The Clooney Club Strikes Again

George Clooney pairs up with buddy Grant Heslov for another comedy meant to ridicule the political machine.

GEORGE CLOONEY MEET Dusan Makavejev: Hollywood clown to Yugoslavian art-movie satirist. Clooney’s dismal new comedy The Men Who Stare at Goats makes it essential to re-learn what good political satire means.There’s no richer example than Makavejev’s films, and three of them are now packaged in Criterion’s DVD box set, Dusan Makavejev: Free Radical.

Requiem for Zombies

A film about Iraq soldiers who seem already dead

Despite the many things wrong with Brian De Palma’s Redacted, the acting was superbly on-point. De Palma’s little-known cast got class differences right, even while the film’s rhetorical concept was slanting them into the typical Blue State condescension about working-class grunts. This bias infects the latest Iraq War movie, The Messenger, by writer-director Oren Moverman, who lacks De Palma’...

Pride & Precious

You can thank media titans Oprah Winfrey and Tyler Perry for much of the hype surrounding Lee Daniels’ film Precious. ARMOND WHITE calls it the ‘Con Job of the Year.’

SHAME ON TYLER PERRY and Oprah Winfrey for signing on as air-quote executive producers of Precious. After this post-hip-hop freak show wowed Sundance last January, it now slouches toward Oscar ratification thanks to its powerful friends.Winfrey and Perry had no hand in the actual production of Precious, yet the movie must have touched some sore spot in their demagogue psyches. They’ve piggybacked their reps as ...

A Christmas Carol

Zemeckis continues his pact with technology

Add Robert Zemeckis to the list of filmmakers exposed by Michael Jackson's This is It. The empathetic star-power in that beautiful concert film should have inspired a brilliant remake of A Christmas Carol. Instead, Zemeckis made his pact with technology. Every shot is a gimmick in Zemeckis' A Christmas Carol. Strange that Charles Dickens' great, imperishable tale about change-of-heart should be adapted by a filmmaker...

The Boondock Saints II: All Saint’s Day

“Pulp Fiction with soul,” was what Boston-born, indie-hack-that-could Troy Duffy’s first screenplay, The Boondock Saints, was crassly dubbed by Hollywood insiders. Duffy, more memorable for the story of his rise and meteoric fall from prominence, is not really interested in the kind of misappropriated nostalgia from which Quentin Tarantino has made a career. Like its predecessor, which found a huge ...

Michael Jackson’s This Is It

Fans will cheer Michael Jackson’s This Is It. Haters will sneer (as expected). But Steven Spielberg, Martin Scorsese, Oliver Stone and other first-class filmmakers who failed to transition Jackson onto the big screen during his pop-idol years ought to weep at the missed opportunities that This Is It makes apparent.

Films Features

Pressed for Time: Crude Oil (Yuan You)

Crude Oil (Yuan You) Nov. 4 through 8, Light Industry, 230 36th St. (betw. 2nd & 3rd Aves.), Brooklyn, www.lightindustry.org; times vary, donation requested Wang Bing’s epic 14-hour film

 

What To Watch: Ebenezer (via Zemeckis), Goat Men, a Special Box and more

Precious: Based on the Novel ‘Push’ by Sapphire hits theaters riding an ever-growing wave of hype and praise, including major awards at Sundance and Toronto and a cover sto...Read more

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TV Review: V

By now, two months after the rest of the new shows have premiered, you've surely been beaten into submission regarding the plot of V by ABC's marketing department, storing its plot in your brain even if you're unaware of it. Another of ABC's twisting and turning, creepy-crawly shows that repay the audience's dedication, V is a reboot of the '80s miniseries in which aliens arrive on Earth. Surprisingly devoid of tentacles or evil plans, these aliens (led by Morena Baccarin's Anna) are attractive and kindly. They heal the ailing, they promise peace, and they even prop up ailing economies by drawing in an influx of tourists, all eager to take a tour of a real life alien space craft. Oh, and they're actually evil terrorists who have been plotting to decimate the world for decades, while perfecting a human mask that covers their scaly skin.

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Little Shop of Horrors: Roger Corman at Anthology

Roger Corman’s funny, fucked-up horror film was made years later into a Steve Martin-Rick Moranis vehicle. This earlier version, though, shot basically for no money in 1960, starred...Read more

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Labor Day: Documentary About Obama Election Belabors Its Point

Director Glenn Silber created a victory dance out of his latest documentary, Labor Day, which will open tomorrow at Quad Cinemas. He wanted to show how the Service Employment International Union (SEIU) played a crucial role in securing President Obama’s campaign victory. Read more

Posted at 05:34 PM | Permalink| Comments (0)
 

In Lastest Alice in Wonderland Trailer, Burton Trippy as Ever

In case anyone doubted Tim Burton’s trippiness, the latest Alice in Wonderland trailer oozes with opium-hazed hallucinations and acid-saturated colors that stay true to Lewis Carroll’s, ahem, inspirations. The trailer is released just weeks before MoMa’s Burton retrospective will show how the artist and storyteller became the goth darling he is today.

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More Film Reviews
Requiem for Zombies
By Armond White
Pride & Precious
By Armond White
A Christmas Carol
By Armond White
Theater of Blood
By Armond White
Gentlemen Broncos
By Armond White
I Know What I Like
By Mark Peikert
Beginning of the End
By Armond White
Antichrist
By Armond White
Shiny Happy Motherhood
By Armond White
One Fast Move or I'm Gone
By Matt Connolly
New York, I Love You
By Armond White
Black Dynamite
By Armond White
Kids' Stuff
By Armond White
Pull Over
By Mark Peikert
Visual Acoustics
By Jerry Portwood
Adventures of Power
By Matt Connolly
An Education
By Armond White
Features
Factory Made
By Matt Connolly
The Maestro Machine
By Corinne Ramey
Babes and Bruises
By Linnea Covington
Armond White Reviews & Features
Films Reviews

Kids' Stuff

Spike Jonze turns Maurice Sendak’s classic children’s book into an adult work of art

A FREEZE-FRAME of lonely suburban kid Max dressed in wolf pajamas and scampering wildly, boyishly indoors with his puppy announces Spike Jonze’s innovation in Where the Wild Things Are. It’s a snapshot of youth in extremis—the unruly innocence that movies usually hide in saccharine artifice. Jonze, master of lo-fi surrealism, captures youth’s anarchic, destructive undercurrent in that single image. It makes his feature-length vision of Maurice Sendak’s 1963 children’s picture book immediately distinctive as the most daring kid’s-movie adaptation since Altman’s still-avant-garde Popeye from 1980.

 
 
 


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