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	<title>NYPress.com - New York&#039;s essential guide to culture, arts, politics, news and more &#187; Ned Vizzini</title>
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	<link>http://nypress.com</link>
	<description>New York&#039;s essential guide to culture, arts, politics, news and more</description>
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		<title>Evil Empires</title>
		<link>http://nypress.com/evil-empires/</link>
		<comments>http://nypress.com/evil-empires/#comments</comments>
		<pubDate>Wed, 25 Jan 2006 00:00:00 +0000</pubDate>
		<dc:creator>Ned Vizzini</dc:creator>
				<category><![CDATA[Breaking News]]></category>
		<category><![CDATA[Posts]]></category>

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		<description><![CDATA[Searching in good conscience ain't easy]]></description>
				<content:encoded><![CDATA[<p>Searching in good conscience ain&#8217;t easy.</p>
<p>Microsoft as &quot;Evil Empire&quot; has always seemed a little trite, especially when accompanied as it often is by Photoshopped pictures of Bill Gates as Borg Queen. But the company&#8217;s recent decision to shut down Chinese blogger Zhao Jing&#8217;s MSN Spaces page due to dissenting posts about the Chinese government took the cuteness out of the moniker.</p>
<p>And Microsoft is not alone. Google blocks sensitive results on its Chinese search engine. Yahoo exposed reporter Shi Tao, who&#8217;d been using a supposedly anonymous e-mail address,&nbsp; to Chinese authorities last year, landing Tao in prison for ten years.</p>
<p>How&#8217;s an ethically-minded Internet user to search the web without the big threeGoogle, Microsoft (through MSN Search) and Yahoo?</p>
<p>It&#8217;s not easy. AltaVista offers news, image and video searchbut it&#8217;s owned by Overture Services, Inc., which is owned by Yahoo. A9, Amazon&#8217;s search engine, is powered by Google. WebCrawler and DogPile are meta-search engines that compile results from the big three. AOL lacks a news search, Technorati and Feedster search only blogs and Snap&#8217;s touted vertical search does not give comprehensive results.</p>
<p>That leaves only AskJeeves, a subsidiary of IAC/InterActiveCorp, which also owns RealEstate.com and dinosaur search engine Excite. Despite its childish-looking natural language site, AskJeeves provides strong image, news, and product searches. Occasional error messages are cleared on refresh, and results are comparable to Google&#8217;s.</p>
<p>But the implication is troubling. Those who want to use a non-China complicit search engine have only one viable option. All of a sudden, Reporters Without Borders&#8217; call last week for the Internet search giants to establish a set of protocols for dealing with repressive governments is no abstract matter.&nbsp;</p>
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		<title>Brooklyn&#8217;s Sex Champs</title>
		<link>http://nypress.com/brooklyns-sex-champs/</link>
		<comments>http://nypress.com/brooklyns-sex-champs/#comments</comments>
		<pubDate>Wed, 25 Jan 2006 00:00:00 +0000</pubDate>
		<dc:creator>Ned Vizzini</dc:creator>
				<category><![CDATA[Posts]]></category>

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		<description><![CDATA[Census, plague and h-groups breeding]]></description>
				<content:encoded><![CDATA[<p>Census, plague and h-groups breeding.</p>
<p>There was a question going around Williamsburg a few years ago, about the h-words vs. the Hasidim: Who had more sex?</p>
<p>The h-words did it loudly, on mattresses on the floor, without condoms and with iPod speakers pumping Sade, played ironically. The Hasidim did it quietly but produced visible results, doubling their population over the last 20 years.</p>
<p>Now that growth is forcing one Brooklyn Hasidic community to look across the East River and down the Turnpike to secure its futurein Philadelphia.</p>
<p>Lubavitcher Rabbi Solomon Isaacson of Borough Park sees Philly, where a tax-abatement program is creating a real estate resurgence, as the new Brooklyn. The rabbi has spent the past year petitioning Mayor John Street and Governor Ed Rendell to have dozens of acres in northeastern Philly developed for 300 to 1000 of his constituent families, punctuating his pitches with gifted loaves of rye.</p>
<p>Solomon&#8217;s efforts underscore years of success for the Hasidim, who numbered only 40,000 in Williamsburg in the 1960s, and whose very survival was questioned at the time by the Hasidic sociologist George Kranzler. The Brooklyn fixtures have prospered due to a high birth rate (eight children is fairly common), dedicated internal efforts to address poverty and powerful deals with city governmentrabbis like Isaacson can deliver 5,000 ironclad votes to the Council member who comes to the table. There are now anywhere from 165,000 to 250,000 Hasidic Jews in Brooklyn, with exact figures difficult to pin down as the group tends to ignore census forms. (Every time a census takes place in the Bible, a plague or disaster is sure to follow.)</p>
<p>But in neighborhoods where single-family homes cost $1.5 million, this breeding success brings genuine concern about space to raise the next generation. And while there isn&#8217;t any risk of Hasidic Jews abandoning Brooklyn entirelythere have already been decampments to Lakewood, NJ, and Monsey, NY, with no appreciable loss of the borough faithfulthere is a sense that Solomon&#8217;s proposed move is one of several recent growing pains. </p>
<p>The last three years have seen a small-scale war between the Hasidim and the h-words, with Rabbi Zalman Leib Fulop of Williamsburg pointing out that h-words were sent from heaven to punish the Hasidic community. At the same time the Hasidic community has been torn from within by a borderline-civil war between Aron and Zalman Teitelbaum, sons of Grand Rabbi Moses Teitelbaum, whose struggle over the leadership of Williamsburg&#8217;s Yatel Lev synagogue has resulted in an embarrassing temple brawl and two civil suits.</p>
<p>The paradox is this: as Hasidic communities grow, they become less governable by singular figures like Rabbi Isaacson, whose push to Philadelphia is ordered and precise. Perhaps the Hasidim had too much sex; they&#8217;ve now got to head h-word style into undefended urban enclaves.</p>
<p />
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		<title>Chop-Shop Mentality</title>
		<link>http://nypress.com/chop-shop-mentality/</link>
		<comments>http://nypress.com/chop-shop-mentality/#comments</comments>
		<pubDate>Wed, 04 Jan 2006 00:00:00 +0000</pubDate>
		<dc:creator>Ned Vizzini</dc:creator>
				<category><![CDATA[Posts]]></category>

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		<description><![CDATA[The hustle and the rip-off]]></description>
				<content:encoded><![CDATA[<p><b>Everyone thinks I&rsquo;m</b> slumming, and I understand why. When you tell people you&rsquo;re going to be a bike messenger, they look at you strangely. They won&rsquo;t accept that you actually need the money, or that it&rsquo;s going to be good for you. Certain other facets of your life distract them.
<p>
I&rsquo;ve published two books. I got paid for the books. Thing is, I&rsquo;ll never get paid that much for writing books again. They gave me money thinking I&rsquo;d be the next something-or-other. I haven&rsquo;t been. Next time, maybe, I&rsquo;ll get a quarter as much.</p>
<p>
In the meantime, I&rsquo;ve hoarded my money and I haven&rsquo;t developed many skills. I&rsquo;m one of about two million New Yorkers who can write and do web production. Plus I can&rsquo;t speak Mandarin. I can&rsquo;t even speak Spanish. I&rsquo;m not the most capable 21st century man.</p>
<p>
So I went in on a Friday. Finished up with my shrink at 9:30 a.m. and got on my bike. I have an 18-speed Lemond with Kevlar tires. To conceal my bike&rsquo;s pedigree I wrap it in old inner tubes. My friend Jordan showed me how to do that. He used to be a messenger. He laughed when I told him I was starting.</p>
<p>
&ldquo;It might be good for you, I don&rsquo;t know. Get a little bit of that chop-shop mentality.&rdquo;</p>
<p>
&ldquo;The &lsquo;chop-shop?&rsquo;&rdquo;</p>
<p>
&ldquo;Yeah, the hustle, the rip-off. These guys are going to rip you off left and right. It&rsquo;s rough.&rdquo;</p>
<p>
I wanted rough. In the wake of my book, I started my own company and kept it running for two years. But I&rsquo;ve never worked for anyone else. Not since I was a teenager. I&rsquo;ve worked either for my mom or myself. Haven&rsquo;t filled out a job application; haven&rsquo;t sent my resume out on Monster; haven&rsquo;t gotten up in the morning and drank coffee on my way to somewhere solid. Anywhere. Somewhere where I got paid just to be. It&rsquo;s a horrific feeling and a serious need.</p>
<p>
I sailed over the Manhattan Bridge. It was the second really cold day of the year. I knew I&rsquo;d picked a good time to start. The people who couldn&rsquo;t stand the cold were dropping off. They needed to be replaced. What kind of nut starts doing bike messenger work in winter?</p>
<p>
My chest iced over and my phlegm took on a metallic taste. I thought about my body and how it could do better. I didn&rsquo;t think about book sales or my Web site or my living situation (between my mom and my grandma&mdash;between my mom and my grandma) or how the mighty have fallen (Phi Beta Kappa, you know) or what I was going to do next. I thought about the metal bumps on the bridge, a pair of which cross your path at each tower, and accommodated them by pulling my handlebars up as I approached.</p>
<p>
In my back pocket were my Google Maps. I&rsquo;d gone on Google Maps the night before with the classifieds. There were seven listings for messengers. I was only interested in the ones with addresses and times to show up. I had four stops. First was West 17th St.</p>
<p>
It was a sushi outlet on the ground floor, a tiny one. Maybe five people could stand in line to purchase sushi there. Maybe it was like the Soup Nazi; maybe they formed lines around the block. They were just putting the sushi out. I loped up to the third floor. On the way up the stairs were placards for a dance school, then a computer printout sign with early-90s clip art of a man with a big nose on a bicycle. You may have seen this clip art. &ldquo;That&rsquo;s me,&rdquo; I thought.</p>
<p>
Inside was a wide lobby area with a long table; then a glass partition; then, behind it, a half-dozen people on computers with blue screens and plain text readouts. In DOS. I approached.</p>
<p>
&ldquo;And who are you?&rdquo; a flighty black guy asked.</p>
<p>
&ldquo;I&rsquo;m here to apply for the messenger position.&rdquo;</p>
<p>
&ldquo;Here, fill this out.&rdquo; He handed me four stapled pages.</p>
<p>
I came out to the lobby table. An older black guy&mdash;in his 40s, it looked like&mdash;was filling out his form. This was my competition. I sat down. I had no pen. See, I do have a lack of skills. I looked at the third person at the table&mdash;a stylish Hispanic kid with a clipboard in front of him, colored squares on it. He had a purple pen.</p>
<p>
&ldquo;Can I borrow that?&rdquo;</p>
<p>
He handed it to me without a word.</p>
<p>
Address. Education. Three former employers.</p>
<p>
Now, this was a bit difficult for me. Three former employers. Let&rsquo;s see. There was my own company, which did web production and community development, but that didn&rsquo;t have a phone number anymore, which meant I had to put the phone number of my ex-business partner, unless I wanted to put my phone number, which wouldn&rsquo;t look too good. There was my parents&rsquo; business, the address of which I didn&rsquo;t know for sure, besides which I already had my mom listed as &ldquo;emergency contact.&rdquo; If I listed her as the reference as well and she answered her phone by name, as she&rsquo;s apt to do, they&rsquo;d know she was my mom. And my third employer, the only third-party employer I&rsquo;ve had since 2002, was Hyperion Books&mdash;was I going to put my editor&rsquo;s number as the reference?</p>
<p>
What&rsquo;s important, I decided, is that I fill the thing up and not cross anything out. It should be a landscape of crisp text. That&rsquo;s probably all they&rsquo;re looking for&mdash;the gradient.</p>
<p>
Page three and four were a test. The first question was &ldquo;Where is the Empire State Building?&rdquo; but from there it got difficult. Where is Pier 59? What building is at 89th St. and 6th Ave.? (Trick!) If you need to deliver a package and the customer isn&rsquo;t there, what should you do?</p>
<p>
I answered all the questions in the way that would least bother of my employers&mdash;that meant never selecting &ldquo;call base.&rdquo; Within ten minutes I was finished&mdash;the black guy had beat me&mdash;and I turned my app into a different man from the one who gave it to me, a fat white guy with whiskers.</p>
<p>
&ldquo;Boss&rsquo;ll call you by next Friday,&rdquo; he said. &ldquo;We don&rsquo;t pay by the hour. We pay by commission. Our bikers make way more than three hundred dollars per week.&rdquo;</p>
<p>
Jesus. I should hope so. I left. Next up was on Broadway; the whole building seemed to house messenger companies. As I walked in the office with my helmet on, the woman behind the desk said, &ldquo;I don&rsquo;t hire bikers.&rdquo;</p>
<p>
Champion Couriers was next. I was lithe with the traffic now. The one thing that I knew I had going for me with this job was the fact that I do not fear death. I nearly got hit with a flying garbage bag; I split the difference between two trucks with six inches to either side; I gave an NYU student stepping into a cab a true &ldquo;Whoop!&rdquo; moment, an unfeigned intake of breath and reflexive draw-back. I was good.</p>
<p>
Champion had an even sparer &ldquo;lobby,&rdquo; with no table. A long-faced white guy gave me my application and then sat down and dictated a delivery from Versace to Star Magazine&mdash;&ldquo;for Bonnie Fuller,&rdquo; he said.</p>
<p>
I always knew I&rsquo;d be in with the power brokers.</p>
<p>
I realized, again, that I didn&rsquo;t have a pen&mdash;and there wasn&rsquo;t anyone to ask here. I couldn&rsquo;t ask the Bonnie Fuller handler who gave me the application&mdash;that was one of the few things you could do, I figured, to completely remove yourself from the hiring pool. So I caromed downstairs and out into midtown Manhattan looking for a single Bic pen&mdash;anyone, anywhere, please? There were no delis. There were no drugstores. I ended up buying one from a man in a newsstand&mdash;he was, in fact, in the smallest newsstand I had ever seen, with as much room to move as a veal calf. He charged me seventy-five cents.</p>
<p>
Back to the office! Pull out a chair! Back to the application! The same set of questions, but this app looked older, more government-sanctioned, and there was no test. </p>
<p>
The guy looked through my app. He looked at my paltry accomplishments and hard-thought-up friends. He looked at where I&rsquo;ve gotten to in life and where I used to be, where I had the potential to be. He stood up.</p>
<p>
&ldquo;Come in on Monday at eight-o-clock. Speak to Elliot or me. I&rsquo;m Mike.&rdquo;</p>
<p>
&ldquo;Okay, sir.&rdquo;</p>
<p>
I&rsquo;m not one to make big statements. I&rsquo;m not interested in trying to answer huge questions about myself. But in all my life, why the hell hadn&rsquo;t I just gone in somewhere and gotten a job? Why had I lived with the anxiety and frustration and bullshit of not knowing if I could do it? Was it just because I didn&rsquo;t have to?</p>
<p>
Well now I had to. And now I&rsquo;d done it. And after that acceptance, I went to another service, for backup, and got hired there too, told to come in at nine-o-clock on Monday, so that if the eight-o-clock place didn&rsquo;t work out I had somewhere to go.</p>
<p>
I ate lunch. I felt more accomplished than I have for a long time. </p>
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		<title>The Meatman Cometh</title>
		<link>http://nypress.com/the-meatman-cometh/</link>
		<comments>http://nypress.com/the-meatman-cometh/#comments</comments>
		<pubDate>Wed, 28 Dec 2005 00:00:00 +0000</pubDate>
		<dc:creator>Ned Vizzini</dc:creator>
				<category><![CDATA[Posts]]></category>

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		<description><![CDATA[He don't fuck with no rib-eye]]></description>
				<content:encoded><![CDATA[<p><b>&ldquo;T-bones!</b> Filet Mignon!&rdquo; a round Hispanic guy with a beard and apron yells into the evening at 14th St. and 8th Ave. At his feet, on the sidewalk, is a cardboard box.
<p>
&ldquo;T-bones! Filet Mignon! Excuse me, sir, would you like to buy some steak?&rdquo;</p>
<p>
A much larger man, black, with an apron wrapped around itself and hanging off him like a skinny tie, strides onto the scene and grabs one end of the box.</p>
<p>
&ldquo;C&rsquo;mon, let&rsquo;s move this inside,&rdquo; he says; he and the Hispanic man migrate to McKenna&rsquo;s Pub, 245 W. 14th. A small group of patrons at the window are waiting for them.</p>
<p>
&ldquo;So I got filets, thirty-five dollars for twelve,&rdquo; the black guy says, putting the box on the counter by the window. He&rsquo;s got a patchy beard and a wide smile. &ldquo;And you can see it&rsquo;s cold, real cold, fresh.&rdquo;</p>
<p>
The men who circle the box, all Caribbean, reach out their hands to touch the meat, which is in plastic wrap on top of sytrofoam, just like it would be in D&rsquo;Agostino&rsquo;s, except in vastly larger quantities. It is, indeed, frosty.</p>
<p>
&ldquo;You don&rsquo;t have rib-eye?&rdquo; one customer asks.</p>
<p>
&ldquo;Man, you know the Meatman don&rsquo;t fuck with no rib-eye.&rdquo;</p>
<p>
The Meatman works at the newly fishified Hunt&rsquo;s Point Markets in the Bronx. On Wednesday nights, he brings down certain choice cuts for Manhattan customers in his refrigerated van.</p>
<p>
&ldquo;How many filets is that?&rdquo; a guy in cornrows inquires.</p>
<p>
&ldquo;I told you twelve.&rdquo;</p>
<p>
&ldquo;For forty?&rdquo;</p>
<p>
&ldquo;Man, you know the best I could do for you is thrity-five.&rdquo;</p>
<p>
&ldquo;Thirty-five? I got rent due, you know? So it&rsquo;s like that.&rdquo;</p>
<p>
&ldquo;It&rsquo;s like that. Where you paying rent that five dollars is gonna matter?&rdquo;</p>
<p>
&ldquo;How about you give me a deal on those T-bones?&rdquo;</p>
<p>
&ldquo;T-bones,&rdquo; the Meatman&rsquo;s assistant says.</p>
<p>
&ldquo;This is some serious hustling right here,&rdquo; another meat patron says. &ldquo;Get out the camera.&rdquo;</p>
<p>
The Meatman ends up parting with the filets for thirty-five and the T-bones for twenty (&ldquo;C&rsquo;mon, man, just make it twenty-two, a&rsquo;ight?&rdquo;) before taking his box back outside, assuring those gathered that he&rsquo;ll be back next Wednesday.</p>
<p>
&ldquo;And I&rsquo;m gonna have oxtails, too, for the holidays,&rdquo; he says, giving out his cell phone number. &ldquo;Y&rsquo;all know who to call when you need some meat.&rdquo;</p>
<p>
The Meatman can be reached at 646-309-1710.</p>
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		<title>Mr. Dow 1000</title>
		<link>http://nypress.com/mr-dow-1000/</link>
		<comments>http://nypress.com/mr-dow-1000/#comments</comments>
		<pubDate>Tue, 12 Aug 2003 00:00:00 +0000</pubDate>
		<dc:creator>Ned Vizzini</dc:creator>
				<category><![CDATA[Breaking News]]></category>
		<category><![CDATA[Posts]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[Nick Guarino fights Wall Street (and the Law)]]></description>
				<content:encoded><![CDATA[<p align="justify">A good jingle<br />
  can sell a radio program, and &quot;Radio Free Wall Street,&quot; broadcast<br />
  locally early Sunday mornings on WABC 770 at 1:00, just might have the nation&rsquo;s<br />
  best jingle. The opening looped arpeggios of &quot;Secret Agent Man&quot; are<br />
  hardly given the chance to register before a narrator comes on: &quot;From an<br />
  undisclosed location somewhere in the Northern Hemisphere, it&rsquo;s everything<br />
  Wall Street <em>doesn&rsquo;t</em> want you to know&hellip;&quot;</p>
<p align="justify">Now the<br />
  singing has started: &quot;There&rsquo;s a man who lives a life of danger&hellip;&quot;<br />
  Interspersed with the music, in a voice pitched right between Howard Stern and<br />
  Rush Limbaugh, with better timing than either, the opening barbs are thrown.<br />
  &quot;How come Wall Streeters aren&rsquo;t running for <em>their</em> lives?&#8230;<br />
  Why is no one talking about the <em>eight trillion dollars </em>they wiped out?&quot;</p>
<p align="justify">&quot;Secret<br />
  <em>Agent </em>Man&hellip;&quot;</p>
<p align="justify">This is<br />
  Nicholas A. Guarino Jr., better know to his audience as &quot;maverick international<br />
  financial analyst Nick Guarino,&quot; publisher of the <em>Wall Street Underground<br />
  </em>newsletter, former foil of Bill Clinton, convicted federal criminal, and<br />
  recent defendant in a civil action brought forth by the U.S. Commodity Futures<br />
  Trading Commission. </p>
<p align="justify">Guarino<br />
  has been portending the collapse of Wall Street for more than a decade, most<br />
  recently calling this summer&rsquo;s rally &quot;stok[ing] the coals&quot; and<br />
  &quot;a mighty bull that&rsquo;s now a steer [that] kind of lost his manhood.&quot;<br />
  He is a perma-bear, down on the market through the late 90s and I-told-you-so<br />
  gleeful since 2000, when major losses let him forgo the word &quot;crash&quot;<br />
  and use his preferred term: &quot;wipeout.&quot; Mr. Guarino has a fondness<br />
  for the sweeping doomsday statement.</p>
<p align="justify">&quot;The<br />
  stock market&rsquo;s been wiping people out for centuries, okay,&quot; he said<br />
  on his May 26, 2003 &quot;Radio Free Wall Street&quot; broadcast, archived with<br />
  all the rest at wallstreetunderground.org. &quot;Every single one of the great<br />
  bull markets that they&rsquo;ve had in stock market wonderland has always ended<br />
  up in a bear-market bust, and get this: a Great Depression&hellip; [T]he &lsquo;deflation&rsquo;<br />
  word [is] the buzzword for depression. The U.S. economy is going into a 1930s-style<br />
  depression. We&rsquo;re talking bread lines, soup kitchens, selling apples on<br />
  street corners and a wipeout of untold proportions.&quot;</p>
<p align="justify">According<br />
  to Guarino, his speculation will become truth by autumn&ndash;&quot;by the time<br />
  the leaves start turning in Central Park&quot;&ndash;at which point a final,<br />
  critical piece of the U.S. economy will go bust: real estate (more on that later).<br />
  He also says that simply by revealing this information, he is putting himself<br />
  in mortal danger, which is why he must continue to broadcast from his Cheneyan<br />
  &quot;location&quot; and communicate with his underlings via scrambled satellite<br />
  phone.</p>
<p align="justify">Citing these<br />
  concerns, his &quot;staff&quot;&ndash;an outsource located in England&ndash;repeatedly<br />
  dodged interview requests.</p>
<p align="justify">
<p align="justify">Americans<br />
  are in a record amount of debt, as is the U.S. government&ndash;an all-time world<br />
  record, in fact. The predicted recovery in corporate earnings has yet to materialize,<br />
  and unemployment is at a 9-year high. Home foreclosures and personal bankruptcies<br />
  are reaching record highs, while interest rates are at their lowest in a generation.<br />
  Every large state is broke&ndash;California is double-broke&ndash;while cuts in<br />
  federal taxes are being offset by hikes in state and local taxes.</p>
<p align="justify">These are<br />
  the signs of fiscal apocalypse regularly given airtime by Guarino, and they&rsquo;re<br />
  largely true&ndash;no matter how extreme they may sound in his delivery. Also<br />
  accompanying Guarino&rsquo;s analysis and advice is a criminal past and a long<br />
  history of fleecing customers in the under regulated world of small-scale Wall<br />
  Street newsletters.</p>
<p align="justify">The number<br />
  of independently published stock- and futures-picking financial rags skyrocketed<br />
  in the 90s, alongside broker-free online investing, according to the Commodity<br />
  Futures Trading Commission, the government agency currently attempting to bring<br />
  Guarino to task. Publications such as Louis Rukeyser&rsquo;s tony <em>Wall Street</em><br />
  (est. 1992) and Wall Street City Pro&rsquo;s <em>Wall Street Digest </em>(est.<br />
  1996) spent the last decade charging high subscription rates&ndash;in some cases,<br />
  thousands of dollars&ndash;to those interested in alleged insider information<br />
  on the markets.</p>
<p align="justify">&quot;These<br />
  sorts of things [newsletters] come up on a daily basis,&quot; says Rocell Cyrus<br />
  in the Chicago regional office of the Commodity Futures Trading Commission.<br />
  &quot;I couldn&rsquo;t give you a figure of how many people are making recommendations.&quot;</p>
<p align="justify">No single<br />
  organization regulates these newsletters, so charges of fraud can be filed by<br />
  different agencies. In Guarino&rsquo;s case, since his <em>Wall Street Underground<br />
  </em>came with a trading system that recommended futures, the CFTC filed charges<br />
  last April. For the most part, the newsletters are watched over by a confusing<br />
  juncture of the Better Business Bureau, the U.S. Postal Inspection Service (&quot;[T]hat<br />
  would fall under the mail fraud statutes,&quot; says David Ng, New York Postal<br />
  Inspector), the aforementioned CFTC, and the SEC, through its self-regulatory<br />
  arm. No one is directly responsible for overseeing claims made in newsletters&ndash;let<br />
  alone websites, chat rooms, and message boards&ndash;except for the customers<br />
  themselves, once they get screwed. </p>
<p align="justify">Guarino<br />
  came under investigation because he was selling information on exactly when<br />
  to buy specific futures and accompanying it with outrageous claims: He once<br />
  guaranteed $1 million returns with false money-back promises. With more than<br />
  $5 million from his 1000-plus <em>Wall Street Underground</em> subscribers, he<br />
  started filling up the banks of the Cayman Islands.</p>
<p align="justify">In what<br />
  seems to be questionable judgment, Guarino wears his criminality on his sleeve:<br />
  &quot;Will the nutcase, the criminal rogue of Wall Street&ndash;that&rsquo;s me&ndash;be<br />
  allowed to continue to air his prophecies of doom and gloom and poison the Wall<br />
  Street investors&rsquo; minds against the greatest hustle in history?&quot; During<br />
  one broadcast, he claims to have &quot;been fighting the Wall Street establishment<br />
  for 20 years,&quot; who &quot;hate [his] guts.&quot; The establishment has &quot;tried<br />
  to run [him] out of business.&quot; He&rsquo;s been &quot;criminalized.&quot;</p>
<p align="justify">Guarino&rsquo;s<br />
  &quot;criminalization&quot; has a long history. According to the charges filed<br />
  against him in April, he was registered with the National Futures Association,<br />
  the CFTC&rsquo;s self-regulatory agency, in 1984. He had his own company at that<br />
  time, H.G.S.E Commodities, Inc., and was a certified commodity trading advisor<br />
  until 1986. He operated out of Arkansas (and still uses the Midwest as a home<br />
  base).</p>
<p align="justify">At some<br />
  point, Guarino began to commit mail and wire fraud, using a scheme to sell investors<br />
  on gold and silver. On March 24, 1992, he was convicted by the U.S. District<br />
  Court for the Western District of Arkansas and sent to federal prison. According<br />
  to an April 22, 2003 filing by the CFTC, he also was ordered to pay the government<br />
  $1,250,678&ndash;a fine that remains uncollected.</p>
<p align="justify">
<p align="justify">In the early<br />
  90s, the machinations of then-governor Bill Clinton captured Guarino&rsquo;s<br />
  fancy, leading to eight-page, single-spaced public letters in which the recent<br />
  ex-con called Whitewater a &quot;pure hustle&quot; and asked like-minded citizens<br />
  to send him money&ndash;&quot;no credit cards&quot;&ndash;to fight Clinton. His<br />
  book, <em>The Impeached President </em>(a prescient title if ever there was one),<br />
  accused Clinton of<em> </em>drug running, beatings, arson, airliner sabotage,<br />
  rape, and 56 or so murders.</p>
<p align="justify">Then, in<br />
  the mid- to late 90s, Guarino entered a new line of business, once again operating<br />
  out of the middle of the country. He began Carnival Brands Seafood Company,<br />
  intending to sell microwaveable seafood meals. At the International Boston Seafood<br />
  Show in March 1997, the new fishmonger presented a product to a reporter from<br />
  <em>Quick Frozen Foods International </em>with that catchy 100 percent money-back<br />
  guarantee. He later sued another Carnival foods company, Carnival Brands, Inc.<br />
  of Louisiana, for trademark infringement, although the defendant was incorporated<br />
  in 1990&ndash;six years before Guarino&rsquo;s company. The Eleventh Circuit U.S.<br />
  Court of Appeals found for the other Carnival seafood company on September 3,<br />
  1999.</p>
<p align="justify">These days,<br />
  Guarino has a $100 million federal agency and its own enforcement officers taking<br />
  him and his associates to court. The CFTC has revealed his &quot;undisclosed<br />
  location&quot; to be Merriam, KS, and has painted Guarino&rsquo;s offenses in<br />
  the sort of black-and-white paints he proudly employs on his radio show. According<br />
  to the CFTC, Guarino and his associates have &quot;fraudulently overstated the<br />
  profit potential of the trading systems&hellip;omitted material facts about Guarino&rsquo;s<br />
  criminal background and history of fraudulent conduct, and made false money-back<br />
  guarantees.&quot;</p>
<p align="justify">But Nick<br />
  Guarino has one ace up his sleeve: His <em>operation </em>is in Merriam, KS but<br />
  his own whereabouts are unknown.</p>
<p align="justify">&quot;We<br />
  are still in the process of seeking to serve Mr. Guarino,&quot; says Rocell<br />
  Cyrus of the CFTC. &quot;I did get the order from the judge regarding the preliminary<br />
  injunction hearing and the judge did find in favor of us, the plaintiff&#8230; The<br />
  judge enjoined the defendants from further practices and actions of distributing<br />
  or advertising or marketing the Wall Street Underground products to the public,<br />
  so there is a preliminary injunction in place.&quot; However, wallstreetunderground.org<br />
  remains in operation, offering its archive of Nick Guarino&rsquo;s financial<br />
  radio broadcasts and his calls to &quot;join the underground.&quot;</p>
<p align="justify">That preliminary<br />
  injunction, when decided upon, could stop wallstreetunderground.org from posting<br />
  Guarino&rsquo;s radio rants. In the meantime, the &quot;criminal rogue of Wall<br />
  Street&quot; is still out there broadcasting.</p>
<p align="justify">&quot;That&rsquo;s<br />
  right, do you realize you&rsquo;re listening to a criminal broadcast?&quot; Guarino<br />
  asked on May 19.</p>
<p align="justify">&quot;This<br />
  is the forbidden broadcast. You might want to ask why. Well, I&rsquo;m a criminal,<br />
  and Wall Street will be sure to tell you about that. But what they&rsquo;ll forget<br />
  to mention to you is that criminals have made a lot of people very wealthy.<br />
  And I&rsquo;ve helped millions of people just like you get out of the Wall Street<br />
  clutches&hellip; Now you better believe that really chaps Wall Street&rsquo;s butt.&quot;</p>
<p align="justify">
<p align="justify">Guarino<br />
  predicts a bear market the likes of which we have never seen&ndash;Dow 1000,<br />
  NASDAQ 100&ndash;and a depression that&rsquo;s been setting in for years. His<br />
  proclamations are so repetitive and so harsh that, coming at such a period of<br />
  economic uncertainty, it&rsquo;s not hard to imagine frightened investors sending<br />
  him money. Looking beyond the issue of fiscal responsibility, however, his comments<br />
  can also be appreciated as enormously entertaining, thought-provoking contrarian<br />
  rants&ndash;available 24/7 on the Web:</p>
<p align="justify">&quot;The<br />
  U.S. consumer, which is 70 percent of the U.S. economy, has run out of money<br />
  to beg, borrow or steal.</p>
<p align="justify">&quot;You&rsquo;ve<br />
  been screwed, blued and tattooed, rode hard, put away wet&hellip;</p>
<p align="justify">&quot;Oh,<br />
  by the way, refinance your house, take out the equity, and go buy some plastic<br />
  junk from Taiwan&hellip; See, you&rsquo;re being set up for the kill.&quot;</p>
<p align="justify">Guarino&rsquo;s<br />
  current argument, repeated for the last three months, is that after toppling<br />
  the stock market, the caretakers of &quot;the Wall Street poop chute&quot; will<br />
  go after your home. Market rallies are just temporary flourishes designed to<br />
  get you to throw more money at stocks, which will lead to the looming real estate<br />
  crash.</p>
<p align="justify">&quot;The<br />
  only thing that has saved the U.S. economy over the last two years from a full-blown,<br />
  in-your-face depression&hellip;is the fact that trillions of dollars have been<br />
  put into the U.S. economy by mortgage refinancing,&quot; he says. </p>
<p align="justify">The International<br />
  Monetary Fund predicted a 40 percent chance for a real estate bubble, with the<br />
  current run-up in the market the largest since 1970. Ronald E. Roel of <em>Newsday<br />
  </em>acknowledges that low interest rates and a torrent of mortgage money are<br />
  keeping the market going.</p>
<p align="justify">Guarino<br />
  predicts a real estate fire sale that will feature mansions selling for pennies<br />
  on the dollar. To prepare, everyone should get out of debt and start renting.<br />
  Keep your money in cold, hard cash and take charge when everything goes wrong:</p>
<p align="justify">&quot;Buckle<br />
  your seatbelt, prepare for airbag deployment, wait two years and this wipeout<br />
  will be as obvious as the stock market wipeout and you will be rewarded for<br />
  the cash you save.&quot;</p>
<p> <strong> </p>
<p align="justify">
<p> </strong> </p>
<p align="justify">Guarino&rsquo;s<br />
  appeal lies in the fact that no one wants to know what&rsquo;s happening on Wall<br />
  Street these days. Another accounting scandal or another earnings disappointment.<br />
  The man who seems like a safe bet, the one who made $5 million off his readership&ndash;and<br />
  that&rsquo;s only what the government knows about&ndash;is a self-described &quot;old<br />
  man&quot; who doesn&rsquo;t seem to shave or shower, and who dispenses advice<br />
  from a hole in the ground.</p>
<p align="justify">But what<br />
  is he really looking for? His track record does suggest money to be his primary<br />
  goal, but his advocacy and near-religious fervor against Wall Street seem to<br />
  hint at other intentions:</p>
<p align="justify">&quot;I<br />
  hate Wall Street. I got it in for them&hellip;I&rsquo;ve seen many people close<br />
  to me wiped out in these Wall Street little scandals, okay. I&rsquo;ve seen many<br />
  people&rsquo;s lives destroyed by Wall Street and I don&rsquo;t like it. I have<br />
  got a bone to pick.&quot;</p>
<p align="justify">Clearly,<br />
  he relishes his role as a perma-bear, an underdog, a creature apart from the<br />
  Wall Street insiders. He&rsquo;s the self-proclaimed recession messiah. And like<br />
  Gray&rsquo;s Papaya&rsquo;s &quot;Recession Special,&quot; if you advocate something<br />
  for long enough, it will eventually become true.</p>
<p align="justify">In many<br />
  ways, Guarino is an exemplary stock-market figure for our times, much like James<br />
  J. Cramer in the late 90s. But Cramer was and remains a disgusting individual:<br />
  all arrogance, obviously out to make as much for himself as possible, but willing<br />
  to bring you along for the right price. From his sharp suits to his goatee to<br />
  the fact that he pushed Internet<em> </em>stocks while starting his own Internet<br />
  stock to push Internet stocks, he was an insider, a guy who knew what was going<br />
  on.</p>
<p align="justify">The thing<br />
  is, both Cramer and Guarino seem to have some truth in them. Their rhetoric<br />
  is clearly inflated, but by putting scruples aside, perhaps one could make some<br />
  money. That&rsquo;s why it&rsquo;s hard to listen to that &quot;Secret Agent Man&quot;<br />
  music and not get caught up in a <em>Wall Street Underground</em> of your own.<br />
  Nick Guarino is a criminal, but really, in finance these days, who isn&rsquo;t?</p>
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		<title>Mindflake</title>
		<link>http://nypress.com/mindflake/</link>
		<comments>http://nypress.com/mindflake/#comments</comments>
		<pubDate>Tue, 11 Mar 2003 00:00:00 +0000</pubDate>
		<dc:creator>Ned Vizzini</dc:creator>
				<category><![CDATA[Arts & Film]]></category>
		<category><![CDATA[Posts]]></category>

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		<description><![CDATA[An indie crackpot featured in an indie film]]></description>
				<content:encoded><![CDATA[<p align="justify">In the New York<strong> </strong>Nut Hall of Fame (located in Manhattan), you&rsquo;d be hard-pressed to find anyone on par with Te&rsquo;DeVan Rocketman Kurzweil. He&rsquo;s already a healer, rapper, political activist, philosopher, burgeoning reality television staple, nomad and naked comedian. He&rsquo;s also the star of his own indie<em> </em>biopic, <em>Mindflank,</em> which showed a month ago at Sundance (after Te&rsquo;DeVan crashed the party with the help of two Austrians who flew him out of Chicago in a six-seater plane) and could be the next <em>American Movie</em> if it gets a chance.</p>
<p align="justify">&quot;&lsquo;Mindflank&rsquo; is a word that was invented by my friend Smiley when he was really drunk one time,&quot; Te&rsquo;DeVan explains, just returned from a self-promotion/healing jaunt to Park City, UT. &quot;A mindflank is when you confuse the mind so it can expand afterwards. Like usually people say &lsquo;Hi&rsquo; to each other, but instead of saying &lsquo;Hi&rsquo; to people you start saying, &lsquo;Sometimes it rains, sometimes it pours.&rsquo; Or you can go even more extreme, saying things like, &lsquo;I&rsquo;d like to have sex with my second cousin.&rsquo;</p>
<p align="justify">&quot;These are the types of things that people aren&rsquo;t prepared to handle; they freeze up, and then that&rsquo;s when you can take over. You mindflank them.&quot;</p>
<p align="justify">Te&rsquo;DeVan&rsquo;s mindflanking manifests in many ways. The one that has kept him housed and fed recently is faith healing, a talent he discovered in 2001.</p>
<p align="justify">&quot;It happened three or four days after the World Trade Center, and basically I was sitting in the car and my friend was crying from an angina attack of the heart and I just didn&rsquo;t like listening to her cry and I just instinctively reached out my hands&mdash;I didn&rsquo;t touch her, but I just felt something and I kind of pulled it out. And she looks at me like &lsquo;What the heck did you just do?&rsquo;&quot;</p>
<p align="justify">Te&rsquo;DeVan now heals regularly.</p>
<p align="justify">&quot;I heal people in Washington Square Park. I&rsquo;m just carrying around a giant sign that says &lsquo;I Can Heal. Will Heal Pain for Free. No Touching. I&rsquo;m Serious. Real Deal.&rsquo; I don&rsquo;t want money, but people end up paying me.&quot;</p>
<p align="justify">Mindflanking&rsquo;s other main aspect is &quot;naked comedy,&quot; which Te&rsquo;DeVan started two years ago at Surf Reality on the Lower East Side. The oldsters told him he was like a nude Lenny Bruce, and the youngsters were fond of his showstopper: lighting a match in the head of his penis.</p>
<p align="justify">&quot;I&rsquo;m not really that into that now,&quot; he admits. &quot;But I still do naked comedy and naked comedy <em>is</em> a mindflank. Actually I would always describe it as &lsquo;a mindflank performed by Te&rsquo;DeVan Rocketman Kurzweil.&rsquo;&quot;</p>
<p align="justify">Naked comedy got Te&rsquo;DeVan on the <em>Ricki Lake</em> show; footage from that episode features heavily in <em>Mindflank</em>. &quot;Nobody in the audience got naked, but they were <em>loving</em> <em>it,&quot;</em> he says. &quot;I declared &lsquo;Naked Time.&rsquo;&quot; (An appearance on <em>Shipmates, </em>which Te&rsquo;DeVan secured after healing the neck of one of the show&rsquo;s producers, should air soon.)</p>
<p align="justify">His appearance outside Sundance was highlighted by the guerilla <em>Mindflank</em> screening, and by his proximity to famous people.</p>
<p align="justify">&quot;You literally couldn&rsquo;t throw a stone without hitting a celebrity. It was like the most pretentious scene I had ever seen. I actually healed the Mom from <em>Boy Meets World. </em>Her neck was bothering her. And I ended up with thirteen hundred dollars in free stuff from parties.&quot; </p>
<p><em>Mindflank </em>shows on Thurs., March 6, <br />at Void. 16 Mercer St. (Howard St.), <br />212-941-6492, 8 p.m., free.</p>
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		<title>WFUV VS. WFMU: The Two Towers</title>
		<link>http://nypress.com/wfuv-vs-wfmu-the-two-towers/</link>
		<comments>http://nypress.com/wfuv-vs-wfmu-the-two-towers/#comments</comments>
		<pubDate>Tue, 24 Dec 2002 00:00:00 +0000</pubDate>
		<dc:creator>Ned Vizzini</dc:creator>
				<category><![CDATA[Arts & Film]]></category>
		<category><![CDATA[Posts]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[&#34;I&#8217;m glad that&#8217;s over!&#34; a woman behind me said, exasperated, when the noisy battle of cartoon blood and carnage finally subsided in Ralph Bakshi&#8217;s 1978 The Lord of the Rings&#8212;and the movie still hadn&#8217;t ended. There&#8217;s much more tolerance for things Tolkien these days; the nearly half-hour battle sequence in which 10,000 computer-animated troops storm ]]></description>
				<content:encoded><![CDATA[<p><font size="1"></p>
<p align="justify"><font size="3">&quot;I&rsquo;m glad that&rsquo;s over!&quot; a woman behind me said, exasperated, when the noisy battle of cartoon blood and carnage finally subsided in Ralph Bakshi&rsquo;s 1978 <em>The Lord of the Rings</em>&mdash;and the movie still hadn&rsquo;t ended. There&rsquo;s much more tolerance for things Tolkien these days; the nearly half-hour battle sequence in which 10,000 computer-animated troops storm the fortress at Barad-dur in <em>Lord of the Rings: The Two Towers</em> gets viewed with respect more than awe. Director-writer Peter Jackson has locked in on the imagination of today&rsquo;s moviegoing audience in ways Ralph Bakshi could only dream. Bakshi had the ambition but not the technology; Jackson has both. </font></p>
<p align="justify"><font size="3">Digital optics have delivered to Jackson the means of transferring the fantasy of one medium to another. I don&rsquo;t mean that last year&rsquo;s successful launch of Jackson&rsquo;s Tolkien trilogy with <em>The Fellowship of the Ring</em> proved his fidelity to J.R.R. Tolkien&rsquo;s novels, but that popularity came from Jackson hitting upon the right, modish visualization of the gothic epic. If Jackson&rsquo;s trilogy represents a triumph of something more than marketing (as I suppose it must), it is that of a filmmaker emerging from the margins of occult/sci-fi/fantasy to a central cultural position. He&rsquo;s done it by bringing the videogame to cinema&mdash;and with a straight face. No teenager (or childish adult) could ask for more.</font></p>
<p align="justify"><font size="3">Jackson benefits from groundwork laid down by George Lucas&rsquo; <em>Star Wars</em> adventure flicks, the reality-twisted phantasms of <em>The Matrix</em> and the ubiquitous two-dimensional illusions of PlayStation, Sega and XBox. There really has been a revolution in the cultural standard of popular fantasy; Bakshi anticipated it, but his cartoon format was outstripped by Industrial Light &amp; Magic&rsquo;s realistic fabrications. It took a couple decades of progressive technology to satisfy dungeons-and-dragons whimsy to the point that it&rsquo;s no longer considered kids&rsquo; stuff. People are mightily impressed by Jackson&rsquo;s movies, more than they ever were by Ray Harryhausen&rsquo;s <em>The Seventh Voyage of Sinbad </em>or<em> Jason and the Argonauts</em>, even though the appeal is the same. The difference is the <em>way</em> Jackson creates his saga; he&rsquo;s <em>serious</em>. It&rsquo;s a style of creativity unlike the playfulness of such grown men as Harryhausen and George Pal (<em>The War of the Worlds, The Time Machine</em>). Jackson is a triumphant nerd, claiming his Y2K prerogative to indulge in a three-hour, $100 million reverie&mdash;squared.</font></p>
<p align="justify"><font size="3"><em>The Two Towers</em> has more verve than <em>The Fellowship of the Rings</em>, which flatfootedly introduced Tolkien&rsquo;s eccentric characters and strange worlds&mdash;the Middle Earth setting resembling a costume party gone berserk and into the Twilight Zone. Here, Jackson hits his stride; virtually every new sequence features a splendid subsidiary character in the puppet-show, horror-movie spirit of the films Jackson made before he landed this once-in-a-lifetime commission. (Only a third-rate culture like New Zealand&rsquo;s would think a folly such as this was an artistic advance.) Jackson&rsquo;s script (actually a four-person collaboration) more clearly partitions the parallel plots: Hobbits Frodo (perfectly wide-eyed Elijah Wood) and Sam (husky, loyal Sean Astin) pick up a warped creature, Gollum (Andy Serkis), who guides them to the Black Gates of Mordor where the cursed/powerful ring Frodo carries must be destroyed. In another part of Middle Earth, Aragorn (Viggo Mortensen), the Elf archer Legolas (Orlando Bloom) and Gimli the Dwarf (John Rhys-Davies) enter Rohan, a kingdom cursed by evil wizard Saruman (Christopher Lee). With the good wizard Gandalf (Ian McKellen), the trio fights to restore Rohan&rsquo;s legitimate ruler. Elsewhere, two other Hobbits, Merry (Dominic Monaghan) and Pippin (Billy Boyd), escape their captors and venture through the Fangorn Forest accompanied by walking, talking ancient trees. </font></p>
<p align="justify"><font size="3">This second installment is powered by Jackson&rsquo;s fanciful ingenuity. Orson Welles joked about movies being &quot;the biggest train set a boy ever had,&quot; but Jackson has created the biggest videogame our culture has ever seen. From individual creatures like the gray-skinned, green-eyed Gollum and the regal, wizened, grotesque trees to that relentless, pounding, soaring battle scene, <em>The Two Towers</em> has an undeniable, obsessive quality. It suggests the mindset of a kid transfixed at his videogame keyboard, because each of Jackson&rsquo;s visions moves with similar awkward flimsiness, yet shows genuine panache. CGI isn&rsquo;t perfect yet so, thankfully, some old-fashioned imagination takes over, filling in&mdash;almost humanizing&mdash;the nonsense. Serkis&rsquo; Gollum is a real performance, as sui-generis as Douglas Rain&rsquo;s vocalizing HAL in <em>2001</em>. This tortured, ambivalent miscreant is enslaved to Frodo, yet plots to kill him. While recalling Jewish mysticism, Gollum also evokes Shakespeare&rsquo;s Caliban, a pitiable, malevolent figure, richly anguished. The animistic trees, led by Treebeard, call up childhood memories of <em>Babes in Toyland </em>and<em> The Wizard of Oz</em> successfully realized. And Brad Dourif appears as Wormtongue, Saruman&rsquo;s spy usurping Rohan&rsquo;s throne; he&rsquo;s like Mordred in <em>Camelot</em> but monstrously stylized to suggest both Richard III<em> </em>and<em> </em>Ivan the Terrible. </font></p>
<p align="justify"><font size="3">Here&rsquo;s the oddest thing about <em>The Two Towers</em>: Despite all the otherworldly evocation and cultural references, Jackson&rsquo;s enterprise is not about Myth. Yes, he tangles pronouncements and mysticism and historic simulacra, but none of it translates into metaphor or allegory. Tolkien&rsquo;s books might, but Jackson&rsquo;s films work only on the superficial level of a spectacular. Last year your average review of <em>Lord of the Rings</em> never discussed what it was about because it&rsquo;s about nothing. That&rsquo;s why critical enthusiasm was reduced to the level of teenage gawking. Here, a narrator intones, &quot;[There] are the stories that meant something, that stayed with you because they were holding on to something. There&rsquo;s some goodness in the world and it&rsquo;s worth fighting for.&quot; But that&rsquo;s so generic it can be a decal on <em>The Two Towers</em> DVD box as well as the <em>Grand</em> <em>Theft Auto: Vice City</em> videogame. </font></p>
<p align="justify"><font size="3">While acknowledging Jackson&rsquo;s achievement (I&rsquo;ve never before seen an idiotic vision this thorough), it is important to distinguish it from the fantasy films that artfully enrich an adult&rsquo;s consciousness. Kino Video has recently released a marvelous restoration of Fritz Lang&rsquo;s 1924 <em>Nibelungen </em>saga on DVD. Each part of Lang&rsquo;s two-part epic (<em>Siegfried</em> and <em>Kriemheld&rsquo;s Revenge</em>) dealt with myth as a national, personal onus&mdash;not simply adolescent fright or wonder. But Jackson&rsquo;s vision is on a scale you can fold away on floppy disc. It doesn&rsquo;t linger like Lang&rsquo;s imagery. Jackson lacks Murnau&rsquo;s richness, Eisenstein&rsquo;s vastness, Peckinpah&rsquo;s rhythm, Bertolucci&rsquo;s splendor; he begs comparison with those greats, yet falls substantially short. </font></p>
<p align="justify"><font size="3"><em>The Two Towers</em>&rsquo; videogame essence doesn&rsquo;t carry the weight of those directors&rsquo; historical representation, or of films depicting mankind&rsquo;s struggle. Before videogames, pop artists understood the importance of using fantasy to explain daily mysteries, rather than distract people in mass or individual solipsism. With Jackson, Aragorn&rsquo;s romantic flashbacks are merely gauzy, not a convincing test of man&rsquo;s basic desires&mdash;which was the genius of John Boorman&rsquo;s <em>Excalibur,</em> connecting English and Germanic mythologies based on sensual evocations from medieval art to Klimt and Burne-Jones recreations. Even Werner Herzog&rsquo;s recent film <em>Invincible</em> demonstrated the personal interpretation of myth for political and spiritual meanings. That&rsquo;s the difference between a work of adult seriousness and a film of adolescent frivolity. The only trouble with Jackson&rsquo;s fantasy so far is that it never feels like (emotional) reality. And though the three-hour stretch of <em>The Two Towers</em> is certainly watchable, when it is finally over you don&rsquo;t run and tell your friends about it. There&rsquo;s no feeling like you get from <em>Nibelungen</em>, <em>Close Encounters</em>,<em> Excalibur </em>or even<em> Femme Fatale</em> that without knowing this film you don&rsquo;t know art or life. </font></p>
<p></font></p>
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		<title>A Summer Guide for the Well-Endowed ManA Summer Guide  &#8230;</title>
		<link>http://nypress.com/a-summer-guide-for-the-well-endowed-mana-summer-guide/</link>
		<comments>http://nypress.com/a-summer-guide-for-the-well-endowed-mana-summer-guide/#comments</comments>
		<pubDate>Tue, 28 May 2002 00:00:00 +0000</pubDate>
		<dc:creator>Ned Vizzini</dc:creator>
				<category><![CDATA[Miscellaneous]]></category>
		<category><![CDATA[Posts]]></category>

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		<description><![CDATA[It is tough to get by in America as a man with a large penis. From the get-go, one is branded a brute, a tool, a member of the lower classes. If a woman has taken a large-penised man for a lover and she is praising him to her friends, she does not say, &#34;He ]]></description>
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<FONT FACE="Helvetica"></p>
<p></FONT><FONT FACE="Plantin" SIZE=1> </FONT><FONT FACE="Plantin" SIZE=1><br />
<P><font face="Arial, Helvetica, sans-serif" size="3">It is tough to get by in<br />
  America as a man with a large penis. From the get-go, one is branded a brute,<br />
  a tool, a member of the lower classes. If a woman has taken a large-penised<br />
  man for a lover and she is praising him to her friends, she does not say, &quot;He<br />
  has a big dick,&quot; she says, &quot;He has a big dick <I>and </I>he&#8217;s<br />
  an excellent&#8230;&quot; stockbroker, dog-walker, chef, corrections officer,<br />
  etc. She declines to mention the penis alone because it is embarrassing to have<br />
  a large one, or to cope with a large one.</font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">Even more<br />
  troubling, the Man with Large Penis (or MLP, pronounced &quot;mlp&quot;) is<br />
  expected to perform well in bed. If he does not, the trait that will be paired<br />
  with his large-penised-ness will invariably be his sexual inadequacy&#8211;&quot;He<br />
  has a big dick <I>but </I>he&#8217;s terrible in bed&quot;&#8211;to be followed<br />
  by laughter and taunting. The MLP is expected to know when to play up, play<br />
  down and keep quiet about himself in a relationship, with pet names sometimes<br />
  and mute humility others. The role models for MLPs are <I>bad people</I>: John<br />
  Holmes, James Woods, Tommy Lee, R. Crumb.</font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">Yet perhaps<br />
  the most frustrating aspect of single MLP living is the problem of finding an<br />
  adequate device for prophylactic sheathing. Normal-size condoms, especially<br />
  anything marked &quot;thin&quot; or &quot;sensitive,&quot; are guaranteed to<br />
  pop like dull cannons during an MLP sexual encounter, with all the accompanying<br />
  fumbling, apologizing, added cost and possible yelling about pregnancy and STDs.<br />
  For this reason, <I>New York Press </I>has come forward with the first of &#7;its<br />
  kind, a <B>Large Condom Map of Manhattan </B>that delineates the facilities<br />
  in which one may buy more garbage-bag-like rubbers during the day or evening<br />
  hours. (Late-night buys are extremely difficult, as will be discussed.) We believe<br />
  this map will be especially useful now, as the season of heightened sexual activity<br />
  dawns.</font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">Creating<br />
  this map involved systematically entering Manhattan&#8217;s myriad bodegas, delis<br />
  and food service outlets (such as GNC) and applying the Five-Second Rule. That<br />
  is, if a box of larger-size condoms was not clearly displayed among the tampons,<br />
  Alka-Seltzer and Visine such that it could be spotted within five seconds, the<br />
  store was assumed not to have any such condoms and was not marked on the map.<br />
  This rule was upheld because asking around for condoms is still embarrassing,<br />
  even in 2002, and is especially bad for MLPs, who must request the larger kind<br />
  and reveal their condition to overly genial store clerks. These clerks often<br />
  feel compelled to offer their own faltering comments on penis size.</font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">Green is<br />
  the color of flappingly large condoms, just as light blue has been claimed by<br />
  milk packagers as the color of skim. (LifeStyles also incorporates teal on some<br />
  boxes, confusingly similar to green, but these do not contain larger condoms.<br />
  Beware.) The only types of large condoms one is likely to find are Trojan, LifeStyles<br />
  and Trojan Magnum, the biggest of them all&#8211;almost humorously large ones.<br />
  Trojan has much better distribution than does LifeStyles, with the reasonable-size<br />
  Trojan Large (green box) more common than the Trojan Magnum (gray box), but<br />
  still rare.</font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">An MLP should<br />
  seek out Duane Reade first when looking for a larger-size condom. Duane Reade<br />
  always has a spectrum of choices, although they come only in larger boxes (12<br />
  count), requiring a $10 outlay. Duane Reades are quick, reliable and <I>everywhere</I>&#8211;there<br />
  is one nearly every six blocks in Manhattan.</font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">CVS and<br />
  Rite Aid are also fine, but both stores have few outlets. That sums up most<br />
  of the drugstore options because there are hardly <I>any </I>family-owned drugstores<br />
  left in this city. Bodegas are very unreliable but are better in neighborhoods<br />
  occupied by young people, with facilities near NYU and the East Village having<br />
  decent large-condom availability. The most noticeable large-condom drought<I><br />
  </I>is on Lexington Ave. in midtown, where apparently smaller-penised young<br />
  individuals live and work.</font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">After 10<br />
  p.m., when many Duane Reades are closed, the situation becomes dire. Postmidnight<br />
  it is nearly impossible to find a larger-size condom unless one is in the Lower<br />
  East Side or West Village. The Internet, the best sex alternative, is available<br />
  24/7.</font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">Since AIDS<br />
  has largely been defeated as a cultural pandemic, condoms are not that important<br />
  for today&#8217;s young people, but they offer advantages that the manufacturers<br />
  curiously choose to ignore in their marketing campaigns. A condom gives a man<br />
  (especially a MLP, who has more to give) the chance to reflect after sex on<br />
  the meaning and judgment (good or bad) of his act. A condom affords one the<br />
  opportunity to finish sex and then take a <I>break </I>to flush the prophylactic<br />
  down the toilet and look in the mirror and think about the gravity of sex and<br />
  the weird shapes of life. One of which is a rectangular green box.</font></P><br />
</FONT> </p>
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		<title>Bill Plympton&#8217;s Mutant Aliens; Cancer Conspiracy Recovers from Queens Bandits; Swank Events at Orensanz, White Columns and Puck Bldg.</title>
		<link>http://nypress.com/bill-plymptons-mutant-aliens-cancer-conspiracy-recovers-from-queens-bandits-swank-events-at-orensanz-white-columns-and-puck-bldg/</link>
		<comments>http://nypress.com/bill-plymptons-mutant-aliens-cancer-conspiracy-recovers-from-queens-bandits-swank-events-at-orensanz-white-columns-and-puck-bldg/#comments</comments>
		<pubDate>Tue, 23 Apr 2002 00:00:00 +0000</pubDate>
		<dc:creator>Ned Vizzini</dc:creator>
				<category><![CDATA[Miscellaneous]]></category>
		<category><![CDATA[Posts]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[Plympton is at the forefront of this new wave, or the back, depending on whether you like his childishly simple line drawings, bizarre sex scenes and characters that morph from one disgusting thing into another. His new opus is about a group of animals, spawned under frightening circumstances in outer space, that returns to Earth ]]></description>
				<content:encoded><![CDATA[<p>
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">Plympton<br />
  is at the forefront of this new wave, or the back, depending on whether you<br />
  like his childishly simple line drawings, bizarre sex scenes and characters<br />
  that morph from one disgusting thing into another. His new opus is about a group<br />
  of animals, spawned under frightening circumstances in outer space, that returns<br />
  to Earth to kill the nasty government figure who got them created in the first<br />
  place. </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">&quot;The<br />
  original concept for this film occurred to me when I was looking at a magazine<br />
  and I saw a picture of Laika, the Russian cosmonaut dog,&quot; Plympton explains.<br />
  &quot;I wondered, &#8216;Is that dog still up in space circling around the Earth<br />
  in some tin can? There must be a lot of other monkeys and mice and rabbits that<br />
  are circling the Earth and they&#8217;re probably pretty pissed off.&#8217;&quot;<br />
  </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3"><I>Mutant<br />
  Aliens </i>runs a bit long for my taste, but Plympton fans will be happy to<br />
  know that Bill&#8217;s archetypes are all accounted for: the Reagan-esque villain,<br />
  the horny and visually imaginative young man and the babe-with-oversexed-voice<br />
  (as cute child and slammin&#8217; adult). There&#8217;s also some man-on-alien<br />
  action that&#8217;s not for the squeamish. </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">&quot;I<br />
  started out doing sex cartoons for <I>Playboy</I> and <I>Penthouse</I> and <I>Hustler</I><br />
  and <I>Screw</I>, so I still like to, y&#8217;know, put sex stuff in my films,&quot;<br />
  Plympton says. &quot;I think that&#8217;s kind of a unique quality to my animation,<br />
  going up against DreamWorks and Disney and Fox.&quot; </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3"><I>Mutant<br />
  Aliens</i> has its American premiere (&quot;as soon as my films are finished,<br />
  they go immediately to [France and Korea] and I make money on &#8217;em&quot;)<br />
  this Friday at <B>Cinema Village</B> (22 E. 12th St., betw. University Pl. &amp;<br />
  5th Ave., 924-3363). The show runs at 2:20, 6:20 and 10:10 and anybody who sees<br />
  the movie that night will be allowed to attend an after-party for Plympton fans.<br />
  (The location is secret; you&#8217;ll learn it when you get out of the theater.)<br />
  </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">Oh, and<br />
  keep in mind as you&#8217;re watching <I>Mutant Aliens</I>&#8211;Bill Plympton<br />
  wrote, produced, animated and directed it. It took two and a half years and<br />
  ate up $300,000 of his own cash. </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">&#8230;Speaking<br />
  of lost wages, talented instrumental band the <B>Cancer Conspiracy </B>went<br />
  through some serious crap last month when their van, full of equipment, was<br />
  stolen in Queens. &quot;We lost a total of over $21,000 in gear and merch,&quot;<br />
  writes bassist <B>Brent Frattini</B> on the band&#8217;s website, &quot;as well<br />
  as a porno mag and a jar of peanuts.&quot; It&#8217;s never a good time to have<br />
  your shit jacked, but it was particularly bad for the Cancer Conspiracy&#8211;they<br />
  had just released one of the most ambitious, interesting albums of the young<br />
  year and they were slated to play Mercury Lounge. They did what any band would<br />
  do; they sent out an e-mail about the theft, got stupid drunk at a bar in Queens<br />
  called <B>Gussy&#8217;s</B> (20-14 29th St., betw. 20th &amp; 21st Aves., Astoria,<br />
  718-728-9418)&#8211;Gussy himself took a liking to them and added their debut<br />
  <B><I>The Audio Medium</i></B> to the jukebox&#8211;and flew home to Burlington,<br />
  VT. </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">This week,<br />
  Cancer Conspiracy returns for a show at Knitting Factory, where their uncompromising<br />
  post-prog chops will be respected. Basically, <I>The Audio Medium</I> (January<br />
  2002) plays like an even denser <B>Don Caballero </B>with saxophone and keyboards.<br />
  Along with bassist Frattini, guitarist <B>Daryl Rabidoux </B>and drummer/multi-instrumentalist<br />
  <B>Greg Beadle</B> have no respect for any of the norms of rock music, going<br />
  from Floyd-inspired horn parts to riffs cribbed from Rush to piano interludes<br />
  like they&#8217;ve been smoking dust with <B>RZA</B>. It&#8217;s amazing that<br />
  something like <I>The Audio Medium</I> ever even got made, let alone released<br />
  by Big Wheel Recreation. </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">As for the<br />
  name Cancer Conspiracy, it might refer to an alleged plot by members of the<br />
  medical community to suppress oncological research or it might refer to the<br />
  way pop music spreads through American minds, depending on how you interpret<br />
  the cryptic writings that come with the CD. &quot;[I] tried to understand why<br />
  a culture which supposedly values individuality and variety is content to tune<br />
  in to what is essentially a static and repetitive signal,&quot; writes &quot;Dr.<br />
  Travis John, Ph.D.&quot; in a &quot;letter&quot; that fits in the album sleeve.<br />
  Rock on. </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">Cancer Conspiracy<br />
  plays Saturday at <B>Knitting Factory</B> (75 Leonard St., betw. B&#8217;way<br />
  &amp; Church St., 219-3055). They open for <B>Lake Trout</B>; <B>Kill Me Tomorrow<br />
  </B>is also on the bill; doors are at 8:30 p.m. so Kill Me Tomorrow should be<br />
  on at 10 with the Cancer Conspiracy following at 11. Tickets are $12. </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">&#8230;If, instead<br />
  of $12, you feel like spending a couple hundred this week, you&#8217;re in luck:<br />
  the swank spring events are in full swing. Something about daffodils and cherry<br />
  trees just makes people want to spend cash in New York, and our auction houses/theaters/community<br />
  organizations know it. </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">First, on<br />
  Thursday, the <B>Friends of Grand Street Settlement</B> present their second-annual<br />
  <B>Taste of the Lower East Side</B>. I always thought the L.E.S. tasted like<br />
  beer, but when you reflect on it, there&#8217;s one single block that has <B>Katz&#8217;s<br />
  Deli</B>, <B>Bereket Turkish Kabob House </B>and <B>Famous Original Ray&#8217;s<br />
  Pizza </B>(Houston St., south side, betw. Orchard &amp; Ludlow Sts.), so that&#8217;s<br />
  not too shabby. The Taste of the Lower East Side is bringing in yummy samples<br />
  from 25 restaurants and refreshments from 12 beverage distributors, including<br />
  Korand/Alize Cognac, for a night of ingestion. Proceeds benefit youth programs<br />
  at the Grand Street Settlement. </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">The best<br />
  thing about this event is that it&#8217;s taking place at the <B>Orensanz Center<br />
  for the Arts</B> (172 Norfolk St., betw. Houston &amp; Stanton Sts., 529-7194),<br />
  a synagogue-turned-party-space that is gorgeous front-to-back. If you&#8217;ve<br />
  never been there, you owe it to yourself to drop by; it&#8217;s like the downtown<br />
  Cloisters. Tickets can be obtained through www.grandstreet.org/taste or by calling<br />
  674-1740 x211 for $75-$300. </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">Next on<br />
  the list, White Columns is a nonprofit exhibition space in the West Village<br />
  that&#8217;s been hosting a <B>Benefit Silent Auction</B> for the past two weeks.<br />
  (Whom does the auction benefit? White Columns, of course! They&#8217;re nonprofit.)<br />
  If you want to bid on any of their art, get on www.whitecolums.org now. If you<br />
  just want to party, shell out $150 for their gala this Saturday. </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">The hoo-hah<br />
  takes place at <B>White Columns</B> (320 W. 13th St., betw. 8th Ave. &amp; Hudson<br />
  St., 924-4212) starting at 7 p.m. Be aware that despite what you might think<br />
  from the address, the entrance to the gallery is on Horatio St., one block south<br />
  of 13th St. </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">Finally,<br />
  it is Shakespeare&#8217;s birthday this Monday and <B>Theater for a New Audience</B><br />
  is celebrating with its 23rd <B>Anniversary Gala</B>. Shakespeare is famous<br />
  for writing some plays in England. The Theater for a New Audience is famous<br />
  for putting these plays on. And <B>John Turturro</B>, celebrity MC, is famous<br />
  nowadays for this weird cultural blip <I>O Brother, Where Are Thou?</I> that<br />
  has gripped us since 2000. Cocktails start at 6:30 p.m.; dinner and entertainment<br />
  (including auctions for Broadway evenings) start at 7:30; it all takes place<br />
  in the <B>Puck Bldg.</B> (295 Lafayette St., betw. Houston &amp; Prince Sts.,<br />
  398-1133 x11 or x12), <I>New York Press</I>&#8217; old home, where I spent many<br />
  a rockin&#8217; evening. Tickets are $450 and up and are available through the<br />
  number above. </font> </P><br />
</FONT><FONT FACE="Zapf Dingbats" SIZE=1></FONT> </p>
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		<title>Get Serious About Dating; King Missile/Bongwater Spawn New Band; Tiger Mountain Makes Steve Miller Cool Again; X-ecutioners and X-treme Videos</title>
		<link>http://nypress.com/get-serious-about-dating-king-missile-bongwater-spawn-new-band-tiger-mountain-makes-steve-miller-cool-again-x-ecutioners-and-x-treme-videos/</link>
		<comments>http://nypress.com/get-serious-about-dating-king-missile-bongwater-spawn-new-band-tiger-mountain-makes-steve-miller-cool-again-x-ecutioners-and-x-treme-videos/#comments</comments>
		<pubDate>Tue, 16 Apr 2002 00:00:00 +0000</pubDate>
		<dc:creator>Ned Vizzini</dc:creator>
				<category><![CDATA[Miscellaneous]]></category>
		<category><![CDATA[Posts]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[&#34;I teach, among other things, how to access your instinct, your intuition and your deeper wisdom so that you can assess a new prospect,&#34; Wininger says. Excuse me? I thought dating was about humiliation and (maybe) theft. &#34;Wisdom is crucial, because let&#8217;s face it&#8211;most dates lead nowhere,&#34; Wininger reasons. This week he is going to ]]></description>
				<content:encoded><![CDATA[<p>
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">&quot;I<br />
  teach, among other things, how to access your instinct, your intuition and your<br />
  deeper wisdom so that you can assess a new prospect,&quot; Wininger says. Excuse<br />
  me? I thought dating was about humiliation and (maybe) theft. </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">&quot;Wisdom<br />
  is crucial, because let&#8217;s face it&#8211;most dates lead nowhere,&quot; Wininger<br />
  reasons. This week he is going to go over the best places to meet somebody new<br />
  (&quot;I&#8217;ve met women on the subway, I&#8217;ve met women at the bus stop,<br />
  I&#8217;ve met women on the movie line&quot;) and how you can start a conversation<br />
  anywhere. </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">&quot;Especially<br />
  now, post-9/11, people want to be bonding and connecting more than ever,&quot;<br />
  he says. &quot;This is the first post-11 spring and it&#8217;s going to be a<br />
  very happy hunting season.&quot; </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">Heck, you<br />
  might not even have to hunt outside of the workshop. Charlie Wininger&#8217;s<br />
  get-together will likely attract 60 people, 50 percent male and 50 percent female.<br />
  &quot;One thing I&#8217;m doing on April 12 is some theater improv with everyone<br />
  to loosen everyone up and get them into a more spontaneous place,&quot; he explains.<br />
  </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">Charlie<br />
  Wininger&#8217;s <B>RelationShop</B> course is $325, but this Friday&#8217;s hoo-hah<br />
  is totally free, so step up. Proceedings begin 7 p.m. at the <B>SLC Conference<br />
  Center</B> (22 W. 34th St., betw. 5th &amp; 6th Aves., 244-8888). </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">&#8230;Now,<br />
  when I get guitarist <B>Dave Rick</B> on the phone, formerly of <B>King Missile</B>,<br />
  I ask him the dumb question that anybody would ask. I ask him if he still gets<br />
  money from his old band&#8217;s hit, <B>&quot;Detachable Penis.&quot; </B>(Remember<br />
  that song? No? Well, it goes &quot;De-tachable peee-nis&quot; and it&#8217;s<br />
  about a detachable penis.) </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">&quot;Hello?<br />
  Hello, is this working? <I>Hello?</I>&quot; Dave responds. &quot;I thought the<br />
  press would know more about this than lay people would know. No! I don&#8217;t<br />
  make any money off that song.&quot; </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">Dave&#8217;s<br />
  been through the rock &#8217;n&#8217; roll wringer more than once with King Missile<br />
  and the avant-garde group <B>Bongwater</B>; he&#8217;s taken plenty of &quot;Detachable<br />
  Penis&quot; questions. </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">&quot;I&#8217;m<br />
  curious myself in my office when it&#8217;s like, &#8216;Dave, you&#8217;re on<br />
  the radio again.&#8217; And I figure we get played on K-Rock and KROQ in L.A.<br />
  every day, but no, no one buys our records so we don&#8217;t make money&#8230; We<br />
  sold 80,000 records, and that&#8217;s shit.&quot; </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">Dave is<br />
  currently testing the waters with a new band, <B>Dr. Mom</B>. In some ways it&#8217;s<br />
  a supergroup of the art rock that flourished on New York&#8217;s <B>Shimmy-Disc</B><br />
  label in the late 80s; the other members are <B>Roger Murdock</B> (ex-King Missile),<br />
  <B>Stuart Popejoy</B> and <B>Ann Magnuson </B>(ex-Bongwater). These nutcases<br />
  brought us tracks like &quot;Dazed and Chinese&quot; (Zeppelin&#8217;s &quot;Dazed<br />
  and Confused&quot; sung in Mandarin, from Bongwater&#8217;s first album) and<br />
  they&#8217;re coming to Galapagos this Wednesday to spread that new sound. </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">&quot;Last<br />
  year, we put a song on a compilation disc called <B><I>Colonel Jeffrey Pumpernickel</i></B>,&quot;<br />
  Dave explains. &quot;That song was called &#8216;Dr. Mom&#8217; so we said fuck<br />
  it, let&#8217;s call the band Dr. Mom. Let&#8217;s just keep it up&#8230; Ann had<br />
  to be in town this week because she&#8217;s required to go to jury duty and we<br />
  were like, &#8216;Hey, let&#8217;s do some songs.&#8217;&quot; </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">Expect reworked<br />
  Bongwater tunes, humorous covers and developing material at the show. Also check<br />
  out openers the <B>Martinets</B>, <I>another</I> band that Dave Rick plays in.<br />
  They do true-grit revivalist punk. </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">&quot;We&#8217;re<br />
  all those kind of people who, no matter what day job we have, we need to go<br />
  out at the end of the day and do this <I>thing</I>,&quot; Dave says of his musical<br />
  aspirations. Dr. Mom and the Martinets perform this Wednesday at <B>Galapagos</B><br />
  (70 N. 6th St., betw. Wythe &amp; Kent Aves., Williamsburg, 718-782-5188). The<br />
  show starts at 8 p.m. and tickets are $10. Expect old scenesters. </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">&#8230;Also<br />
  in the world of veteran NY rock, Arlene Grocery hosts <B>Tiger Mountain </B>on<br />
  Thursday. This is another band whose members are cluster-fucked back to the<br />
  early 90s. I got to speak with bass player <B>Dean Rispler</B>, who also plays<br />
  in the <B>Brought Low</B> and who produced last year&#8217;s terrific<B> Bad<br />
  Wizard </B>record. It doesn&#8217;t end there. </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">&quot;I<br />
  played in <B>Murphy&#8217;s Law</B> and I also played in <B>Voluptuous Horror<br />
  of Karen Black</B>&#8230; I&#8217;ve been playing bass professionally in New York<br />
  since 1992,&quot; says Dean. &quot;It&#8217;s been kinda terrible. I think Manhattan<br />
  has gotten really bad, in terms of the clubs. The thing that&#8217;s cool about<br />
  it is that there&#8217;s been a shift of focus over to Brooklyn&#8211;<B>Northsix</B><br />
  is the best club in New York right now.&quot; </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">Tiger Mountain<br />
  does sparse, harmony-rich 70s rock a la <B>Steve Miller</B>. The songs are there<br />
  and so is the buzz&#8211;what&#8217;s interesting is that guys from Murphy&#8217;s<br />
  Law and <B>Nada Surf</B> are getting lumped with the <B>Strokes</B> and written<br />
  up in <I>Rolling Stone</I>. Dean doesn&#8217;t mind. </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">&quot;I<br />
  really didn&#8217;t want to like the Strokes, but you know what, their record&#8217;s<br />
  not bad,&quot; he muses. &quot;At least younger kids are like, &#8216;Oh, I like<br />
  this stuff,&#8217; instead of listening to some sort of bizarre version of this<br />
  new techno that comes out every two weeks.&quot; </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">Tiger Mountain<br />
  is currently working on a debut album. They play <B>Arlene Grocery</B> (95 Stanton<br />
  St., betw. Ludlow &amp; Orchard Sts., 358-1633) Thursday at 9 p.m. The monster<br />
  bill includes five other bands, but I haven&#8217;t heard of any of them so they&#8217;re<br />
  probably bad. </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">&#8230;If you&#8217;re<br />
  looking for a different kind of proven act, go down to B.B. King&#8217;s and<br />
  check out the <B>X-ecutioners</B> on Tuesday. This NYC supergroup of DJs comes<br />
  into town as part of the <B>Adrenaline Tour</B> sponsored by SoBe Adrenaline<br />
  Rush soda, the &quot;MAXIMUM ENERGY SUPPLEMENT&quot; that contains Siberian<br />
  ginseng and taurine. (&quot;Get it up, keep it up, any questions?&quot; is the,<br />
  uh, motto.) </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">The X-ecutioners<br />
  were formed in 1989, a quartet (now a trio)&#16;of legendary DJs pursuing that<br />
  rarest of birds&#8211;longevity in hiphop. They worked throughout the 90s toward<br />
  a 1997 record contract (rare for a bunch of turntablists) and recently released<br />
  their second album, <I>Built from Scratch</I>, on Sony. <I>Built from Scratch</I><br />
  hit MTV and landed the X-ecutioners on the <I>Billboard</I> 200. </font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">The Adrenaline<br />
  Rush tour doesn&#8217;t stop there (get it up, keep it up, remember?). It also<br />
  features a slew of extreme-sports videos to be played before the X-ecutioners,<br />
  from <B><I>Crusty Demons (The 7th Mission) </i></B>to <B><I>Logic 10</i></B>.<br />
  Many of these videos are still in production, so if you&#8217;re an extreme-sports<br />
  &quot;enthusiast,&quot; you owe it to yourself to check them out. Also, as is<br />
  to be expected, the B.B. King screens will be graced by<B> <I>Jackass</I>&#8217;<br />
  Steve-O</B> and <B>Bam Margera</B>, who appear in the skate/hijinks/I-can&#8217;t-believe-they&#8217;re-not-dead<br />
  videos <B><I>CKY2K</i></B> and <B><I>CKY3</i></B>.</font></P><br />
<P ALIGN="JUSTIFY"><font face="Arial, Helvetica, sans-serif" size="3">Opening<br />
  the Adrenaline Tour are politically minded rappers the <B>Coup</B>, but it&#8217;s<br />
  hard to waste ink on a group that stepped into mainstream legitimacy by abandoning<br />
  an album cover that showed the Twin Towers blowing up. It all goes down this<br />
  Tuesday at <B>B.B. King Blues Bar &amp; Grill </B>(237 W. 42nd St., betw. 7th<br />
  &amp; 8th Aves., 997-4144). Doors open at 8 p.m. and tickets are $15. </font><br />
</P><br />
</FONT><FONT FACE="Zapf Dingbats" SIZE=1></FONT> </p>
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