
Why
did Teddy Bergman, co-founder and co-artistic director of the Woodshed
Collective, situate his ambitious production of Caridad Svich’s
Twelve Ophelias within the vast and creepy bowels of the McCarren Park Pool in Williamsburg?
Maybe it’s ghosts. Svich’s play, after all, is practically suffuse with them, much in the same way that Shakespeare’s original
Hamlet asks
the title character—and audiences—to believe that he’s acting upon his
dead father’s dictates. Bergman makes a statement by plunking the play
into a comparatively tiny sliver of the long-neglected hulk, which was
touted as the world’s largest public pool when Robert Moses and
Fiorello LaGuardia opened it in 1936. Sense, if you can, the ghosts of
yesteryear’s happy kiddies...
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