Silence proves a powerful device in Johnna Adams’ new play By Doug Strassler Of all the scenes that will emblazon themselves upon the heart, as many in Sans Merci, the deeply affecting new Johnna Adams play that just opened at the Fourth Street Theater, will, the one that lingers the most is a silent one. 
A Q & A with Jake Margolin and Nick Vaughn of A Marriage: 1 (Suburbia) By Doug Strassler Real-life married couple Jake Margolin and Nick Vaughn conceived of A Marriage: 1 (Suburbia), an integrated work of performance art about the trials and tribulations of marriage. The show utilizes the entirety of HERE Arts Center – including 
A Q&A with the company of the new Knife Edge show Actors Don DiPaolo and Neil Holland and director Sam Helfrich, of theater company Knife Edge Productions, reunite after 2011’s successful run of the Stephen Belber show Tape with the new production of Owned. Penned by another major playwright, Drama Desk nominee Julian Sheppard, Owned 
Daniel Talbott’s ‘Slipping’ is the first LA production for the NYC company The Off-Broadway theatre community isn’t a geographical location as much as a mental one, a notion that Rattlestick Playwrights Theater has embraced wholeheartedly as it expands its base all the way from New York’s West Village to Hollywood. Slipping, the well-received play written 
“J’accuse?” It’s one of the first lines uttered in David Harrower’s layered play, Good With People, currently shining at 59E59 as part of its Brits Off Broadway festival. Those familiar with history will understand this statement’s implications of cruelty, equally apt in the time of writer Emile Zola in nineteenth century France as well as 
Nick Jones’ Clever ‘Trevor’ Brings to Life an Actor’s Nightmare I’m not sure who has it worse in Trevor, the latest Lesser America comedy to nestle into downtown’s Theater for the New City: is it Morgan Fairchild, that B-list sex kitten of yesteryear, or Trevor, the animalistic former child star whose quest to be rediscovered 
As the temperatures continue to dip below freezing and Broadway holds off on its heavy-hitters for spring, Off-Broadway theaters continue to mount interesting work. I review a few of them below. Bodega Bay Elisabeth Karlin’s play is an oddly comic hybrid of Flirting with Disaster and Winter’s Bone. Louise (Susan Louise O’Connor), is essentially an 
Martin Moran continues searching for himself in his one-man show ‘All the Rage’ Of all the many hard-hitting statements made by Martin Moran in All the Rage, the life-affirming one-man show authored by and starring the performer and which opened last night at the Peter Jay Sharp Theatre, one statement stood out among his descriptions 
