12/5) in the aftermath of the
destruction of the World Trade Center.
the opportunity to read a few more of your columns, and would like to retract
the scorn conveyed in my letter, if not the substance of my objections. Your
piece comparing Christian fundamentalists to the Taliban was a welcome breath
of fresh air. I look forward to reading more of your work.
Brooklyn
Can
(1/23), both on Enron and on Talk. I love the way you sum things up with
such bang and pop. It’s because you use language that is your own. Words
that came out of a can, but a damn good, American hero can, while the glossier
media writers all write from the same infinite font of pasteurized text. Sorry,
I can’t articulate what I mean. I’m on codeine for an acute throat
infection. Whatever it is you do, keep doing it.
Manhattan
"Don’t Want My Gay TV" ("New York City," 1/23): I am
a radio talk show host and producer in Orlando, FL. I enjoyed the article! I
disagree with a few of his points, but I found it refreshing to read.
that rarely comes into play in my arena, on air or off. I am respected for my
thoughts and statements as a human being, without a sexual organ attached. Most
people know my sexuality. Some choose not to concern themselves, others will
occasionally ask me to send regards to my girl (she worked in sales for a short
while and every

