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	<title>Comments on: City Arts: The Pageantry of Rhetoric</title>
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	<link>http://nypress.com/city-arts-the-pageantry-of-rhetoric/</link>
	<description>New York&#039;s essential guide to culture, arts, politics, news and more</description>
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		<title>By: triumph_2012</title>
		<link>http://nypress.com/city-arts-the-pageantry-of-rhetoric/#comment-26302</link>
		<dc:creator>triumph_2012</dc:creator>
		<pubDate>Sat, 01 Dec 2012 04:50:00 +0000</pubDate>
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		<description><![CDATA[Enjoyed the film, but as a black woman was very uncomfortable hearing my people talked about as if we were objects.  Found my neck snapping as I almost dozed off midway.  Otherwise, enjoyed the film.  Armond&#039;s conclusion is on target:  hollow and ghostly.]]></description>
		<content:encoded><![CDATA[<p>Enjoyed the film, but as a black woman was very uncomfortable hearing my people talked about as if we were objects.  Found my neck snapping as I almost dozed off midway.  Otherwise, enjoyed the film.  Armond&#8217;s conclusion is on target:  hollow and ghostly.</p>
]]></content:encoded>
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		<title>By: MichaelB</title>
		<link>http://nypress.com/city-arts-the-pageantry-of-rhetoric/#comment-26243</link>
		<dc:creator>MichaelB</dc:creator>
		<pubDate>Fri, 30 Nov 2012 02:00:00 +0000</pubDate>
		<guid isPermaLink="false">http://nypress.com/?p=58727#comment-26243</guid>
		<description><![CDATA[I always rely on Mr. White for a clear-eyed perspective on films (and culture.) His is a rare mind that can stand outside the cultural milieu we swim (drown) in, added to great historical perspective to cut to the chase.  (Sorry if my metaphors aren&#039;t well chosen and mixed.)

Bottom line, it&#039;s a pleasure to read a critic who doesn&#039;t go along with the crush of the crowd, who can pierce the Pavlovian, cultural conditioning (brainwashing) awash of our society since the 2nd half of the 20th Century, where the commercial hawkers of &quot;art&quot; know exactly which buttons to push to get an emotional rise out of the audience.


I look forward to his stimulating and provocative pieces.

Hooray for Armond White!]]></description>
		<content:encoded><![CDATA[<p>I always rely on Mr. White for a clear-eyed perspective on films (and culture.) His is a rare mind that can stand outside the cultural milieu we swim (drown) in, added to great historical perspective to cut to the chase.  (Sorry if my metaphors aren&#8217;t well chosen and mixed.)</p>
<p>Bottom line, it&#8217;s a pleasure to read a critic who doesn&#8217;t go along with the crush of the crowd, who can pierce the Pavlovian, cultural conditioning (brainwashing) awash of our society since the 2nd half of the 20th Century, where the commercial hawkers of &#8220;art&#8221; know exactly which buttons to push to get an emotional rise out of the audience.</p>
<p>I look forward to his stimulating and provocative pieces.</p>
<p>Hooray for Armond White!</p>
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		<title>By: Matthew Newton</title>
		<link>http://nypress.com/city-arts-the-pageantry-of-rhetoric/#comment-25951</link>
		<dc:creator>Matthew Newton</dc:creator>
		<pubDate>Sat, 24 Nov 2012 05:52:00 +0000</pubDate>
		<guid isPermaLink="false">http://nypress.com/?p=58727#comment-25951</guid>
		<description><![CDATA[Wow. Everyone else seems to love it. Interesting criticism.]]></description>
		<content:encoded><![CDATA[<p>Wow. Everyone else seems to love it. Interesting criticism.</p>
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