Inner Visions: Eric Lartigau’s smart “The Big Picture” takes a second look
There’s a knowing duality to the title of Eric Lartigau’s (I Do, The Players) new film, The Big Picture, that only comes into focus once you’ve seen his twisty new film, adapted from Douglas Kennedy’s 1997 American-set novel. Without bombast, Picture swerves in ways both substantive and stylistic, but because these shifts yields surprises, I [ read more... ]











