By Angela Barbuti Tucked away on West 72nd Street between Broadway and Columbus Avenue is the 130-seat Triad Theater. Inside, actors make their Off-Broadway debuts, celebrities take the stage with friends and audiences are always entertained by an eclectic variety of shows, from Erotic Broadway to the smash hit Celebrity Autobiography. We spoke to owner Peter 
The titular duo of misguided new musical Bonnie & Clyde first appear covered in blood, already dead in their car from the rain of bullets police officers unleashed upon them in 1934. That’s a pretty apt foreshadowing of this dead on arrival musical retelling of America’s sweetheart bandits. Book writer Ivan Menchell is the only person capable 
“People shouldn’t be going to plays,” says Ranevskaya somewhat ominously in Chekhov’s The Cherry Orchard—or that may just be Dianne Wiest’s performance. Should you have ever tossed and turned in grief at Marilyn Monroe never having the opportunity to play Chekhov, Wiest’s simpering performance is dedicated to you. There are, of course, more problems in this 
The insistent irony of the title Happy Hourshould be enough to tip audiences off to what to expect from the trio of Ethan Coen-penned one acts, staged at a glacial pace by Neil Pepe. Surprise! None of these characters are happy! And this collection is definitely not an hour. Things start off excruciatingly immediately, with the 
The original book to the 1965 On a Clear Day You Can See Forever is widely acknowledged as abysmal—but it is solely on the basis of that show and The Apple Tree that Barbara Harris’ towering status as an icon of musical theater rests. Not bad for a show that is frequently dismissed, despite its gorgeous score by Alan 
