Rachel Khona Asks: Are models truly ever victims?

Written by NY Press on . Posted in NY Press Exclusive.


The poster for Girl Model.

Models are victims. At least that’s what we’ve been told. We’ve all heard the stories of young innocent 14-year-old girls plucked from their native Eastern European countries and traded like chattel to model agencies around the world. Picked apart for not being skinny enough at 5’10 and 125 lbs, by a world of evil model scouts. Scouts who live to torture young innocent victims just to make a buck.

(By Rachel Khona)

In the new documentary, “Girl Model”, the filmmaker follows around Ashley Arbaugh a scout and her discovery Nadya Vall, a 13-year-old from Siberia. In it, Nadya is depicted as being lonely, sad, and homesick, living in a tiny model apartment in Tokyo. She is soon sent home with only one job under her belt and a few thousand dollars in debt. To be fair, I haven’t seen the movie as it’s not on Netflix and frankly I’m lazy. And also because as someone who has worked as a booker and scout, I already know how the industry works.

The media picked up on the documentary coming down on the modeling industry with disgust and horror, while completely disregarding the fact that the girls (and guys for that matter) are choosing to work as models.

In my entire time working in the industry, I have never met a prospect who didn’t want to be a model. I’ve seen girls and guys practically beg and cry to be models, whether it’s at a modeling convention or a scouting trip. I’ve had plenty of models ask me why they aren’t working more or why they aren’t making more money. I’ve seen models who are 35 and still desperate to work as models even though their prime has passed. Why wouldn’t they just secure a regular 9-5 job with a steady paycheck? Because they want to be models. They cannot live with the thought of not being models.

The younger ones get wine and dined for free, getting into clubs without waiting in line so the club owners can seem trendy. Girls whose parents don’t have two dimes to rub together are able to buy houses and cars for their parents. How many industries do you get paid $2,000 to the sky’s the limit for a day of work without being required to have any skills, expertise, or talent? No one is holding a gun to their heads forcing them to wear couture and get the red carpet rolled for them. If a girl would rather stay in her native town and live in poverty, she certainly has the prerogative to do that.

When Hailey Hasbrook blogged about her experience working as a model for Marc Jacobs for nothing but free clothes (which is common during fashion week), the media pounced on the story as if she was some modern day slave trapped in designer duds. Her response? She enjoyed working for Marc Jacobs. The reality is walking in a top show is imperative in advancing a model’s career and landing lucrative campaigns and contracts down the road. Any model would kill to walk in a show like Marc Jacobs. Even Coco Rocha, who accused agents of asking her to lose weight, never left the industry. In fact, she is still going strong as one of the top supermodels in the world.

In the words of Marc Jacobs, (via Twitter of course) “If [the models] don’t want to work with us, they don’t have to.”

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  • http://www.facebook.com/people/Ab-Normal/100002781883704 Ab Normal

    What irresponsible journalism. “To be fair, I haven’t seen the movie as it’s not on Netflix and frankly I’m lazy. ” – pretty much sums up NYPress’ quality of thoughtful writing; lazy.

    This documentary focuses mainly on Russian 13-16 year old girls, their ATTEMPT to become models, and the exploitation of these girls from THAT particular region, who live in poverty and have very little opportunities and either don’t speak English or speak very little of it. This has NOTHING TO DO WITH successful ones who already established some sort of career state side, or 35-year olds nostalgic for their past prime.

    If anything, the documentary is more about former communist countries with large income inequalities, whose family were left behind in terms of social mobility. NOT about American models. I suggest anyone who’s interested in this topic to also watch Lilya 4-ever, a film about a young Estonian girl caught in the sex trafficking trade. If people cannot see the difference between pursuing these kinds of careers in the USA and in Russia, then I suggest reading some newspapers and world news first, before expounding on an argument that’s apropos of nothing.

  • maria

    I found Ashley Arbaugh to be the most disturbing of all the characters, although creepy Tigran was a runner-up. The theme of sterility plays out in Ashley’s analysis of her fibroids and cycsts signalling to me deep untreated neuroses about not being able to carry children and conflicting feelings about being around children she is manipulating. Mind you, I don’t see any men in her orbit willing to spawn children with her either…. She is a soul-less cog in a perverse world, and I think, secretly yearning for that time…. long ago. She is probably perfect for the role of acquirer of flesh: a pseudo-caring, cold, calculating machine of commerce and exploitation. That she believes every word Tigran says, and that she aspires to be like him is so disturbing. She doesn’t seem to have any friends, and that house of hers is chilling in its sterile aesthetic. I was cringing during her uncomfortable visit to the hovel where the girls were put in Tokyo. There was not one iota of rage or guilt at how they were living and her smile was that of a vampire. She has managed to suppress any anger at this world of lies. And the fact that the Japanese don’t honour their contracts! How can the girls be in debt when they were supposed to be paid $8000? That is the most outrageous thing about the whole system.

  • http://profile.yahoo.com/NITMKEBCHOHWWJJG6GGVNDNA3U JOHN H

    Most incompetent article I’ve read this month, SHAME ON YOU RACHEL!!

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