The New Museum’s 1993 show narrows the past The New Museum has put together a time capsule: a collection of dozens of works produced in New York in the year 1993. If you were a teenager in 1993, the exhibit “1993: Experimental Jet Set, Trash and No Star” will probably act on you like a 
New artists and new promise in Guggenheim overview It’s exciting to walk into the Guggenheim’s new contemporary South Asian exhibit “No Country: Contemporary Art for South and Southeast Asia.” There’s the glitter of silver, the sheen of gold, and the vibrant colors of a wall-to-wall mural: and there’s the promise of a show full of 
The Rubin Museum is now showing the first American retrospective of Homai Vyarawalla, India’s first female photojournalist, in “Candid: The Lens and Life of Homai.” Vyarawalla started out as an outsider, taking furtive shots of Bombay street life. She ended her career photographing heads of state and dignitaries. Along the way, she may have 
The sees itself as a teaching museum, which may be why its curators are trying to cram the entire history of Chinese printmaking into one exhibit: The Printed Image in China: 8th-21st Centuries. Ninth-century Buddhas, 16th-century peonies and 20th-century peasants are all lined up in the back rooms of The Met’s Asian wing for your 
Fu Baoshi adapts to revolution The title of The Metropolitan Museum’s new Chinese painting exhibit, Chinese Art in an Age of Revolution: Fu Baoshi (1904-1965), is misleading. The painter in question did live through the establishment of the Chinese Republic, the Sino-Japanese wars and the rise of the Communist party, but Fu is far more 
