By Angela Barbuti Ed Asner is still acting in his eighties. But his quick wit and unique outlook on life make him able to transcend the age gap. An entertainer for all generations, he has played endearing roles for the younger set such as Santa Claus in Elf and Carl in Up. But others will 
Political filmmaker Costa-Gavras (Z, Missing, The Confession) once said “If Americans are so free, why do you love escapist entertainment? What are you escaping from?” That question comes to mind every time a Luc Besson action movie opens here to negative reviews. To read the full review at City Arts click here 
Wegman Throws Sincerity A Bone Irony is one the most overused conceits in contemporary art. So much so that the term “ironic hipster” has become part of our current lexicon. I’m tired of ironic hipster art, minimal drawings coupled with what are meant to be pearls of wisdom encapsulated in a tagline. The current show 
‘WON’T BACK DOWN’ CONTRIBUTES TO THE EDUCATION CRISIS A dyslexic child looks into the camera at the end of Won’t Back Down and correctly pronounces a word she had previously stumbled over: “Hope.” Thank God for the smart-aleck in the audience who loudly responded: “Boo!” Whether or not that raspberry came from a member of 
THE TRICK AND TREAT OF HOLLYWOOD HALLOWEEN Tim Burton reaches the outer limits of creepy in Frankenweenie, the 3D remake of his 1984 animated short about a boy who plays Frankenstein and brings his dead dog Sparky back to life. That’s why it was a relief to step from that gothic cliché to the more 
A dyslexic child looks into the camera at the end of Won‘t Back Down and correctly pronounces a word she had previously stumbled over: “Hope.” Thank God for the smart-aleck in the audience who loudly responded: “Boo!” To read the full review at City Arts click here 
I’m Carolyn Parker must be categorized as a documentary since it is a nonfiction, slice-of-life account of a real person, but it transcends genre classification because it is really an extraordinary character study. To read the full article at City Arts click here 
Tracy Letts Takes on his Mentor Edward Albee in New Production By Ben Kessler Edward Albee’s classic Who’s Afraid of Virginia Woolf? returns to Broadway in a 50th-anniversary production from Chicago’s Steppenwolf Theatre Company. Tracy Letts and Amy Morton will appear in the iconic roles of George and Martha, a middle-aged married couple locked in terminal, 
